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    Feed Me

    Beware the plants as 'Little Shop of Horrors' opens at TUTS in Houston

    CultureMap Create
    Sep 23, 2024 | 12:00 pm

    There is a lot of symbolism to Theatre Under The Stars' new production of Little Shop of Horrors: In the show, in the middle of September (now), there is a total solar eclipse (hello, 2024), and then a little green plant suddenly appears — with secret murderous intentions.

    TUTS Little Shop of Horrors

    Photo courtesy of TUTS

    Mary Kate Moore plays Audrey.

    On October 22-November 3, that same little green plant will appear onstage at TUTS, just in time for Halloween.

    “Little Shop of Horrors is the perfect show for Houstonians to enjoy during the Halloween season,” says TUTS artistic director Dan Knechtges. “If you were thrilled by Sweeney Todd last year, you’re going to love what we do with Little Shop of Horrors.”

    The macabre musical created by Howard Ashman and Alan Menken features a 1960s-style rock-and-roll score and plenty of dark humor. It's set in the world of Skid Row, where a struggling flower shop and its meek shop boy become instant celebrities after the arrival of a strange and interesting plant.

    Leading the cast is Rob Riordan as that shop boy, Seymour, and Mary Kate Moore as Audrey, the coworker he pines for.

    They are joined by Dion Simmons Grier as Audrey II, Mark Ivy as Mr. Mushnik, Dan DeLuca as the Dentist, and Simone Gundy as Crystal, Sarah Sachi as Ronnette, and Kiara Caridad as Chiffon, the show's doo-wop Greek chorus.

    Joining them in the ensemble are John Ryan Del Bosque, Tyler Ray Lewis, Braden Tanner, Glendaliris Torres-Greaux, and Holland Vavra.

    The production is directed by Melissa Rain Anderson, choreographed by Monica Josette, and music directed by Dr. John Cornelius.

    Bringing the world of Skid Row to life are costume designer Colleen Grady, lighting designer John Spencer, sound designer Andrew Harper, and hair and makeup designer Kelley Jordan.

    Casting is provided by Calleri Jensen Davis Casting and TUTS associate artistic director Laura Peete.

    Little Shop of Horrors runs October 22-November 3, 2024, at Theatre Under The Stars. Tickets start at just $40 and are available online at TUTS.com, by calling the TUTS box office at 713-558-8887, or by visiting the box office at 800 Bagby St.

    Follow TUTS on Facebook, Twitter, Instagram, and TikTok.

    And remember: Don't feed the plants!

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    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

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