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    see these shows

    10 engaging new productions taking the stage in Houston this month

    Tarra Gaines
    Feb 3, 2025 | 4:30 pm

    Twenty-eight days might not be enough to see all the high-flying theater and stage shows Houston has to offer this month. From a mysterious cube to killer comedy and sci-fi world premieres to Irish dancing and award winning dramas, we’ve got plenty of performing arts for every taste.

    The Foreigner at A.D. Players (now through February 23)
    If you’ve made a resolution to laugh more, try this award-winning classic '80s farce. Through a set of outrageous circumstances, a shy British man named Charlie must pretend to be an “exotic” foreigner who doesn’t know English while visiting a rural Georgia vacation lodge. As Charlie tries to get some much needed rest amid a lodge-full of colorful characters, the misunderstandings and mistaken identities pile up. Lies and secrets are revealed to this innocent foreigner. An explosive comic ending might just lead to a new life for all the underdogs in this charming story. Timing is everything when it comes to fast-paced farce, so we’re looking forward to seeing these Houston favs and experienced comic players in action, including Kevin Dean, David Gow, John Johnston, Susan Koozin, Alyssa Marek, Jeff McMorrough, and Gabriel Mullen.

    Cirque du Soleil: Echo at Sam Houston Race Park (February 6-March 23)
    It’s been two years since we’ve seen Cirque’s swirly blue and white big top in Houston, so we can’t wait for this latest show, their 20th Big Top creation. The thrills get squared as Echo features a giant cube for visual arts projections and as a towering setting for aerial feats. Cirque productions always hold a narrative to frame all the astounding acrobatics and gravity defying artistry, and this show will be no different. Echo chronicles the wandering Future and her best friend Ewai, the dog, as they stumble upon an enigmatic Cube. They quickly learn how actions have the power to shape their world. Echo’s concept creators say the show’s themes will explore the symbiotic connection between humans and the natural world and how human choices can ripple out to the animals and planet we treasure so much.

    Miss LaRaj’s House of Dystopian Futures from Catastrophic Theatre (February 7-March 1)
    The first of this month's two world premiere shows from local theater artists/playwrights comes from Candice D’Meza, who has also gained accolades for her film and multidisciplinary work. When D’Meza collaborates with the Catastrophic artists, we know we can expect a wild ride into their collective imaginations. For this production, a post-apocalyptic riff on Mister Rogers’ Neighborhood, Fred’s long since gone and Nature itself is now the main character. Enter Miss LaRaj — the wise and wisecracking MUTHA of the New World Order. Talking trees, judgmental rocks, and all natural forces sing and move, attempting to guide humankind back to true symbiosis and perhaps a more hopeful future.

    The Wanderers from Mildred’s Umbrella (February 8-23)
    The company that specializes in bringing women’s authentic stories to the stage begins a new collaboration with the Evelyn Rubenstein Jewish Community Center to bring this award-winning comedy to audiences. The story revolves around two contrasting marriages. Esther and Schmuli are Orthodox Jews navigating strictly defined rules and roles, while Sophie and Abe are secular and free to make their own choices. Yet, both couples are growing apart as they strive to balance their individual identities with the families they’ve created. As Esther tests the boundaries of her personal freedom, Abe falls into a correspondence with a movie star that will shake the foundations of his marriage and career. Mildred’s founder, Jennifer Decker, directs.

    Seven Assassins Walk into a Bar at Main Street Theater (February 8-March 2)
    Houston actor and director Dain Geist takes on the role of playwright for this world premiere dark comedy. In his own words, the play is about “a group of hitmen (and women) who gather to commiserate the passing of a colleague. As they swap stories and share complaints, each character brings with them their own moral compass and their own reasons for pursuing such a bloody profession.” We’re anticipating some killer dramatic and comic twists and turns, but Geist hopes his play, which he’ll also direct, will leave audiences thinking.

    Seared at Alley Theatre (February 7-March 2)
    Houston foodies should definitely make a reservation for this one, as the Alley gets spicy with this timely comedy from one of the company’s BBF playwrights, Theresa Rebeck. Set in an up-and-coming restaurant, the two owners clash over dueling culinary and business philosophies. The action and kitchen heat up as one brings in an outside consultant to shakeup – and perhaps dice, skewer and grill – their restaurant world. The show will break theatrical olfactory traditions when the actors cook up real dishes in the smaller and versatile Neuhaus theater space. Director and Alley associate artistic director, Brandon Weinbrenner, wants his onstage kitchen to be so authentic that he’s bringing in renowned Houston chef Justin Yu (Theodore Rex, Squable, Better Luck Tomorrow) to consult and teach the cast and creative team the inner workings of a fast-paced, high-end restaurant.

