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    funny girl

    Hilarious comedic actress's revolutionary performance makes Les Misérables Houston run a must-see

    Tarra Gaines
    Sep 19, 2018 | 9:37 am

    Even in the middle of a revolutionary uprising, a few laughs can help break the tension. This advice comes from someone who should certainly know, actress Allison Guinn, who plays the scheming mistress of the house, Madame Thénardier, in Les Misérables.

    Guinn heads to Houston (September 25-30) in the Broadway revival touring production of the beloved musical. She took timeout from bringing life to the innkeeper Les Miz fans love to hate to tell CultureMap why a bit of comedy makes the drama all the sweeter on stage.

    A new Paris
    The characters and songs remain as we know and love them in this revival, but Guinn says to expect some beautiful surprises in the staging. Gone is the revolving stage that helped to transport characters across space and time and instead set designer, Matt Kinley uses backdrops and projections based on the actual artwork of Victor Hugo to bring the streets of Paris to the theater.

    “They look like watercolors, landscapes of different countrysides of Paris. It’s beautiful,” says Guinn.“The moodiness of it alone is breathtaking.”

    But just because beauty is all around her, don’t expect a nicer Madame Thénardier, the conniving innkeeper and probably one of literature’s worst foster mothers, and there’s a lot of competition in that category. Guinn first saw Les Misérables when she was a preteen growing up in Tennessee and loved the character even then.

    “I thought to myself: I want to be the one that makes people laugh. She left the biggest impression on me.”

    Being a bad girl
    But why Madame Thénardier?

    “When playing a comedic villain you can lean into that deliciousness, that love-to-hate factor. If you’re playing a villain in earnest, that villain is not self-aware. They don’t know that they’re bad. You have to play for their goals and objectives. You don’t get to add the element of humor. She knows she’s bad and she doesn’t care. That’s so wonderful and freeing.”

    In fact, Guinn thinks the moments of brevity the Thénardiers bring to story and music are vital for the audience and perhaps one of the reasons we can’t get enough of the drama and tragedy.

    “It’s in the name: The Miserable Ones, and the audience is put through so much. Then they get to have this little refresher, this rest of levity. I’m grateful to provide it," she says. "I think you need that palate cleanser; otherwise, you’re in for a stressful trip. You need the full spectrum, the comedy to make that drama bearable.”

    Guinn has felt the call of drama several times in her career, especially when she was in school studying and doing scenes of Chekhov and Sam Shepard, but she found comedy an inherent gift.

    “I really delved into drama and tried to deny my natural goofiness. But I stopped trying to fight it, embraced it and that’s been a blessing.”

    From the French revolution to HBO and Amy Schumer
    That comic touch has earned her guest stints on Inside Amy Schumer and HBO’s Divorce, and it’s even led her to Houston in the past. She won the role of Poppy in an Alley Theatre production of Noises Off several years ago, her first full farce. She says she enjoyed her farcical time in Houston, finding it easy “to breathe” here, and spent time exploring the city by hitting the resale shops, something she does to both shop and get to know a town.

    “There’s this the theory that when you’re older you’re going to be either a cat person or a knick knack person," she says, admitting she's very much the latter. "I’m just going to acquire all these tchotchkes until my apartment is completely full of oddities."

    Being an acquirer of stuff instead of cats might be the one thing she does have in common with Madame Thénardier.

    “I don’t think she would suffer cats. I think she’s probably a knick knack person. As much as she can acquire, she will have.”

    Besides helping to make audiences a little less miserable, Guinn has another rather special skill. She’s a master of the autoharp, a favorite instrument of her grandmother, and says she continues to play in honor of granny. Unfortunately, there hasn’t been many Broadway parts written for comic actors with autoharp proficiency, though she tells quite a terrifying tale of trying out for the bluegrass musical Bright Star, in front of its creator Steve Martin.

    “I wasn’t prepared for him to be in the room, and I walked in with my little autoharp and there he was. I was just gobsmacked,” she describes with laughter. “I think I rambled on for too long about how much I appreciated the show. I think I said something like: thank you for representing the Appalachian culture in a positive light. I couldn’t stop talking. I played well, but I think my babbling scared him.”

    Guinn proves even in her own life a little misery can be very funny.

    ---

    Mischer Neurosciences Broadway at the Hobby Center presents Les Miserables September 25-30. Visit the official site for tickets, showtimes, and more information.

    Allison Guinn plays Madame Thénardier in Les Misérables, coming to the Hobby Center September 25.

    Broadway at Hobby: Les Mis\u00e9rables, Allison Guinn
    Photo by Matthew Murphy
    Allison Guinn plays Madame Thénardier in Les Misérables, coming to the Hobby Center September 25.
    theater
    news/arts

    art for a song

    Affordable Art Fair heads to Houston this fall with works starting at $100

    Jef Rouner
    Jan 29, 2026 | 4:30 pm
    A man staring at a selection of paintings at the Affordable Art Fair
    Photo courtesy of Affordable Art Fair
    Original art on your walls doesn't have to break the bank.

    After making a splash last year in Austin, the Affordable Art Fair will host its second Texas show in Houston this October.

    Nothing helps define a personal space like an art collection, but for many people the idea of owning original works seems far outside of a normal budget. The Affordable Art Fair is a traveling show dedicated to living artists aimed at the average consumer.

    A man staring at a selection of paintings at the Affordable Art Fair

    Photo courtesy of Affordable Art Fair

    Original art on your walls doesn't have to break the bank.

    “Bringing Affordable Art Fair to Houston is about becoming part of a creative community that’s already thriving,” fair director Cori Teague said in a statement. “Houston’s art scene is shaped by its diversity, its artists, and the local galleries that champion them every day. We’re excited to work hand-in-hand with Houston and Texas galleries to uplift local voices, support working artists, and create an inviting space where the community can come together to discover and collect art.”

    The show will run at the George R. Brown Convention Center from Thursday, October 15 to Sunday, October 18. Tickets go on sale Monday, July 13 and will be available at AffordableArtFair.com. Prices of works in the fair range from $100 to $12,000.

    Some of the local galleries that will be a part of the fair include Off the Wall, who showcases contemporary art from their location in the Galleria; Gallery A.M.P.S., who specializes in figurative art; and Koelsch Gallery, whose collection of outsider, self-taught, and folk art always has something unique to display. In total, 55 galleries from across the world are participating, with a full list expected to be released soon. Curators and gallery owners will be on hand to explain the history and context of pieces, adding further value to attending.

    Events like Affordable Art Fair expand access to establishing an art collection, opening up the world of contemporary art to more buyers and allowing artists to expand their audiences. There's no reason a person should have to make due with Live Laugh Love signs from Target for their walls.

    “Affordable Art Fair is designed to remove the barriers often associated with collecting art,” said Cristina Salmastrelli, U.S. regional managing director. “By bringing knowledgeable galleries and a wide range of price points together under one roof, we empower visitors to explore confidently and connect with work that truly resonates with them — no matter where they are in their collecting journey.”

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