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    Best, Worst, and Wildest

    Best, Worst, and Wildest happenings on the Houston theater scene in 2016

    Tarra Gaines
    Dec 27, 2016 | 1:50 pm

    Though 2016 will probably not make many people’s list of great years, for Houston theater these 12 months brought some stellar drama and comedy, while many companies settled down after all the venue and name changes of the past few years. Instead of looking for that one absolute best play or performance, I’d like to take a backward glance at some of the trends and changes in Houston theater as well offering a few of my own–completely made up–awards for some of the quirkiest fun we enjoyed of staged (and mostly) intentional drama of 2016.

    The Playing with Your Theater Award
    While Houston might not readily dive into the kind of immersive theater so popular in New York that requires audience members to don masks and follow Lady Macbeth into her bathroom, we do dip our toes into the immersive theater tub now and then.

    One of my favorite audience participation pieces came from the visiting Big Dance Theater and their work, This Page Left Intentionally Blank, at the Menil Collection during the CounterCurrent Festival. Turning the traditional docent tour into a part wacky-docent characters study, part art history lecture, and topping in off with an participation dance performance, This Page allowed audiences to discover the comedy and the theatricality of a walk through any museum.

    Best Real and Reimagined History on Stage
    For their 2016 seasons, many Houston artistic directors picked plays chronicling the real lives large and small that created history, and many Houston actors gave their best performances playing those kings, queens, presidents, saints, martyrs and philosophers. I can’t recount them all, but also can’t think back on all the extraordinary performances this year without remembering Shawn Hamilton’s radiant Martin Luther King Jr in All the Way (Alley Theatre), Bree Welch’s dizzy but strangely wise 21st century version of Marie Antoinette in The Revolutionists (Main Street Theater) and Carolyn Johnson’s portrayal of Judy Garland as an almost Shakespearean tragic hero in The End of the Rainbow (Stages Theatre).

    Best: Maybe We Should Have Called Each Other to Compare Outfits
    When Catastrophic Theatre and 4th Wall proved they were fools for Sam Shepard love by scheduling Buried Child (Catastrophic) and True West (4th Wall) last fall and even opening within a day of each other, it could have become Shepard overkill, but their unique visions of such different plays instead gave Houston audiences a chance to savor Shepard’s range as an American master.

    Worst: Maybe We Should Have Called Each Other to Compare Outfits
    On the other hand, even Shakespeare himself might have found three separate, major productions of Much Ado About Nothing in five months not as we like it. I love Benedict and Beatrice as much as the next arts writer, but there’s such a thing as too much ado.

    The Steve Buscemi “How do you do, fellow kids?” Award for age-blind casting
    Not even the wondrous, foul-mouthed, demonically possessed hand puppet and fascinating comic exploration on the nature of good, evil and teen angst could distract from the distraction of 30-something-looking actors playing seventeen-year-olds in Hand to God at the Alley Theatre. And it’s not like Houston is devoid of young actors who look like teens. (Case in point: the heart-wrenching performances from Melissa Molano and Mateo Mpinduzi-Mott in Stages’ production of I and You.)

    The Working It Super Model Acting Award
    2016 theater had its share of crazy costumes, but I’d say in my very unscientific survey no one had to wear his share of them more than Kyle Sturdivant. Whether he was playing a horny Thanksgiving turkey, one-legged man who lost his artificial leg, the good witch of Oztin or Panto Dorothy’s Auntie Ann Richards (eat your heart out Holland Taylor), no one worked a costume across a stage like Sturdivant.

    Best Dystopia
    If you feel like 2016 was one for the wretched record books you weren’t alone, and several theatrical tales of the future perhaps reflected the pessimism some feel for the present. Among the bleakest yet most beautiful, was the Alley’s production of Jennifer Haley’s The Nether. Told like a noir detective story, The Nether depicted a dark, colorless future reality where people escape to a seductive virtual world that turns the search for love into horror. Let’s hope Nether is but a warning not a foretelling.

    Best Out of Town Guests
    Local theaters have had quite a few successes bringing in other companies to inhabit their stages for a time, and this year was no exception as 4th Wall hosted New York’s Bedlam Theatre in their production of Shaw’s Saint Joan. With only four actors playing all the roles and times in the play that required the audience to move into different rooms and different seats, this Saint Joan became theater raw and concentrated. Bedlam took Shaw’s play and illustrated how its questions of leadership, faith and fame are just as relevant today, all the while giving audiences a new perspective on their role as silent witnesses.

    Most Mysterious Backstage Drama
    Theatre Under the Stars certainly had some upheaval behind the curtain as its CEO John Breckenridge retired in the spring and soon after artistic director Bruce Lumpkin seemed to disappear from the TUTS team with no notice. Then, a special position of artistic advisor was created for Sheldon Epps who came on board and quickly changed half of the already announce 2016-2017 season. And while whatever was going on backstage might have enough fodder for a fine musical in a decade, so far the onstage changes have produced some mighty fine shows, including In the Heights and a gorgeous holiday rendering of Into the Woods. Now, if TUTS will only make some definite announcement about the series formally known as TUTS Underground.

    Best Musical You Should Absolutely Not Take Your Mom To See
    Standing Room Only production of Silence! The Musical, the musical version of The Silence of the Lambs with a singing lamb chorus and a showstopper from Hannibal about smelling Clarice’s (let’s say) flower, was the don’t-miss musical of the year that should not be mentioned in polite company, ever.

    Saddest Ending and One Happy Second Chance
    Unfortunately, we had to say goodbye in 2016 to Texas Repertory Theatre Company after 11 years of bringing quality shows to audiences not wanting to make the trip inside the Loop. On a happier note, after one last curtain call at the Kaleidoscope Theater in central downtown, several members of that creative team moved a bit east and just this month opened the EaDo Playhouse.

    Here’s hoping in 2017 we’ll be living in interesting theatrical times not as a curse but a blessing.

    As Marie Antoinette, Bree Welch gave life to the revolution in Main Street's production of The Revolutionists.

    Main Street Theater presents The Revolutionists
    Photo courtesy of Blueprint Film Co.
    As Marie Antoinette, Bree Welch gave life to the revolution in Main Street's production of The Revolutionists.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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