    Topdog / Underdog from 4th Wall Theatre (February 14-March 8)
    Considered one of the most ground-breaking plays of the early 21st century, Suzan-Lori Parks’s drama about the emotional relationship between two African American brothers named Lincoln and Booth has swept up almost all existing American theater awards, including a Tony and Pulitzer. Thanks to 4th Wall’s intimate theater space, all their performances are up close. We’re anticipating an electric night of theater with this production, especially with Aaron Brown, head of the Musical Theatre Department at Texas State University, directing and two of Houston’s most powerful local actors, Timothy Eric and Brandon Morgan, playing Lincoln and Booth.

    Blackbird from Dirt Dogs Theatre (February 21-March 8)
    Perhaps one of the most emotionally devastating shows on our list this month, this Tony-nominated play shook audiences when it was on Broadway several years ago. Middle-aged Ray has a new identity and is trying to put the past behind him. Una, 27, thinks only of the past. When Una arrives at Ray's new office unannounced, guilt, rage, and raw emotions run high as they reexamine the relationship they had 15 years ago. Never able to reconcile the brutal truth of this abusive attachment, Una is looking for answers and the consequences are shattering. When one confuses abuse for love, it can disrupt their entire being.

    The Glass Menagerie at Alley Theatre (February 21-March 16)
    Alley artistic director Rob Melrose gives us his vision for this true American classic by Tennessee Williams. Amanda, a faded Southern belle, yearns for a better life for her children. However, her daughter Laura would rather spend time alone with her collection of delicate glass animals. Her restless son, Tom, spends evenings away in his attempt to escape the monotony of his current life. Stuck in a bleak present, Amanda dreams mostly of the past, and only a “gentleman caller” for Laura might bring the possibility of change to the family. We hear that Melrose’s direction will explore Menagerie as a memory play along with its themes of escape and human connections.

    In the Night from Houston Ballet (February 27-March 9)
    The company leaps into early spring with this mixed rep showcase of three beloved contemporary dances. HB artistic director Stanton Welch’s fierce Maninyas holds significant company history as it was Welch’s first American commission for the San Francisco Ballet. Seeing its premiere inspired Ben Stevenson, Houston Ballet AD at the time, to invite Welch to create his inaugural piece for the company. Also in the lineup is Jerome Robbins’s magnificent In the Night. The piece is a poignant one-act ballet for three couples, set to four piano nocturnes by composer Frédéric Chopin.

    Another audience favorite in the mix will be Lila York’s Celts. A year before Michael Flatley’s Riverdance brought Irish dance to global stages, Lila York was inspired by her own Irish heritage to create the passionate and vibrant Celts.

    Cirque du Soleil: ECHO
    Photo courtesy of Cirque du Soleil

    Cirque du Soleil: Echo lands at Sam Houston Race Park.

    performing-artstheatertheatre
    news/arts

    Best June Theater

    The 10 best plays, musicals, and ballets to see in Houston this month

    Tarra Gaines
    Jun 3, 2026 | 10:35 am
    The Company of the Second North American tour of Clue
    Photo by Evan Zimmerman for MurphyMade
    Broadway at the Hobby Center presents Clue

    Musicals take the mic across Houston stages this June. From the tragic to the silly, everyone’s got a number, or dozen, to sing. Ironically, the one play exception is from the presenter Houstonians rely on to bring us the hottest Broadway musicals, Broadway at the Hobby Center, who instead gives us a Clue to solve a madcap summer mystery. We’re also highlighting some theatrical dance shows this month bringing us kinetic stories of love and life.

    Spamilton: An American Parody at Stages (now through June 21)
    Parodies of cultural phenomenons are as American as the founding fathers and Broadway itself, so if any musical deserves a gentle satire, it’s Hamilton. Written by Gerard Alessandrini, who created the long-running Forbidden Broadway, Spamilton spreads its comedy wide, taking on the show Hamilton, as well as Lin-Manuel Miranda’s journey to write a revolutionary new musical and save Broadway. Along the way, Spamilton takes shots at other big musicals like Book of Mormon, Lion King, and Cats.

    To top it off, Stages also adds a mini musical, 21 Chump Street, to the end of every performance. Running under 20 minutes, Chump Street was created by Lin-Manuel Miranda based on an episode of This American Life. While the musical is rarely performed by itself because of the short length, Stages is adding it on as a special treat for Miranda fans.

    Clue presented by Broadway at the Hobby Center (June 9-14)
    While Broadway at the Hobby Center usually presents touring musicals, they occasionally slip in the odd play, and this looks to be great fun. Clue is the ultimate comic whodunit based on the cult '80s film and classic board game. Six mysterious guests, who may or may not know each other, assemble at Boddy Manor to dine on red herrings and then play a little after dinner game of blackmail, threats, and murder. Was it Mrs. Peacock in the study with the knife, Colonel Mustard in the library with the wrench, or Miss Scarlet in the conservatory with a candlestick? Did the butler do it all along? Or perhaps the twisty ending only leads to more twists.

    Giselle from Houston Ballet (June 11-21)
    With an emotional story that brings audiences to tears even while awed by the dance, Giselle has been embraced by ballet companies and choreographers for almost two centuries. Just a decade ago, Houston Ballet artistic director Stanton Welch brought his own interpretation of this tragic story of a beautiful peasant girl who falls in love with a duke, but he later betrays her. Welch used composer Adolphe Adam’s unedited score to expand the drama and allow the cast to explore the complexities of their roles.

