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    Arts Update

    Wortham Center closed until May but Theater District performing arts companies stay Houston Strong

    Tarra Gaines
    Sep 19, 2017 | 1:44 pm

    Harvey’s waters may have receded from downtown, but we now know the Theater District will need many more months to rebuild and bring Houston’s glorious performing arts back to all its stages. Houston First, the corporation that manages the Wortham Center, Jones Hall and the Theater District parking, announced late Monday that the Wortham Center will be closed for repairs at least until May 15, 2018 “in a best case scenario.”

    Twelve feet of water flooded the basement of the Wortham on August 27, and while it does not appear that the building suffered structural damage, Houston First states “there has been extensive damage to at least one-third of the building’s 60 air handling units and to the elevators.”

    Though Jones Hall suffered considerably less damage than the Wortham and the building has now been cleared for occupancy, accessible restrooms required by the American Disabilities Act (ADA) must be reconstructed before public performances can resume.

    Houston Art Strong
    While the Theater District continues the long process of recovery, its performing arts organizations have come together to offer Houston a celebration of our strength and resilience. On September 27 at Miller Outdoor Theatre, those organizations will present Houston Strong: A Theater District Benefit Honoring Local Heroes. The local star-studded free performance event and benefit brings together Theater District artists for one night of dance, music, drama and beauty in motion.

    With performances from seven of the Theater District’s resident companies — Alley Theatre, Da Camera of Houston, Houston Ballet, Houston Grand Opera, Houston Symphony, Society for the Performing Arts and Theatre Under The Stars — it will be a gathering of world-class Houston talent on one stage that the city has likely never seen.

    A few already announced selections on the program include the Houston Ballet performing George Balanchine’s Symphony in C; a special appearance by jazz pianist and Houston native Jason Moran presented by Da Camera, and a Houston Grand Opera performance of “Make Our Garden Grow” from Candide.

    Donations to the Hurricane Harvey Relief Fund will be accepted on-site during the event, online at www.ghcf.org or by texting HARVEY2017 to 91999. Contributions are tax-deductible and will go toward relief for victims affected by the recent floods.

    Moving On
    Even while the companies plan this celebratory performance, many are also working to bring their fall productions to Houston audiences as soon as possible. Here’s the latest updates on cancelations, schedule changes and venue moves.

    Alley Theatre
    The world premiere Rajiv Joseph play Describe the Night has debuted as scheduled with a venue change to the Quintero Theatre at University of Houston. Unfortunately, the Alley must reschedule the other world premiere, Cleo, from Pulitzer Prize-winning writer Lawrence Wright which was supposed to be the first play of the season in the Hubbard Theater. The Hubbard stage sustained no damage during the storm, but the building’s electrical system did. Cleo will still reign next year, April 6-29.

    The Alley has managed to reshuffle the spring season so no production will need to be completely canceled with the exception of performances of the annual holiday Santaland Diaries. The Alley continues to work towards bringing all the Christmas Carol ghosts back to haunt the Hubbard by November 17. They also expect to debut the restored Neuhaus Theatre on February 9, 2018, with the world premiere of Suzane Vega’s Lover, Beloved: An Evening with Carson McCullers.

    Houston Symphony
    Those ongoing repairs to Jones Hall have forced the Houston Symphony to also make venue changes. The originally scheduled program, Andrés Conducts Schumann, has been replaced with a new concert, Beethoven and Piazzola, taking place Friday, September 22, and Saturday, September 23, at Rice University’s Stude Hall.

    The Garrison Keillor presentation remains as scheduled on Monday, September 24, but has moved to Cullen Performance Hall at the University of Houston. The Russian Masters performances will also take place at Rice University’s Stude Hall. The Thursday, September 28, and Saturday, September 30, performances will go on as scheduled but the Sunday, October 1, performance moves from the afternoon to 7:30 p.m.

    Society for the Performing Arts
    SPA generally presents artists from around the world in Jones Hall and the Wortham Center, and therefore many of its fall performances had to be canceled though they will work with the artists to try to reschedule. Those announced cancellations are MOMIX Opus Cactus (September 15) at Jones Hall, ODC/Dance The Velveteen Rabbit (September 21 – 23), and Yekwon Sunwoo: 2017 Cliburn Gold Medal Winner (September 28) at the Wortham Center’s Cullen Theater, as well as the annual A Taste of SPA event, which was scheduled for October 11.

    The Penn & Teller performance, originally scheduled for October 13 has also been cancelled but SPA is looking at rescheduling the duo for later in the 2017-2018 season.

    Da Camera
    The first performance of Da Camera’s 30th anniversary season, the Harlem Quartet and Cuban pianist and composer Aldo López- Gavilán performing From Harlem to Havana, will go on as planned on September 23 but with a move to Christ Church Cathedral, just a few blocks down Texas Ave from its original venue at the Wortham.

    As part of its anniversary celebration, Da Camera’s presents Houston with a program of free Beethoven string quartet concerts. The first, Harlem Quartet’s performance of Beethoven: String Quartet in C Major, Op. 59, No. 3, “Hero” will take place as scheduled at the Menil Collection, September 24.

    The Wortham Theater Center is beginning to undergo repairs but will not open until May, 2018, at the earliest.

    Wortham Theater Center being repaired after Hurricane Harvey
    Courtesy of Houston First
    The Wortham Theater Center is beginning to undergo repairs but will not open until May, 2018, at the earliest.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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