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    The CultureMap Interview

    The Matthew Broderick of classical music reveals all: Staying fresh, Miss America judging and more

    Joel Luks
    Sep 18, 2013 | 12:42 pm

    Life is a never-ending adventure for violin celeb Joshua Bell, who at 45 years old continues to follow a hectic travel and performance itinerary that takes him to all the corners of this convoluted world while raising three boys.

    Bell returns to Houston to headline with the Houston Symphony in Tchaikovsky's famed Violin Concerto in D Major. Led by former Houston Symphony music director Lawrence Foster, the program that also includes Mussorgsky's Dance of the Persian Maidens from Khovantchina, Vaughan-Williams' Fantasia on Greensleeves and Elga's Enigma Variations is set for Friday, Saturday and Sunday at Jones Hall.

    CultureMap chatted with the classical music soloist on the phone from his studio in New York to learn how the fetching young man keeps fresh, looking great and playing with genuine artistry.

    CultureMap: With such a demanding travel and performance schedule, how do you keep yourself and your music fresh?

    Joshua Bell: I don't really know how. But when I walk on stage the experience of being in front of an audience and the feeling of anticipation as I get ready to play great music resets my energy. Traveling from city from city barely keeping my head above water — truthfully, I have no idea how I do it.

    My schedule is crazy. I just came back from South America where I played in 11 cities in 12 days. Last month, I was in five continents. The constant travel can be overwhelming.

    I watch NFL football and I get away from music as much as I can to get my mind fresh.

    CM: Do you have any "lucky" routines before you walk on stage?

    JB: I think all musicians have a routine. My trick is to keep my routine as boring as possible to keep myself calm, because there's nothing boring about getting on stage — that's both exhilarating and nerve-wrecking. I eat at the right time, get a massage and warm up an-hour-and-a-half before curtain call. Once you get on stage, everything speeds up as the adrenaline gets going.

    CM: I think you are the Matthew Broderick of classical music. Having seen you perform for more than 15 years, I can say that you haven't aged one bit. Any beauty secrets you care to divulge?

    JB: I am glad you think that (laughs). There's no getting around aging. For me, I really think it comes from the inside: It's about attitude. My mother, who's 78 years old, her vitality comes from being active both physically and intellectually. I guess you can say that I have good genes.

    "I feel like I'm stuck in my 20s. I believe musicians tend to look younger because the job demands that you keep on learning."

    I do feel like I am a kid. I feel like I'm stuck in my 20s. I believe musicians tend to look younger because the job demands that you keep on learning and exploring. You have to look at the world as if it were full of wonder.

    CM: As you prepare to perform Tchaikovsky's Violin Concerto in D major with the Houston Symphony, can you recall how many times you've played this staple of the repertoire? How has your performance changed over the years?

    JB: Of all pieces, this is the one I have played the most, especially as it was part of my summer concert tour. Perhaps 40 times in the last couple of months? It's a piece I've played for more than 30 years, since I was 13 years old. I recorded it twice commercially, once when I was 20 years old and in 2005 with the Berlin Philharmonic. Over my career, the number would have to be in the ballpark of 900 times.

    My interpretation surely has evolved over the years. It never ceases to surprise me. It's beautiful. Audiences always respond viscerally to the music. Though I love it, I will probably drop it next year to give it room to breathe.

    CM: Do you have an artistic skeleton in your closet? Have you ever been curious about dabbling in other art forms?

    JB: I don't think I am talented in painting. I've never taken to the visual arts. Dancing? Forget it, though I love to dance — music is all about dance — I can't dance. I do love theater.

    I've thought about acting as I've been involved in movies through music, including with The Red Violin. I was the violin double so I was on the set a lot. That was a lot of fun. But I have enough in music to keep me busy for a few lifetimes.

    CM: You served as a judge in the recent Miss America pageant. You asked Miss California whether she thought it was the United States' responsibility to punish Syria for using chemical weapons on its own people. I'm curious: How would you handle that question?

    "In the middle of travel, I've tried to spend a lot of time with my three little boys — they are the biggest thing in my life."

    JB: Oh boy. First of all, I should say that I didn't come up with that question. It was given to me. I was just happy that I didn't have to ask the Miley Cyrus twerking thing. That would have been awkward.

    As for current affairs, people feel strongly about politics. Music has to be beyond politics. I feel uncomfortable when artists become publicly vocal on international issues. Of course I have my own ideas. This is a difficult question in which none of the answers are good. You lose in either action you take.

