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    art in september

    11 eye-catching and vivid Houston art exhibitions for September

    Tarra Gaines
    Sep 12, 2019 | 3:13 pm

    New art comes into Houston at a fast and fantastic pace. For fall, that means a cityscape of colors flow into the galleries, museums, and public venues, if not usually the trees. September in particular becomes a month of change as our visual art institutions cart up the sometimes whimsical summer art exhibits and installations and prepare for an autumnal art mood. We have a few fav exhibitions to wave goodbye to while welcoming some international sensations, so check our guide for the best of September art.

    Gallery openings

    “Marc Horowitz, If it’s not mine, it’s mine” at Jonathan Hopson (now through October 13)
    The assemblage and five individual works on view — motifs within the artist’s expanding but as-of-yet inconclusive forensic system — develop research that took Horowitz from the Roman ruins in Milreu, Portugal to the Dia Foundation in New York. Horowitz questions the value of time, labor, and sincere sincerity in an age when the digital image has become the quintessential found object.

    “Breaking Point” at Rudolph Blume Fine Art / ArtScan Gallery (September 14-October 26)
    Through her sculptures created from recycled plexiglas, paint, and found materials, Margaret Smithers-Crump investigates a holistic approach to the health of our planet and the human impact, both negative and positive, on the vulnerability and interconnectedness of diverse life forms and ecosystems.

    “Australian Aboriginal Art: Beyond Time” at Booker-Lowe Gallery (opening September 14)
    Booker-Lowe partners with Australia’s oldest indigenous art gallery, Cooee Gallery, to showcase more than 30 paintings by old masters and leading artists, including well-known painters who helped launch the Australian Aboriginal art movement in the 1970s.

    Exhibition and installations openings

    “Mapa Wiya (Your Map’s Not Needed): Australian Aboriginal Art from the Fondation Opale” at the Menil Collection, September 13-February 2, 2020.
    This rare exhibition of contemporary (created after the 1950s) Australian Aboriginal art showcases more than 100 contemporary paintings, shields, hollow log coffins (larrakitj or lorrkkon), and engraved mother of pearl (lonka lonka or riji). The artwork comes the Fondation Opale in Lens, Switzerland, one of the most significant collections of Aboriginal art in the world. The show includes work by acclaimed artists such as Kunmanara (Mumu Mike) Williams, Clifford Possum Tjapaltjarri, Paddy Nyunkuny Bedford, Emily Kame Kngwarreye, Gulumbu Yunupingu, John Mawurndjul, and Warlimpirrnga Tjapaltjarri.

    “Tsuruya Kōkei: Modern Kabuki Prints Revised & Revisited” at the Asia Society, September 14-January 19, 2020
    Asia Society Texas Center becomes the final museum in the U.S to host this exhibition featuring 77 prints by Kōkei, including all his kabuki actor portraits from 1984 to 1993, plus a collection of his meticulously rendered self-portrait. “Kabuki actor prints have been a beloved genre in Japanese woodblock printmaking for centuries,” said Bridget Bray, ASTC’s Nancy C. Allen, curator and director of exhibitions, in a statement about the show. “We are delighted to present such a comprehensive view into the ways that Kōkei both reveres and reinterprets these portraits.”

    “Moon Shot” at the Rice Moody Center for the Arts (September 20-December 21)
    While other Apollo 11 celebrations might have ended a month ago, Rice Moody Center is just getting started with this exhibition of artists creating half a century of artwork in response one of humanity’s greatest endeavors. Featured works include Robert Rauschenberg’s Stoned Moon series of 34 lithographs (shown together as a group for the first time since their creation in 1969-1970), Andy Warhol’s Moonwalk (1987) and Laurie Anderson’s virtual reality work, To the Moon (2018), co-created with Hsin-Chien Huang.

    “Off the Wall: Harold Mendez” at Rice University’s Raymond and Susan Brochstein Pavilion (September 21-August 24, 2020)
    A new initiative from Rice Public Art will commission a site-specific installation by a recent alumnus or alumna of the Core Residency Program at the Glassell School of Art that will be on view for a year on the south wall of the Raymond and Susan Brochstein Pavilion, which houses the campus cafe. First up Harold Mendez whose work often integrates photography and sculpture to explore notions of identity and place.

    “Objects Redux: How 50 Years Made Craft Contemporary” at Houston Center for Contemporary Craft (September 28-January 5, 2020)
    The exhibition commemorates the 50th anniversary of the Smithsonian National Collection of Fine Arts exhibition Objects: USA. The original exhibition that influenced the way we view crafts today acknowledged the pioneers of the American Studio Craft movement in enamel, ceramics, glass, metal, jewelry, plastic, mosaic, wood, and fiber. This new show highlights the evolution of craft making from functional works of art to the diversity of meaning and technological methods of the current crop of craft artists.

    Last chance to see

    “This too, shall pass” at University of Houston Downtown’s O’Kane Gallery (closes October 1)
    This exhibition of both new and early work by Japanese artist and University of Houston’s School of Art MFA graduate Mayuko Ono Gray, features 20 works of calligraphy and graphite drawings depicting images of the everyday, household objects, pets, friends, and family, connected by intertwining tubes that are really the proverbs spelled out in Japanese.

    “Icons of Style: A Century of Fashion Photography” at Museum of Fine Arts, Houston (closes September 22)
    The hippest and sometimes hip hop-est exhibition of the summer gave Houston a new understanding of how fashion photography became its own art form. This is one art history lesson fashionistas shouldn’t miss.

    “Ragnar Kjartansson: The Visitors”at the MFAH (closes September 22)
    Our pick for one of the best art installations and films of the summer. The Visitors plays on nine large screens, simultaneously capturing a group of musicians and bystanders each in a different room of a historic Hudson Valley house.

    Though separated by walls, these musicians, characters all, play one, long song together. A meditation on isolation, creativity, and the connective power of music, this video installation feels both intimate and cosmic at the same time. Staying for the full hour the film runs takes some mediative stamina but the MFAH welcomes you to take a seat on a bench or, better yet, the floor and let the music flow around you.

    Robert Rauschenberg’s Stoned Moon series will be a part of the Moon Shot exhibition at Rice University's Moody Center for the Arts opening September 20.

    "Moon Shot" opening reception
    Photo courtesy of Robert Rauschenberg
    Robert Rauschenberg’s Stoned Moon series will be a part of the Moon Shot exhibition at Rice University's Moody Center for the Arts opening September 20.
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    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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