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    The Ultimate Holiday Tradition

    A chat with Houston Ballet's charming Nutcracker Prince

    CultureMap Create
    Nov 6, 2023 | 12:00 pm

    Each December, without fail, Houston audiences are treated to the visual spectacle that is Houston Ballet's production of The Nutcracker.

    \u200bHouston Ballet principal Skylar Campbell in Rubies.

    Photo by Lawrence Elizabeth Knox, courtesy of Houston Ballet

    Houston Ballet principal Skylar Campbell in Rubies.

    Set to Tchaikovsky's iconic score and using artistic director Stanton Welch's concept and choreography since 2016, The Nutcracker dazzles more than 70,000 patrons each year.

    The opulent staging transports the audience from Clara's Victorian home to the magical Land of Sweets, as one Christmas night the little girl receives an enchanted nutcracker doll from her Uncle Drosselmeyer.

    Nearly every member of Houston Ballet participates, with the cast rounded out by hundreds of young dancers from the community and Houston Ballet Academy.

    Making his Nutcracker debut this year is principal dancer Skylar Campbell, who joined Houston Ballet in 2022 but was sidelined by injury last holiday season.

    He recently sat down with CultureMap to discuss his dual roles of Drosselmeyer and the Nutcracker Prince in the ballet, which runs November 24-December 27 at Wortham Theater Center.

    CultureMap: How does Stanton Welch’s version of The Nutcracker differ from other iterations?

    Skylar Campbell: Stanton’s version pushes the boundaries of what you think of a typical Nutcracker. The sheer amount of costume changes that the majority of the company has to do is unparalleled to others [editor's note: Tim Goodchild designed costumes for 45 mortal characters and 237 fantasy characters]. It's definitely not easy for the dancers either, but it's rewarding in the sense that it creates a spectacle and magical experience for audiences.

    CM: Tell us about the roles you're dancing.

    SC: This is my first time playing Drosselmeyer and I've had a lot of fun learning it with the rehearsal directors, some of whom have done the role before themselves. I've been given a lot of great info.

    Approaching Drosselmeyer, I envision myself as a enigmatic, globe-trotting magician. With a knack for inspiring awe and enchantment, he aims to bring a touch of beauty and wonder to the world with his magical talents and mystique. I'm definitely not trying to be a mean old man who’s bitter about Christmas, or like a Scrooge-type figure.

    This is new for me to play a character who’s older in age! But I think he's here to bring mystery and light and really change the energy of the show. When he first enters, he's surrounded by a lot of jubilance and then he balances that with a different tone. That excites people and draws them in — it's up to the audience to decide whether he actually changes the world or if Clara is just dreaming. It's exciting to think about him that way.

    CM: And the Nutcracker Prince?

    SC: The Prince for me is more of this regal and imaginative character, a free-spirited figure in the story who's in search of love and happiness and joy and dance.

    Drosselmeyer is a real person and has more of a journey, while the Prince is the imagination of the Nutcracker (who he turns into when he and Clara travel to the Land of Sweets).

    It's not uncommon for Drosselmeyers to also dance the Prince in this production, and it's interesting to see that a lot of their steps are the same, just on different sides. Stanton has them both dancing together at the end of Act I and into Act II, so it's been fun learning both parts.

    CM: What is your favorite part about being in The Nutcracker?

    SC: This is my first time dancing a new production after doing The Nutcracker in Canada [Campbell was with the National Ballet of Canada from 2009-2021], and it's refreshing and exciting to take on a new-to-me interpretation of a holiday classic.

    Since it comes around every year, it really gives us unique opportunities to play and explore — it never gets old.

    CM: Why do you think the audience returns year after year?

    SC: I'm always surprised with the amount of characters there are in this ballet! There are so many things to look at that you can come back two or three times and will always see something new.

    I always like to remind myself that at The Nutcracker there is always going to be someone who’s seeing ballet for the first time. It's something that I remember seeing as a kid too, and those first memories really stick with you. So we try to remember that each performance is inspiring a new generation of audience members and dance-goers, and as company members and professional dancers, we respect that and still take it seriously.

    ---

    Houston Ballet's The Nutcracker runs at the Wortham Theater Center from November 24-December 27. Tickets start at $30, and can be purchased by calling 713-227-2787 or visiting the website.

