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    Best Ballet Ever?

    A Houston Ballet stunner: Midsummer Night's Dream is a sexy vision, one of company's best works ever

    Theodore Bale
    Sep 6, 2014 | 11:01 am

    I suppose it was a trip last year to northern India that got me contemplating Buddhist and Hindu perceptions of time. In the ancient Hindu Puranas, one “deva” year is equal to 360 human years. Devas and their female counterparts, the devis, are usually compassionate deities, and they experience time differently than we do.

    This idea is not particular to the East. In the Holy Bible’s Second Epistle of Peter, for example, “…with the Lord a day is like a thousand years.”

    I am unaware if Shakespeare intended Titania, Oberon, Puck, Cobweb and all his other fairies to perceive the passing hours as so much longer than those of mortals — they are not gods, after all — but it is a fascinating notion asserted by choreographer John Neumeier for his ballet setting of A Midsummer Night’s Dream. When the pristine luxury of the Athenian court starts to overlap with the exotic woodland of the Fairy Realm, we can see for our very own eyes the effects of the temporal clash.

    In the past five years, this could be the most stunning performance Houston Ballet has offered, and that is certainly saying a lot.

    These two groups have their own style of choreography and their own kind of music, as well. As I write these words, I get goose bumps just re-imagining that thrilling shift from the Prologue to the first Act last night at the Wortham Theater Center.

    Houston Ballet is the first American company to dance this great masterpiece, which the Hamburg Ballet premiered in 1977. Neumeier has said that he keeps perfecting the choreography every time he sets the ballet, which means also that he gives great attention to how new dancers slip into these well-considered roles. I’ll warn you right now that this review might be filled with superlative comparatives, if not a bit of hyperbole here and there.

    Thursday night, I knew I was witnessing unfettered greatness, both in the conception of the work and in its execution. In the past five years, this could be the most stunning performance Houston Ballet has offered, and that is certainly saying a lot.

    In its arrangement, the story is clear without being simplistic. When the motley crew of “rustics,” led by a weaver named Bottom, enters the scenario and eventually performs their lowbrow version of Pyramus and Thisbe, Neumeier adds a third layer to his danced version of Shakespeare’s popular comedy. Where the Athenians have Felix Mendelssohn Bartholdy’s sweeping Overture and Incidental Music to the play as their accompaniment, and the fairies an assortment of bizarre organ music by Hungarian composer György Ligeti, the rustics have a live mechanical street organ they carry around the stage with them. Even a bit of Verdi makes its way into the mix.

    The dancing throughout is sublime, in the sense that it moves far beyond mere technical perfection. The company looked stellar in every sense of the word. Neumeier’s choreography is often dense and reckless, bordering on the acrobatic. It calls for subtlety as well, sustained adagio passages, expertise in pantomime, and theatrical prowess.

    There are numerous lifts that are also splendidly weird, and a wide assortment of partnering that reflects the various eccentricities of the characters. It goes without saying that it is all very sexy, as well, though Neumeier shows the erotic potential of the story without ever being vulgar.

    It goes without saying that it is all very sexy, though Neumeier shows the erotic potential of the story without ever being vulgar.

    Soloist Aaron Robison, in the dual role of Theseus and Oberon, was particularly impressive as the latter, which called for several athletic duets with principal dancer Connor Walsh. I have always felt that Walsh had a great gift for comic roles, and this is without doubt his funniest interpretation in many years. He is an absolute wonder in this ballet and deserves a crown of laurels, even if it’s unlikely he would ever rest upon them.

    Christopher Coomer, sporting a pair of red satin pointe shoes as Thisbe in the Divertissement, is unforgettably comic. Karina Gonzalez as Titania/Hippolyta embodies everything this ballet calls for, from ethereal illusion to sexy sophistication. I couldn’t take my eyes off her, which is a maddening pleasure in a work where 10 things always seem to be happening at once.

    I found none of the dancers lacking, and wish I could mention every last one by name.

    This might sound crazy, but the overwhelming beauty and elegance of this Midsummer makes these dancers seem other-worldly, as if they are visitors from some other non-human realm. They danced for nearly three hours in the premiere, but to a mortal such as me, it seemed like only minutes.