    Ballets Jazz Montréal, Dance Me: The Music of Leonard Cohen presented by Performing Arts Houston (June 12-13)
    Poetry and deep storytelling were always inherent in the songs of Canadian songwriter and singer Leonard Cohen. Ballets Jazz Montréal, the acclaimed dance company from Cohen’s hometown, put its bodies into those stories told in some of his most iconic songs like, “Suzanne,” “So Long, Marianne,” “Dance Me to the End of Love,” and of course, “Hallelujah.” Three international choreographers collaborated on this “dance concert,” including Andonis Foniadakis, Ihsan Rustem, and Annabelle Lopez Ochoa, whose stunning Broken Wings Frida Kahlo ballet just wowed Houston Ballet audiences in March. Dance Me combines scenic, visual, musical, dramaturgical, and choreographic writing to pay tribute to one of Montreal’s greatest artists.

    Songs for a New World from Garden Theatre (June 12-14)
    Calling it a musical theater extravaganza, the company is producing three musical shows in one weekend. Running June 12 and 13, the unique Songs for a New World from Tony winning composer Jason Robert Brown delivers song and characters connected by the choices humans must make and the consequences they bring. The one-woman cabaret Not Your Ingenue will also be in the lineup on June 13. Then this musical mini-festival ends with the rousing debut of Garden’s original cabaret show From Seed To Stage. Timed with the company's fifth anniversary, Seed will feature 35 returning cast members from previous Garden productions, singing some of their favorite numbers from five years of musicals.

    The Hunchback of Notre Dame from Houston Broadway Theatre (June 16-July 5)
    One of Houston’s newest theater companies will ring the bell on this Disney musical that’s been a favorite regionally and internationally but has never actually had a big Broadway run. Based on the Victor Hugo novel and the Disney animated adaptation, the musical tells the emotional tale of the orphaned and disabled Paris cathedral bell ringer, Quasimodo, and his love for the kind and independent Romani woman, Esmeralda. The musical weaves songs from the film and new music for the stage, all by Oscar winning composer Alan Menken. The lavish Houston production boasts a 21-piece live orchestra on stage, making this the first time this expanded orchestration will be performed in the U.S.

    Tamarie’s Greatest Hits, Volume 3 from Catastrophic Theatre (June 18-August 1)
    Summer brings one of Houston's longest running theatrical traditions, another new comedy from the wonderfully warped mind of Catastrophic’s cofounder, Tamarie Cooper. Every decade, Tamarie does a greatest hits compilation show with some of the best scenes, skits, and songs from the previous nine shows. According to Catastrophic, we can all look forward to a “ridiculous” new script and a few brand new songs to tie the whole thing together. Many of the company’s wild regulars, including a few we haven’t seen in the summer show in a while, will be along for the ride, likely vying for the most outrageous performance.

    Joseph and the Amazing Technicolor Dreamcoat at A.D. Players (June 24-July 19)
    Somehow this will be the first time Houston’s spiritual theater company brings to stage this early Andrew Lloyd Webber hit musical. The story follows young Joseph, favorite son of Biblical patriarch, Jacob. Left for dead by jealous brothers, Joseph sets out on a series of adventures, including a stint as a dream interpreter. He eventually rises to power as the man behind the throne of Egypt. Filled with catchy songs like “Any Dream Will Do,” the somewhat campy musical still wrestles with weighty themes like family loyalty and betrayal.

    Get Ready at Ensemble Theatre (June 26-July 26)
    Filled with nostalgia, complex comedy, and hope, the show puts us in the rehearsal room for the reunion of the fictitious Doves, a 1950s doo-wop group that might be having a resurgence after one of their old songs makes it back on the charts. Can these five former friends, now older but perhaps wiser, find that musical magic again, or will the squabbles of the past break them up once more? Ensemble won critical praise when it produced this show during the 30th anniversary season. Now as it wrap up the 25-26 lineup, this season topper will Get (Houston) Ready for Ensemble’s upcoming 50th anniversary.

    Forever Nebrada present by Voices of Arts Central (June 27)
    Houston Ballet principal dancer Karina González pays tribute to pioneering Latin American choreographer Vicente Nebrada (1930-2002) with this special production from the organization she founded last year to present innovative artistic projects that connect dance, culture, and storytelling. Featuring dancers from Houston Ballet and Oklahoma City Ballet, Forever Nebrada will give audiences rare insight into Nebrada’s repertoire, dance vision, and how Venezuelan cultural heritage influenced his work. González says she hopes the production will be both a celebration of Nebrada’s legacy but will also be a way to bring together artists and audiences from across the diverse Houston community.


    The Company of the Second North American tour of Clue
    Photo by Evan Zimmerman for MurphyMade

    Broadway at the Hobby Center presents Clue.

    hobby centerhouston balletmusicalsperforming-arts
    news/arts
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