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    best October art

    Where to see art in Houston now: 10 exhibits and shows opening in October

    Tarra Gaines
    Oct 9, 2025 | 1:48 pm
    Gyula Kosice, La ciudad hidroespacial (The Hydrospatial City) [detail], 1946–72, acrylic, paint, metal, and light, the Museum of Fine Arts, Houston, museum purchase funded by the Caroline Wiess Law Accessions Endowment. © Fundación Kosice – Museo Kosice, Buenos Aires
    Photo courtesy of Museum of Fine Arts, Houston
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    The best art shows in October might also be the best explorations into scientific realms Houstonians will see all year. Nature, time, and the secret connective patterns of the universe seem to be major themes of artists and exhibitions this month. Art lovers can journey into orbital space habitats, dive into quantum landscapes, speed amid stars, and question the meaning of time.

    Head back to Earth for Menil television, a look at a Jewish family's evolution, and a massive art show in Memorial Park. Finally, Anya Tish Gallery says goodbye with an era-ending show.

    “Spectral Field” presented by Diverseworks (now through November 8)
    Explore the nature of everything with this plasma art installation from Austin-based, Iranian-American artist Anahita (Ani) Bradberry in the art gallery at MATCH. These large sculptural pieces attempt to imagine unfathomable vastness, or at least put the viewer in the contemplative space to explore the cosmic scales of stars, time, particles, displacement, loss, and interconnectedness. In keeping with the interconnectedness of Texas art and science, the installation will include aspects of Bradberry’s collaboration with scientist and Rice physics and astronomy professor, Christopher M. Johns-Krull, as part of the Open Interval Cohort — a collaborative program for artists, scientists, and art organizations — awarded by the Simons Foundation’s Science, Society and Culture division.

    “Fractal Worlds” at Artechouse (now through November)
    This Artechouse collaboration with cutting edge Dutch artist Julius Horsthuis takes guests on an adventure into the world of fractals, those complex patterns that repeat at every scale in nature from the branching of trees to our lungs, from the spiral of galaxies to sea shells. Along with this immersive cinematic journey, the exhibition will feature a Fractal Lab, with nine interactive works, an Infinity Room offering Horsthuis’ kaleidoscopic loops built from fractal formulas, and the meditative installation “Nascense,” Horsthius’ exploration of how nature is able to give rise to complexity.

    "Growing Up Jewish – Art & Storytelling” at Holocaust Museum Houston (now through December)
    This exhibition of acclaimed contemporary artist Jacquelline Kott-Wolle’s figurative paintings will chronicle one North American Jewish family’s story through five generations from 1925 to the present. Kott-Wolle’s parents and grandparents arrived in Canada in 1949 after the Holocaust, and their history has influenced the artist’s own identity and creative enterprises. The exhibition includes Kott-Wolle’s spoken stories about her family, as well as artwork depicting scenes of Jewish holidays, moments at Hebrew school, family vacations, and other milestone celebrations. Together they depict a rich mosaic of a family starting over in a new land, living, and thriving after surviving one of modern history’s darkest chapters.

    CraftTexas 2025 at Houston Center for Contemporary Craft (now through January 31, 2026)
    The 12th edition of this series will feature 50 works from 49 Texas craft artists. The craftwork in this year’s show will touch on a diversity of themes, like caregiving, expanded approaches to quilting, and landscape exploration.

    "The artists featured in CraftTexas 2025 demonstrate that craft remains a vital and relevant means of cultural expression, addressing contemporary concerns while honoring deep material traditions. These selected works collectively highlight that Texas continues to nurture some of the most compelling voices in contemporary craft,” juror Abraham Thomas, Curator of Modern Architecture, Design, and Decorative Arts at New York’s Metropolitan Museum of Art said in a statement.

    "Lines of Resolution: Drawing at the Advent of Television and Video” at Menil Drawing Institute (now through February 8, 2026)
    This extraordinary showcase at the Menil Drawing Institute will examine how artists responded to television's invasion into individual households from the 1950s into the height of the “network era” during the 80s. During this dawn and zenith of network programming power, the nature of people's responses to recorded imagery changed. Artists chronicled, were inspired, and sometimes rejected those changes.

    With a special focus on drawing, the exhibition features 50 works on paper, video, mixed media sculpture, and an immersive installation, created by 25 artists from 10 countries. Look for several works that have never been exhibited in the U.S., including the groundbreaking “raster pictures” of German artist Karl Otto Götz, and the room-sized installation “4 mensajes [4 messages],” by Peruvian artist Teresa Burga.