    Aaron Robison and Karina Gonazlez and artists of the Houston Ballet in A Midsummer Night's Dream.

    Houston Ballet A Midsummer Night's Dream dress rehearsal pics September 2014 Aaron Robison and Karina Gonazlez
    Photo by © Amitava Sarkar
    Aaron Robison and Karina Gonazlez and artists of the Houston Ballet in A Midsummer Night's Dream.
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    Best November Theater

    Tony winners and holiday favorites lead Houston's 11 best shows this month

    Tarra Gaines
    Nov 3, 2025 | 12:15 pm
    A Beautiful Noise tour
    Photo by Jeremy Daniel
    Broadway at the Hobby Center presets A Beautiful Noise: The Neil Diamond Musical.

    Houston theater gets set to ring in the holidays with some traditional favorites and roaring new works. But for those holiday Scrooges in the house, performing arts companies also unwrap some intriguing and theatrical dance, new and intimate visions for classic drama, and one heavenly world premiere. Plus, Broadway at the Hobby Center makes some noise presenting two smash productions this month.

    A Beautiful Noise: The Neil Diamond Musical presented by Broadway at the Hobby Center (November 4-9)
    When Broadway at the Hobby Center first announced its 25-26 season, this production seemed poised to be the sleeper hit of the year. And a recently-added and rare Thursday matinee proves Houston theater lovers will “Come Running” for this look at the life and songs of Neil Diamond. In the tradition of jukebox musicals like Jersey Boys and Tina, this latest Broadway biography puts the Grammy winner and Rock and Roll Hall of Fame inductee at center stage.

    Created in collaboration with Diamond himself, the show chronicles his beginnings as a poor kid from Brooklyn to became a chart-busting, American showman with 120 million albums sold. Featuring some of the biggest songs of Diamond’s catalogue, including “Sweet Caroline,” “Love on the Rocks,” and “Kentucky Woman,” Beautiful Noise draws connections between the songs’ powerful lyrics and important moments in Diamond’s life.

    Dada Gert from Open Dance Project (November 7-22)
    Houston’s source for truly immersive dance continues to celebrate its 20th anniversary by bringing back some of its most innovative works. Debuting in Houston back in 2018, the multidisciplinary Dada Gert transported audiences back into Weimar-era Berlin and into to the life and dances of pioneering Jewish dancer/performance artist/film star, Valeska Gert. The original production wowed critics, contemporary dance lovers, and those simply immersive-curious.

    The show invites audiences to wander through cabaret and street scenes amid set pieces, video projections, and the dancers themselves who depict some of the Gert-created personas and characters. Resembling some of the big immersive performance art companies in New York or London, ODP encourages audiences to explore the story as closely as they want within a space that surrounds them with dramatic dance and stunning sets.

    Angels in America at Rec Room (November 8-December 20)
    One of the smallest theater spaces in town has always done things a little bit differently, like organizing its seasons by the calendar year. It wraps up its 2025 season with what might be the most ambitious production of this fall, Tony Kushner’s masterpiece of late 20th century American theater, Angels in America. Rec Room will produce both part one, Millennium Approaches, and two, Perestroika, on alternating evenings in repertory.

    Winning pretty much every award possible, including a Pulitzer and multiple Tonys, Angels depicts the AIDS crisis on both a personal and cosmic scale, while also holding up a celestial mirror to America at the end of the 20th century. Look for a few special dates that pack both shows into one day and include dinner.

    Take the Soul Train to Christmas at Ensemble Theatre (November 14-December 21)
    Ensemble always presents heartfelt holiday musicals. This one takes audiences on board a Soul Train for a joyous, family celebration. The show tells the story of three students assigned some winter break homework, a research paper chronicling how African Americans have celebrated Christmas throughout history. Luckily their granddad possesses time traveling powers and summons the magical Soul Train for a field trip into the past. The show features the sounds of African drumming, Harlem Renaissance jazz, the beats of the Civil Rights Movement, disco party jams, hip-hop, and traditional holiday tunes.