    The beauty of classical concerts is that all people, no matter their political leanings, can come together and enjoy a respite from the outside world.

    CM: Some would say that judging the pageant is odd for a classically trained violinist. Why did you do it?

    JB: As part of being a judge, I wanted to engage the Miss America organization in partnership with my musical charity, Education Through Music, which brings education programs to inner city schools. I managed to put them together. Between the two groups, we will be able to raise more money to underwrite more programs.

    CM: It's been a year since we spoke last, which was prior to your Society for the Performing Arts recital. What has been your biggest accomplishment since then?

    JB: I am a live-in-the-moment kind of person so I've forgotten what happened before that. The past several months have been dedicated to putting together my new holiday album (Musical Gifts from Joshua Bell and Friends, set to release Oct. 15) and getting to play music for it with talented folks like Gloria Estefan, Plácido Domingo, Chick Corea and Branford Marsalis. It was a huge undertaking.

    In the middle of travel, I've tried to spend a lot of time with my three little boys — they are the biggest thing in my life.

    ___

    The Houston Symphony presents "Joshua Bell Returns" on Friday, Saturday and Sunday at Jones Hall. Tickets start at $35 and can be purchased online or by calling 713-224-7575.

    Joshua Bell returns to Houston to headline with the Houston Symphony in Tchaikovsky's famed Violin Concerto in D Major.

    Joshua Bell and ASMF
    Photo by Ian Douglas
    Joshua Bell returns to Houston to headline with the Houston Symphony in Tchaikovsky's famed Violin Concerto in D Major.
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    Best June Theater

    The 10 best plays, musicals, and ballets to see in Houston this month

    Tarra Gaines
    Jun 3, 2026 | 10:35 am
    The Company of the Second North American tour of Clue
    Photo by Evan Zimmerman for MurphyMade
    Broadway at the Hobby Center presents Clue

    Musicals take the mic across Houston stages this June. From the tragic to the silly, everyone’s got a number, or dozen, to sing. Ironically, the one play exception is from the presenter Houstonians rely on to bring us the hottest Broadway musicals, Broadway at the Hobby Center, who instead gives us a Clue to solve a madcap summer mystery. We’re also highlighting some theatrical dance shows this month bringing us kinetic stories of love and life.

    Spamilton: An American Parody at Stages (now through June 21)
    Parodies of cultural phenomenons are as American as the founding fathers and Broadway itself, so if any musical deserves a gentle satire, it’s Hamilton. Written by Gerard Alessandrini, who created the long-running Forbidden Broadway, Spamilton spreads its comedy wide, taking on the show Hamilton, as well as Lin-Manuel Miranda’s journey to write a revolutionary new musical and save Broadway. Along the way, Spamilton takes shots at other big musicals like Book of Mormon, Lion King, and Cats.

    To top it off, Stages also adds a mini musical, 21 Chump Street, to the end of every performance. Running under 20 minutes, Chump Street was created by Lin-Manuel Miranda based on an episode of This American Life. While the musical is rarely performed by itself because of the short length, Stages is adding it on as a special treat for Miranda fans.

    Clue presented by Broadway at the Hobby Center (June 9-14)
    While Broadway at the Hobby Center usually presents touring musicals, they occasionally slip in the odd play, and this looks to be great fun. Clue is the ultimate comic whodunit based on the cult '80s film and classic board game. Six mysterious guests, who may or may not know each other, assemble at Boddy Manor to dine on red herrings and then play a little after dinner game of blackmail, threats, and murder. Was it Mrs. Peacock in the study with the knife, Colonel Mustard in the library with the wrench, or Miss Scarlet in the conservatory with a candlestick? Did the butler do it all along? Or perhaps the twisty ending only leads to more twists.

    Giselle from Houston Ballet (June 11-21)
    With an emotional story that brings audiences to tears even while awed by the dance, Giselle has been embraced by ballet companies and choreographers for almost two centuries. Just a decade ago, Houston Ballet artistic director Stanton Welch brought his own interpretation of this tragic story of a beautiful peasant girl who falls in love with a duke, but he later betrays her. Welch used composer Adolphe Adam’s unedited score to expand the drama and allow the cast to explore the complexities of their roles.

