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    tune in

    Houston Symphony trumpets new season with blockbuster screenings, holiday favorites, and more

    Holly Beretto
    Sep 16, 2022 | 10:33 am
    Houston Symphony Harry Potter
    Harry Potter and the Deathly Hallows Part 2 casts a spell on Jones Hall this season.
    Photo via Houston Symphony

    The Houston Symphonyopens its 2022-2023 season this weekend at Jones Hall with one of classical music's most stirring selections, the Verdi Requiem.

    New symphony music director Juraj Valčuha offers this specially scaled setting of the piece, which had its first performance in 1874, to showcase the depth of the orchestra's playing and the incredible voices in the Houston Symphony Chorus.

    That's just the beginning of what Valčuha has in mind for this season. He'll also explore operatic repertoire in concert alongside great choral works from the symphonic repertoire, and continue to spotlight Houston Symphony musicians as soloists, while also welcoming some of the world's most acclaimed musicians to the Bayou City. That means audiences can expect exciting concerts and the opportunity to see world class talent here.

    The symphony will also continue its popular series of screening movies while playing the score live. This season sees the orchestra present Harry Potter and the Deathly Hallows Part 2, on stage April 27 -30, 2023, which should delight Potterheads around the city. They'll also show Disney's Fantasia while performing the score live. That concert is this Thanksgiving weekend, a wonderful way to user in the holiday season.

    Other highlights abound this year. Violin superstar Joshua Bell joins the orchestra September 23 though 25 for a concert that includes Shostakovich's Fifth Symphony and Sibelius' violin concerto. The world-renownedItzhak Perlman brings his acclaimed playing and signature style to Houston for a concert of Beethoven October 20-23.

    Family-friendly favorites return in the PNC Family Series Concerts. The series opens with two performances on October 8 (10 and 11:30 am) of Celebrating Black Composers: Ellington, Hendrix, Price & More. Guest conductor Daniel Bartholomew-Poyser leads the orchestra in a musical journey paying homage to over a century of trailblazing black artists, from the Chevalier de Saint George’s 18th-century Violin Concerto featuring Houston Symphony Community Embedded Musician Rainel Joubert as soloist, to Jimi Hendrix’s “Purple Haze.”

    Holiday family treats include two performances of Ho-Ho-Holiday! Polar Express, Frozen & More. The series takes on the theme of space exploration on February 25, 2023 with two performances of Blast Off to Space!, and concludes with two performances on May 6, 2023 of Fairy Tales for Kids! with music from Firebird, Sleeping Beauty, and Disney.

    Looking ahead, works that caused "Riots and Scandals" when they made their premiers are the centerpiece of a mini-festival in January, 2023. The following month, look for another mini festival, this one focused on Songs of the Earth.The classical season climaxes with Stravinsky'sOedipus Rex, which brings opera stars Michelle DeYoung and Sean Panikkar to town.

    Of course, there will also be fan favorites Handel's MessiahDecember 9-11 and A Very Merry Pops December 15 through 18, both guaranteed to put audiences in the holiday spirit.

    In all, the season promises to be one that has offerings appealing to classical music lovers and novices alike, and provides an excellent introduction to Valčuha's concept of what an orchestra can bring to its community. Details and tickets are available online.

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    Salutations, Soon Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soon Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

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