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    Come and Dream

    Avenida Houston's new interactive art installation honors indigenous traditions

    CultureMap Create
    Jun 24, 2025 | 12:00 pm
    Weci | Koninut Avenida Houston

    "Weci | Koninut" is meant to be experienced outdoors and at your own pace.

    Rendering courtesy of Init

    This summer, Houston becomes the gateway to a powerful new cultural experience as Weci | Koninut opens to the public at Avenida Houston beginning June 26.

    Blending Indigenous tradition with cutting-edge interactive technology, this free interactive installation by First Nations artists Julie-Christina Picher and Dave Jenniss transforms the bustling urban plaza into a dreamscape inspired by ancestral memories and the natural rhythms of the Atikamekw people.

    Designed to be experienced outdoors and at one’s own pace, the piece invites visitors to wander through six illuminated dreamcatchers, each representing a season from the Atikamekw’s six-part calendar: Sikon (pre-spring), Miroskamin (spring), Nipin (summer), Takwakin (fall), Pitcipipon (pre-winter), and Pipon (winter).

    Each is activated by motion as people approach, with original music, Indigenous symbols, and environmental soundscapes wrapping participants in a contemplative atmosphere that evokes the forest and ancestral territories.

    The installation is the result of a cross-cultural collaboration between Quebec-based creative firms Creos and Init, and Houston First Corporation, which is responsible for operating many of the city’s premier arts and culture venues. It’s a partnership that emphasizes the global relevance of Native stories and their power to engage people from all walks of life.

    “Bringing Weci | Koninut to Houston underscores our efforts to make the city a global destination for culture and innovation,” says Michael Heckman, president and CEO of Houston First Corporation. “This unique installation offers our community an exciting immersion into the richness of Native traditions and celebrates the importance of art in building bridges between peoples.”

    The title Weci | Koninut roughly translates from Atikamekw to "come and dream," and that invitation is at the core of the experience.

    “This immersive installation embodies an alchemy of visual arts, original music, and spatial design, creating an enveloping universe that transports visitors,” says Virginie Simon, production director at Init. “It’s a celebration of Indigenous identity, storytelling, and collective memory.”

    Dave Jenniss, Julie-Christina Picher, Virginie Simon Weci | Koninut Artists Dave Jenniss and Julie-Christina Picher with Init's Virginie Simon during the making of "Weci | Koninut."Photo courtesy of Init

    Beyond its ethereal beauty, Weci | Koninut is also a deeply meaningful statement about cultural survival and environmental awareness. It asks visitors to consider how we relate to the world around us, and how those relationships are shaped by history, tradition, and shared experience.

    For the artists and their collaborators, it’s not just about showcasing Native art but also about reclaiming space, voice, and presence in public life.

    “Making Weci | Koninut accessible and visible beyond our borders is a great source of pride for Creos,” says Alexandre Lemieux, director of business development and co-founder of Creos. “This unifying work epitomizes our commitment to creating meaningful public art that fosters contemplation, dialogue, and intercultural connection.”

    On display in Houston through September 1, Weci | Koninut will then return to Quebec for a tour through Canadian cities. But for now, Houston audiences will be the first to encounter this convergence of ancient wisdom and contemporary creativity, made tangible under the open sky.

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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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