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    funny girl

    Hilarious comedic actress's revolutionary performance makes Les Misérables Houston run a must-see

    Tarra Gaines
    Sep 19, 2018 | 9:37 am

    Even in the middle of a revolutionary uprising, a few laughs can help break the tension. This advice comes from someone who should certainly know, actress Allison Guinn, who plays the scheming mistress of the house, Madame Thénardier, in Les Misérables.

    Guinn heads to Houston (September 25-30) in the Broadway revival touring production of the beloved musical. She took timeout from bringing life to the innkeeper Les Miz fans love to hate to tell CultureMap why a bit of comedy makes the drama all the sweeter on stage.

    A new Paris
    The characters and songs remain as we know and love them in this revival, but Guinn says to expect some beautiful surprises in the staging. Gone is the revolving stage that helped to transport characters across space and time and instead set designer, Matt Kinley uses backdrops and projections based on the actual artwork of Victor Hugo to bring the streets of Paris to the theater.

    “They look like watercolors, landscapes of different countrysides of Paris. It’s beautiful,” says Guinn.“The moodiness of it alone is breathtaking.”

    But just because beauty is all around her, don’t expect a nicer Madame Thénardier, the conniving innkeeper and probably one of literature’s worst foster mothers, and there’s a lot of competition in that category. Guinn first saw Les Misérables when she was a preteen growing up in Tennessee and loved the character even then.

    “I thought to myself: I want to be the one that makes people laugh. She left the biggest impression on me.”

    Being a bad girl
    But why Madame Thénardier?

    “When playing a comedic villain you can lean into that deliciousness, that love-to-hate factor. If you’re playing a villain in earnest, that villain is not self-aware. They don’t know that they’re bad. You have to play for their goals and objectives. You don’t get to add the element of humor. She knows she’s bad and she doesn’t care. That’s so wonderful and freeing.”

    In fact, Guinn thinks the moments of brevity the Thénardiers bring to story and music are vital for the audience and perhaps one of the reasons we can’t get enough of the drama and tragedy.

    “It’s in the name: The Miserable Ones, and the audience is put through so much. Then they get to have this little refresher, this rest of levity. I’m grateful to provide it," she says. "I think you need that palate cleanser; otherwise, you’re in for a stressful trip. You need the full spectrum, the comedy to make that drama bearable.”

    Guinn has felt the call of drama several times in her career, especially when she was in school studying and doing scenes of Chekhov and Sam Shepard, but she found comedy an inherent gift.

    “I really delved into drama and tried to deny my natural goofiness. But I stopped trying to fight it, embraced it and that’s been a blessing.”

    From the French revolution to HBO and Amy Schumer
    That comic touch has earned her guest stints on Inside Amy Schumer and HBO’s Divorce, and it’s even led her to Houston in the past. She won the role of Poppy in an Alley Theatre production of Noises Off several years ago, her first full farce. She says she enjoyed her farcical time in Houston, finding it easy “to breathe” here, and spent time exploring the city by hitting the resale shops, something she does to both shop and get to know a town.

    “There’s this the theory that when you’re older you’re going to be either a cat person or a knick knack person," she says, admitting she's very much the latter. "I’m just going to acquire all these tchotchkes until my apartment is completely full of oddities."

    Being an acquirer of stuff instead of cats might be the one thing she does have in common with Madame Thénardier.

    “I don’t think she would suffer cats. I think she’s probably a knick knack person. As much as she can acquire, she will have.”

    Besides helping to make audiences a little less miserable, Guinn has another rather special skill. She’s a master of the autoharp, a favorite instrument of her grandmother, and says she continues to play in honor of granny. Unfortunately, there hasn’t been many Broadway parts written for comic actors with autoharp proficiency, though she tells quite a terrifying tale of trying out for the bluegrass musical Bright Star, in front of its creator Steve Martin.

    “I wasn’t prepared for him to be in the room, and I walked in with my little autoharp and there he was. I was just gobsmacked,” she describes with laughter. “I think I rambled on for too long about how much I appreciated the show. I think I said something like: thank you for representing the Appalachian culture in a positive light. I couldn’t stop talking. I played well, but I think my babbling scared him.”

    Guinn proves even in her own life a little misery can be very funny.

    ---

    Mischer Neurosciences Broadway at the Hobby Center presents Les Miserables September 25-30. Visit the official site for tickets, showtimes, and more information.

    Allison Guinn plays Madame Thénardier in Les Misérables, coming to the Hobby Center September 25.

    Broadway at Hobby: Les Mis\u00e9rables, Allison Guinn
    Photo by Matthew Murphy
    Allison Guinn plays Madame Thénardier in Les Misérables, coming to the Hobby Center September 25.
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    Best August Theater

    8 best new plays and musicals opening on Houston stages this month

    Tarra Gaines
    Aug 3, 2026 | 11:00 am
    Queensbury Theatre presents Mean Girls
    Photo by Alexander Cross
    Queensbury Theatre presents Mean Girls

    August tends to bring darkened stages across Houston theaters as our favorite local companies prepare for the big fall season. But this month, Houstonians still have lots of summer theatrical shows and musicals opening.

    Many of these productions spotlight family relationships and dynamics. From long lost twins to bickering sister Muses to awkward meet-the-parents family dinners, Houston stages show us families at their most dramatic and comic. In addition, Stages takes us to Vegas with a nun tour guide and Miller Outdoor brings us dance and acrobatics amid visual art masterpieces.

