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    The CultureMap Interview

    The Matthew Broderick of classical music reveals all: Staying fresh, Miss America judging and more

    Joel Luks
    Sep 18, 2013 | 12:42 pm

    Life is a never-ending adventure for violin celeb Joshua Bell, who at 45 years old continues to follow a hectic travel and performance itinerary that takes him to all the corners of this convoluted world while raising three boys.

    Bell returns to Houston to headline with the Houston Symphony in Tchaikovsky's famed Violin Concerto in D Major. Led by former Houston Symphony music director Lawrence Foster, the program that also includes Mussorgsky's Dance of the Persian Maidens from Khovantchina, Vaughan-Williams' Fantasia on Greensleeves and Elga's Enigma Variations is set for Friday, Saturday and Sunday at Jones Hall.

    CultureMap chatted with the classical music soloist on the phone from his studio in New York to learn how the fetching young man keeps fresh, looking great and playing with genuine artistry.

    CultureMap: With such a demanding travel and performance schedule, how do you keep yourself and your music fresh?

    Joshua Bell: I don't really know how. But when I walk on stage the experience of being in front of an audience and the feeling of anticipation as I get ready to play great music resets my energy. Traveling from city from city barely keeping my head above water — truthfully, I have no idea how I do it.

    My schedule is crazy. I just came back from South America where I played in 11 cities in 12 days. Last month, I was in five continents. The constant travel can be overwhelming.

    I watch NFL football and I get away from music as much as I can to get my mind fresh.

    CM: Do you have any "lucky" routines before you walk on stage?

    JB: I think all musicians have a routine. My trick is to keep my routine as boring as possible to keep myself calm, because there's nothing boring about getting on stage — that's both exhilarating and nerve-wrecking. I eat at the right time, get a massage and warm up an-hour-and-a-half before curtain call. Once you get on stage, everything speeds up as the adrenaline gets going.

    CM: I think you are the Matthew Broderick of classical music. Having seen you perform for more than 15 years, I can say that you haven't aged one bit. Any beauty secrets you care to divulge?

    JB: I am glad you think that (laughs). There's no getting around aging. For me, I really think it comes from the inside: It's about attitude. My mother, who's 78 years old, her vitality comes from being active both physically and intellectually. I guess you can say that I have good genes.

    "I feel like I'm stuck in my 20s. I believe musicians tend to look younger because the job demands that you keep on learning."

    I do feel like I am a kid. I feel like I'm stuck in my 20s. I believe musicians tend to look younger because the job demands that you keep on learning and exploring. You have to look at the world as if it were full of wonder.

    CM: As you prepare to perform Tchaikovsky's Violin Concerto in D major with the Houston Symphony, can you recall how many times you've played this staple of the repertoire? How has your performance changed over the years?

    JB: Of all pieces, this is the one I have played the most, especially as it was part of my summer concert tour. Perhaps 40 times in the last couple of months? It's a piece I've played for more than 30 years, since I was 13 years old. I recorded it twice commercially, once when I was 20 years old and in 2005 with the Berlin Philharmonic. Over my career, the number would have to be in the ballpark of 900 times.

    My interpretation surely has evolved over the years. It never ceases to surprise me. It's beautiful. Audiences always respond viscerally to the music. Though I love it, I will probably drop it next year to give it room to breathe.

    CM: Do you have an artistic skeleton in your closet? Have you ever been curious about dabbling in other art forms?

    JB: I don't think I am talented in painting. I've never taken to the visual arts. Dancing? Forget it, though I love to dance — music is all about dance — I can't dance. I do love theater.

    I've thought about acting as I've been involved in movies through music, including with The Red Violin. I was the violin double so I was on the set a lot. That was a lot of fun. But I have enough in music to keep me busy for a few lifetimes.

    CM: You served as a judge in the recent Miss America pageant. You asked Miss California whether she thought it was the United States' responsibility to punish Syria for using chemical weapons on its own people. I'm curious: How would you handle that question?

    "In the middle of travel, I've tried to spend a lot of time with my three little boys — they are the biggest thing in my life."

    JB: Oh boy. First of all, I should say that I didn't come up with that question. It was given to me. I was just happy that I didn't have to ask the Miley Cyrus twerking thing. That would have been awkward.

    As for current affairs, people feel strongly about politics. Music has to be beyond politics. I feel uncomfortable when artists become publicly vocal on international issues. Of course I have my own ideas. This is a difficult question in which none of the answers are good. You lose in either action you take.

    The beauty of classical concerts is that all people, no matter their political leanings, can come together and enjoy a respite from the outside world.

    CM: Some would say that judging the pageant is odd for a classically trained violinist. Why did you do it?

    JB: As part of being a judge, I wanted to engage the Miss America organization in partnership with my musical charity, Education Through Music, which brings education programs to inner city schools. I managed to put them together. Between the two groups, we will be able to raise more money to underwrite more programs.

    CM: It's been a year since we spoke last, which was prior to your Society for the Performing Arts recital. What has been your biggest accomplishment since then?

    JB: I am a live-in-the-moment kind of person so I've forgotten what happened before that. The past several months have been dedicated to putting together my new holiday album (Musical Gifts from Joshua Bell and Friends, set to release Oct. 15) and getting to play music for it with talented folks like Gloria Estefan, Plácido Domingo, Chick Corea and Branford Marsalis. It was a huge undertaking.

    In the middle of travel, I've tried to spend a lot of time with my three little boys — they are the biggest thing in my life.

    ___

    The Houston Symphony presents "Joshua Bell Returns" on Friday, Saturday and Sunday at Jones Hall. Tickets start at $35 and can be purchased online or by calling 713-224-7575.

    Joshua Bell returns to Houston to headline with the Houston Symphony in Tchaikovsky's famed Violin Concerto in D Major.

    Joshua Bell and ASMF
    Photo by Ian Douglas
    Joshua Bell returns to Houston to headline with the Houston Symphony in Tchaikovsky's famed Violin Concerto in D Major.
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    best july art

    MFAH celebrates America 250 and 7 more must-see art openings for July

    Tarra Gaines
    Jul 7, 2026 | 2:00 pm
    ​Orkhan Mammadov’s “Visions” at Art Club
    Photo courtesy of Art Club
    Orkhan Mammadov’s “Visions” at Art Club

    The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

    Art Club’s New Season at POST (ongoing)
    When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

    One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

    Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

    “This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

    “Horizon” at The Plaza at Avenida Houston (now through September 7)
    Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

    Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

    “George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
    The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

    “America 250” at the Museum of Fine Arts, Houston (now through January 3)
    The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

    From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

    "On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

    "Representation of Form" at MATCH (July 9-12)
    Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

    “Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
    Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

    For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

    "World of Color” at Laura Rathe Fine Art (July 16-August 14)
    This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

    "Learning Curve 18” at Houston Center for Photography (July 16-August 16)
    This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

    “As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

    \u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

    Photo courtesy of Art Club

    Orkhan Mammadov’s “Visions” at Art Club

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