    “The works on display in Lines of Resolution present new opportunities that artists found for drawing through its relationship to and its interactions with the small screen,” explains Kelly Montana, the exhibition’s co-curator. “Some of the artists featured used the screen as a surface, a mirror, and as an interface — prefiguring our use of screens today. Others used drawing to critique and deconstruct the power television exerts over its audience.”

    Bayou City Art Festival in Memorial Park (October 10-12)
    The festival always gives art lovers and collectors a chance to meet artists, view original works, and purchase artwork from more than 270 artists across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more at prices for everyone. Special treats this year include an interactive art portal from Meow Wolf Houston’s Radio Tave, the iconic “Be Someone” graffiti transformed in a sculpture, and art cars from Houston Art Car Klub. Also look for selfie stations, some mini-sized mini golf, a beer garden and wine bar, live entertainment throughout the day, and a food truck park.

    "Temporal Estrangement: A Path to No Place” at Lawndale Art Center (October 17-November 15)
    Inspired by traditions of Mahayana and Theravada Buddhist art, Black queer Southern dance performance (J-Setting) and Afrofuturist soundscapes Houston-based artist Christopher Paul explores ideas of changing identities through self-portrait collages. This multidisciplinary exhibition will feature projection mapping, video, sound, and works on paper and textile. Paul’s artistic ambition is to create a space of “no-place” that is neither here nor there, where time is unraveled and the self is dissolved into the cosmic unknown.

    "The House of Pikachu: Art, Anime, and Pop Culture” at Asia Society (October 17-March 15, 2026)
    Japanese animation, a.k.a anime, has taken over global popular culture and our imaginations in recent years. But some of the aspects of anime – particularly the flatness, saturated colors, and stylized features – have also been an inspiration and influence on artists for decades. This new exhibition will explore that influence of Japanese animation on contemporary art, presenting the work of 25 national and international artist including creators from Japan, Brazil, China, Mexico, Côte d'Ivoire, and Texas. Highlights of the exhibition include work from animator Yoshitaka Amano, renowned for his work on Speed Racer the Final Fantasy game series, Houston-based artist Gao Hang, who creates retro-futurist pieces that mine the language of '90s video games, and acclaimed artist Monsieur Zohore, who is creating for the exhibition the monumental painting “Houston, We Have A Problem.” Look for iconic Japanese artist Yoshitomo Nara’s large scale sculpture “Your Dog” on special lone for the show.

    “End of an Era” at Anya Tish Gallery (October 24-December 31)
    After the death in 2024 of its influential founder, Anya Tish, the gallery continued to present diverse and intriguing shows, but the time has come for the gallery to close. This final group show will be a chance for the gallery and the whole Houston art community to look back with artists and artwork that still define the present and the future of contemporary art. The show will feature artists who have shaped the gallery’s program and their expansive range of works, including figurative and abstract paintings, sculptures in various mediums, video art, light installations, animations, photography, and drawings.

    “Gyula Kosice: Intergalactic" at Museum of Fine Arts, Houston (October 26-January 25, 2026)
    From the opening of its doors five years ago, one of the stars of the MFAH’s Kinder Building has been international avant-garde artist Gyula Kosice’s masterpiece, “The Hydrospatial City,” the room-sized sculptural installation that depicts utopia orbital cities of the future. The mammoth installation will go on a journey this month as the centerpiece of “Intergalactic,” a traveling exhibition of the art and artistic experiments of pioneering sculptor, painter, poet, and theorist, Gyula Kosice. Co-organized by the MFAH and Museo de Arte Latinoamericano de Buenos Aires, this first large-scale survey of Kosice’s art in the U.S. will feature more than 70 two-dimensional works and kinetic sculptures made of acrylic materials, air pumps, water, light components, and neon gas tubes.

    “Gyula Kosice’s radical vision continues to challenge us, with novel ideas about society, the environment and art that seem as forward-thinking now as they were more than a half-century ago,” MFAH’s curator of Latin American art, Mari Carmen Ramírez, said in a statement. “Kosice’s fascination with technology, and his commitment to expressing the possibilities of a hopeful future, led to the groundbreaking works of art that we are presenting.”

    Gyula Kosice, La ciudad hidroespacial (The Hydrospatial City) [detail], 1946\u201372, acrylic, paint, metal, and light, the Museum of Fine Arts, Houston, museum purchase funded by the Caroline Wiess Law Accessions Endowment. \u00a9 Fundaci\u00f3n Kosice \u2013 Museo Kosice, Buenos Aires
    Photo courtesy of Museum of Fine Arts, Houston

    Museum of Fine Arts, Houston presents Gyula Kosice: "Intergalactic"

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