    The Tempest at Miller Outdoor Theatre (now through August 7)
    As one of Shakespeare’s final plays, this story of magic, regret, revenge, and forgiveness has always been a favorite of directors. After years exiled on an enchanted island with his daughter, the aging magician, Prospero, settles the score on those who put him there, including his brother. In this production, Prospero becomes Propera, and director Sharon Ott, who is also the UH director of the School of Theatre and Dance at University of Houston will emphasize themes of motherhood.

    “There have been many productions of this play with women playing the role, so it's not a novel idea of mine,” Ott says. “But as a woman, I read this play very personally. It's even more personal as I get older because the play was written at the end of Shakespeare’s artistic life. Our design team, choreographer, and composer/sound designer will bring Shakespeare's visual and aural magic to the Miller Outdoor Theatre.”

    Comedy of Errors at Miller Outdoor Theatre (now through August 8)
    The Shakespeare Festival alternates Tempest with one of Shakespeare’s first comedies. Hijinks will ensue, interlaced with scenes of shenanigans, in this mistaken identity comedy. With warring cities, an imprisoned father, two sets of adult twins who were separated by a tempest at sea as infants, angry wives, a lost bag of money, and a very confused town who’s going to blame all the madness on witchcraft, the story could not get much more convoluted on its way to a happy ending. According to Errors director, Jack Young, this Miller production will lean in on the farcical nature of the play with a 60s “vibe” and a “cap tip” to classic television sitcoms of that era, like The Honeymooners.

    A Nice Indian Boy from Aerial Roots Theatre Company (now through August 9)
    A new Houston theater company makes an auspicious debut with this delightful twist on the “bring the fiancé home to meet the parents” plot. In fact, playwright and noted screenwriter Madhuri Shekar’s regional hit play was recently adapted into a critically acclaimed Desi rom-com. Shy and unlucky in love, gay American Indian engineer Naveen, meets the man of his dreams, Keshav, at his local Hindu temple. The only hitch is that his new love is white, though adopted by a nice Indian family. When Naveen finally takes Keshav home to meet his traditional parents, his sister arrives to bring her own drama to a most awkward dinner. The Asia Society hosts this inaugural production from Aerial Roots.

    Late Nite Catechism Las Vegas: Sister Rolls the Dice! at Stages (August 4-16)
    This is one habit Houstonians just can’t break. Yes, Denise Fennell as Sister is back with another audience participatory adventure from the Late Nite Catechism theatrical universe. In this one, the church needs a new roof, so Father Murphy has decided that Sister, with her extensive gambling experience running the church sanctioned bingo game for the last 25 years, will organize a Las Vegas Night. Sister will tackle topics ranging from magicians to show girls, all the while reminding audiences that what happens in Vegas may stay in Vegas, but God sees and remembers everything.

    Mean Girls at Queensbury Theatre (August 6-16)
    Keeping with this summer's trend of musical fun, Queensbury brings audiences this fetching Broadway adaptation of Tina Fey’s most quotable and meme-able blockbuster comedy from the early 2000s. As a reminder, the musical introduces the naive Cady on her first day of American high school as she tries to break into the mean girls clique who rules the school. This production showcases a great local cast with some Texas musical theater heavy vocal hitters, like Abigail Bensman, Sara Sachi, Teresa Zimmermann, and Holland Vavra.

    Xanadu from Garden Theatre (August 14-30)
    The 2007 jukebox musical adaptation of the cult classic '80s hit Broadway tells the story of a Greek muse who descends to Earth to inspire a young painter and a former '40s big band musician-turned-real estate mogul to partner in opening a roller disco night club, plus added subplots involving sibling jealousy and demigoddess pranks among the muses. (Houston connection fun fact: Theatre Under the Stars artistic director, Dan Knechtges, was nominated for a Tony Award for his choreography of the original Broadway production of the show.) Since then, Xanadu has become a campy hit for regional theaters across the nation. Next up, Garden Theatre slips on the roller skates and weaves some “Strange Magic” for end of summer fun in the intimate Matchbox 3.

    Holly Street at A.D. Players (August 19-September 6)
    The Houston theater company that specializes in family-friendly productions with spiritual themes opens its 26-27 season a little early with this world premiere drama about a unique kind of love geometry. Set in the 1940s after World War II, the play tells the story of two sisters ,Virginia and Martha, as they prepare for a Christmas pageant in rural Kentucky. But the holidays are not so joyful, as Virginia recently lost her fiancée, Paul, during the war. As life sputters forward, two veterans and friends of Paul arrive unexpectedly having also fallen for Virginia through her letters when Paul read them aloud at the front. As Christmas nears, hidden truths surface, loyalties are tested, and affection and grief collide in surprising ways.

    Cirque-tacular: The Art of Circus at Miller Outdoor Theatre (August 28)
    Still celebrating its reopening, Miller Outdoor brings in Cirque-tacular, the New York based aerial and ground acrobatic performing arts company with a history of lots of off-Broadway and internationally touring hits. Its Art of Circus show surrounds performers with sets that recreate some of the greatest art masterpieces. From Van Gogh’s swirling skies, to Da Vinci’s all perceiving genius, Warhol’s pop images, and O’Keeffe’s beguiling natural forms, these colors, movements, and stories inside the paintings inspire the performers into dance, acrobatics, and aerial artistry.

    Queensbury Theatre presents Mean Girls

    Photo by Alexander Cross

    Queensbury Theatre presents Mean Girls

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