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    The Twelve Days of Performances

    Princes, reindeer, doo-wop & an elf: Bring on the live holiday shows

    Tarra Gaines
    Dec 3, 2011 | 8:10 am
    • The Santaland Diaries with Todd Waite at The Alley Theatre
      Photo by Jann Whaley
    • Winter Wonderettes at Stages
      Photo by Bruce Bennett
    • A Christmas Carol, complete with ghosts, at the Alley
      Photo by T. Charles Erickson
    • Theatre Under The Stars production of White Christmas
    • Houston Ballet production of The Nutcracker
      Photo by Amitava Sarkar

    With December upon us, we all know what this time of year means for the city’s performing arts: Time to unleash the holiday shows.

    Whether you’re the type of person who embraces the traditional performing arts fare like sugar on a plum or the someone who would like to find the ghost of Christmas Past’s grave and salt the earth, there’s live entertainment out there for everyone. In fact, there’s such a cornucopia, it’s a challenge to sort through all the performance offerings. So here’s a guide to the highlights.

    For added holiday spirit, read it to the tune of what may very well be the most annoying Christmas Carol out there, "The Twelve Days of Christmas."

    On the first day of Christmas my Houston gave to me: One sardonic Macy’s Santaland elf

    For all those holiday haters trying desperately to hold on to their cynicism as joy and good will are forced upon us, this is the show for you. The Alley Theatre’s Todd Waite stars as Crumpet in David Sedaris’ Santaland Diaries, the tale of one brave elf’s adventure into the magical world of Christmas retail.

    While Sedaris’ warped sense of humor drives the play, in past years, Waite’s occasionally ad-libbed Houston jokes and banter with the audience made Crumpet a hometown elf.

    On the second day of Christmas my Houston gave to me: Two evil stepsisters

    They’re scheming to catch a charming prince in Ensemble Theatre’s Cinderella. This is the second year Ensemble has produced the musical version of the fairy tale, adapted by the African American Shakespeare Company. With original music by composer Carlton Leake and a fairy godmother with “diva-tude,” this shoe might be the perfect fit for families.

    On the third day of Christmas, my Houston gave to me: Three Irish tenors

    On Dec. 7, Society for the Performing Arts brings Anthony Kearns, Finbar Wright and Ronan Tynan to town for a traditional Irish holiday performance. The PBS stars and chart-topping trio have three Christmas albums in their discography, so they should have many songs to choose from for the Houston stop on the tour.

    On the fourth day of Christmas, my Houston gave to me: Four Winter Wonderettes

    Last year’s musical, The Marvelous Wonderettes, was one of the most successful productions in Stages Repertory Theatre’s history, so it’s no wonder the Wonderettes are back. The 60s girl group arrives at Harper’s Hardware to entertain the employees, played by the audience, at the annual company holiday party.

    While the show is short on plot, the antics of the store’s absentee owner give the play a bit of added depth when viewed from our present economically unstable times. Otherwise, the slight plot is made up for by the characters’ charm as the Wonderettes attempt to sing in festive cheer with familiar and forgotten holiday classics.

    On the fifth day of Christmas, my Houston gave to me: Five shows for people who hate holiday shows

    Though they’re elusive, some intriguing plays and performances for mature audiences do exist this time of year. Catastrophic Theatre brings Anna Bella Eema, “a ghost story for three bodies with three voices,” to DiverseWorks. Theatre Lab begins its 2011-2012 season with A Contemporary American’s Guide to a Successful Marriage @1959. Mildred’s Umbrella offers a showcase of short plays in their Museum of Dysfunction IV.

    Prefer your ballerinas to also be strippers? Try FrenetiCore’s Tenderina. Finally, if you’re still looking for a family show but avoiding a holiday one, Cirque du Soleil is back in town with Dralion.

    On the sixth day of Christmas, my Houston gave to me: Six glowing, grizzly ghouls

    The Alley Theatre has been channeling the ghosts of Christmas in Dickens’ A Christmas Carol since 1988. In recent years, James Black’s direction of Michael Wilson’s adaptation of the play has added many touches of the macabre. Along with the ghosts Past, Present and Future, a group of murdered and executed spirits taunt Scrooge.

    Casting one actor (this year it’s David Rainey) to play both the ghost of Jacob Marley and Scrooge’s housekeeper Mrs. Dilber adds a twist to the Scrooge/Marley relationship. After a chained and bound ghost Marley orchestrates the psychological torturing of his old partner, the play ends with Mrs. Dilber and the newly reformed Scrooge flirting. Hopefully, they’ll next be visited by the ghost of Christmas Couples’ Counseling.

    On the seventh day of Christmas, my Houston gave to me: Seven fairy tale characters singing '70s songs

    Technically, it's six fairy tale characters — Little Red (as in Riding Hood), three little pigs, and Hansel and Gretel — plus the Astros’ first mascot, Chester Charge, who all sing disco hits as they work the night shift at the Wolf Corporation. In Stages’ Panto Red Riding Hood, it’s up to Red to stop Frank Sharpteeth Wolf’s attempt to foreclose on Grandmother’s house.

    The world premiere maintains a nice balance of comedy and characters kids will enjoy with a sly tone and jokes the will swish right over children’s head while giving adults some big laughs. The moral of the story is do not mess with this granny.

    On the eighth day of Christmas, my Houston gave to me: Eight reindeer flying

    The journey of Dasher, Dancer, et al., will be recounted during Houston Symphony’s musical retelling of Clement Clarke Moore’s poem “The Night Before Christmas.” The morning concert will include an audience sing-along and a visit from Santa. No word yet if the ninth team member, Rudolph, will make an appearance in his own song.

    On the ninth day of Christmas, my Houston gave to me: Nine violinists playing

    Mercury Baroque presents two versions of Handel’s Messiah, a sing-along general admission performance that will encourage audience members to sit by voice type, and a complete performance of the masterpiece in its entirety.

    Of course, Mercury Baroque’s Messiah isn’t the only version in town. The Houston Symphony has made their candlelight version an annual favorite for many classical music fans.

    On the tenth day of Christmas, my Houston gave to me: 10 Irving Berlin songs

    Ten songs per act, that is. Theatre Under the Stars brings to Hobby Center the stage version of White Christmas, the beloved Danny Kaye and Bing Crosby film. Two famous showmen attempt to save the inn of their former World War II commanding officer all while wooing a pair of singing sisters. Together they sing and dance their way through many of Berlin’s timeless songs. TUTS is also playing meteorologist for this production and promising there will be snow in Sarofim Hall.

    On the eleventh day of Christmas, my Houston gave to me: 11 Nutcracker princes leading a toy soldier army

    Sure, there might be a war declared between team snow and team sugar plum, but everyone loves a Nutcracker Prince. And what’s not to love? He’s got the crown, fights giant rats, and have you seen his nuts?

    Best of all, in reality there’s actually 11 princes. There’s so many performances of the Houston Ballet’s Nutcracker not even a dancing lord can leap through them all. Instead, 11 dancers, principals, soloists, demi soloists and a corps member will play the prince. Wills might be off the market, there’s enough princes left to go around.

    On the twelfth day of Christmas, my Houston gave to me: 12 months of performing arts in 2012

    And when the curtain falls on the holiday season we can nestle snug in our beds with visions of a shiny new year of music and theater dancing in our heads.

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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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