    Ballets Jazz Montréal, Dance Me: The Music of Leonard Cohen presented by Performing Arts Houston (June 12-13)
    Poetry and deep storytelling were always inherent in the songs of Canadian songwriter and singer Leonard Cohen. Ballets Jazz Montréal, the acclaimed dance company from Cohen’s hometown, put its bodies into those stories told in some of his most iconic songs like, “Suzanne,” “So Long, Marianne,” “Dance Me to the End of Love,” and of course, “Hallelujah.” Three international choreographers collaborated on this “dance concert,” including Andonis Foniadakis, Ihsan Rustem, and Annabelle Lopez Ochoa, whose stunning Broken Wings Frida Kahlo ballet just wowed Houston Ballet audiences in March. Dance Me combines scenic, visual, musical, dramaturgical, and choreographic writing to pay tribute to one of Montreal’s greatest artists.

    Songs for a New World from Garden Theatre (June 12-14)
    Calling it a musical theater extravaganza, the company is producing three musical shows in one weekend. Running June 12 and 13, the unique Songs for a New World from Tony winning composer Jason Robert Brown delivers song and characters connected by the choices humans must make and the consequences they bring. The one-woman cabaret Not Your Ingenue will also be in the lineup on June 13. Then this musical mini-festival ends with the rousing debut of Garden’s original cabaret show From Seed To Stage. Timed with the company's fifth anniversary, Seed will feature 35 returning cast members from previous Garden productions, singing some of their favorite numbers from five years of musicals.

    The Hunchback of Notre Dame from Houston Broadway Theatre (June 16-July 5)
    One of Houston’s newest theater companies will ring the bell on this Disney musical that’s been a favorite regionally and internationally but has never actually had a big Broadway run. Based on the Victor Hugo novel and the Disney animated adaptation, the musical tells the emotional tale of the orphaned and disabled Paris cathedral bell ringer, Quasimodo, and his love for the kind and independent Romani woman, Esmeralda. The musical weaves songs from the film and new music for the stage, all by Oscar winning composer Alan Menken. The lavish Houston production boasts a 21-piece live orchestra on stage, making this the first time this expanded orchestration will be performed in the U.S.

    Tamarie’s Greatest Hits, Volume 3 from Catastrophic Theatre (June 18-August 1)
    Summer brings one of Houston's longest running theatrical traditions, another new comedy from the wonderfully warped mind of Catastrophic’s cofounder, Tamarie Cooper. Every decade, Tamarie does a greatest hits compilation show with some of the best scenes, skits, and songs from the previous nine shows. According to Catastrophic, we can all look forward to a “ridiculous” new script and a few brand new songs to tie the whole thing together. Many of the company’s wild regulars, including a few we haven’t seen in the summer show in a while, will be along for the ride, likely vying for the most outrageous performance.

    Joseph and the Amazing Technicolor Dreamcoat at A.D. Players (June 24-July 19)
    Somehow this will be the first time Houston’s spiritual theater company brings to stage this early Andrew Lloyd Webber hit musical. The story follows young Joseph, favorite son of Biblical patriarch, Jacob. Left for dead by jealous brothers, Joseph sets out on a series of adventures, including a stint as a dream interpreter. He eventually rises to power as the man behind the throne of Egypt. Filled with catchy songs like “Any Dream Will Do,” the somewhat campy musical still wrestles with weighty themes like family loyalty and betrayal.

    Get Ready at Ensemble Theatre (June 26-July 26)
    Filled with nostalgia, complex comedy, and hope, the show puts us in the rehearsal room for the reunion of the fictitious Doves, a 1950s doo-wop group that might be having a resurgence after one of their old songs makes it back on the charts. Can these five former friends, now older but perhaps wiser, find that musical magic again, or will the squabbles of the past break them up once more? Ensemble won critical praise when it produced this show during the 30th anniversary season. Now as it wrap up the 25-26 lineup, this season topper will Get (Houston) Ready for Ensemble’s upcoming 50th anniversary.

    Forever Nebrada present by Voices of Arts Central (June 27)
    Houston Ballet principal dancer Karina González pays tribute to pioneering Latin American choreographer Vicente Nebrada (1930-2002) with this special production from the organization she founded last year to present innovative artistic projects that connect dance, culture, and storytelling. Featuring dancers from Houston Ballet and Oklahoma City Ballet, Forever Nebrada will give audiences rare insight into Nebrada’s repertoire, dance vision, and how Venezuelan cultural heritage influenced his work. González says she hopes the production will be both a celebration of Nebrada’s legacy but will also be a way to bring together artists and audiences from across the diverse Houston community.


    The Company of the Second North American tour of Clue
    Photo by Evan Zimmerman for MurphyMade

    Broadway at the Hobby Center presents Clue.

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