    Of the message of the musical, director and choreographer, Aisha Ussery, says, “Christmas is a time when we look for hope despite our circumstances. This piece is a whimsical and joyous journey through various eras wherein African Americans make magic from mud.”

    A Christmas Carol at Alley Theatre (November 16-December 28)
    The Alley premiered this charming production of the classic story, as adapted by Alley artistic director Rob Melrose, in 2022, and it’s already a Houston holiday theater tradition. Melrose went back to the original Charles Dickens novella for inspiration, making a Carol from the heart. David Rainey is back as Scrooge with the rest of the resident acting company and Alley regulars playing all the time-traveling ghosts and human characters.

    The Alley creative team weaves its own holiday magic alongside the actors in this production to create a music-filled Victorian wonderland with floating houses, intricate and sometimes spooky costumes, beautiful puppetry, and wondrous stage illusions. We might even forecast a bit of magical light theatrical snow for every performance.

    The Outsiders presented by Broadway at the Hobby Center (November 18-23)
    Winner of the 2024 Tony Award for Best Musical, this show is based on the classic young adult novel by S. E. Hinton, as well as Francis Ford Coppola’s 1983 film adaptation. Set in 1960s Oklahoma, The Outsiders tells the story of orphan Ponyboy Curtis, his brothers, his best friend Johnny Cade, and their Greaser family of ‘outsiders.’ Always in battle with the upper-class Socs, the Greasers live in a world of violence where “nothing gold can stay” but they dream of a better life filled with love and acceptance. In the end, hope might live in the act of storytelling. People who saw the show in New York are still talking about the choreography and theatrical effects of the “rumble scene” — expect it to be just as extraordinary on the road as it was on Broadway.

    Narnia the Musical at A.D. Players (November 19-December 23)
    A.D. Players celebrates the holidays with this magical musical based on C.S. Lewis’s most cherished novel, The Lion, the Witch, and the Wardrobe. Narnia tells the story of the four siblings — Peter, Susan, Edmund, and Lucy — who stumble upon a mysterious wardrobe that leads them into the enchanted land of Narnia. But all is not well in this wintery world. The evil White Witch has cast a spell, trapping Narnia in eternal snow and ice. With the help of talking animals, brave warriors, and the mighty lion Aslan, the children must find the courage to fight for Narnia’s freedom. This one will definitely be a show for the whole family.

    Birdy presented by Performing Arts Houston (November 21-22)
    Taiwan’s Hung Dance has garnered international acclaim for its lyrical precision and spiritual intensity that melds the meditative flow of Tai Chi and the expressive force of contemporary dance. Currently on their first U.S. tour, choreographer and company founder Lai Hung-chung explores themes of wild creativity forged by constraints and a burning desire to fly free. PAH says that the dance is set to an evocative blend of electronic and Chinese classical music and becomes a dialogue between tradition and modernity, where stillness and motion, struggle and hope, move as one.

    Beautiful Princess Disorder from Catastrophic Theatre (November 21-December 13)
    While Catastrophic Theatre might be one of the more experimental theater companies in town, it does have some steadfast traditions beloved by Cat fans. Every November or December, Houstonians head on down to the MATCH for whatever weirdly wonderful or avant garde show the company will gift us as holiday counter-programming with not an elf, sugarplum, or cute Victorian street urchin in sight. This year, they're performing a world premiere work by emerging playwright Kathy Ng.

    The show follows Triangle Person, a being with a human body and triangle head, on TP’s many adventures living in Heaven’s parking lot hanging out with Mother Teresa. While that premise only adds more mystery to the premiere, the title’s acronym, BPD, might give some psychological hints. Ng has described the work as an invitation to a party in her mind, and this is one wild, non-holiday blowout we don’t want to miss.

    Our Town at 4th Wall Theatre (November 21-December 20)
    While not necessarily a holiday play, Thornton Wilder’s masterpiece makes for a contemplative drama about some of those ideas and ideals we hold so dearly this time of the year, like family, love, and memory. With minimal props and an all-knowing stage manager as narrator, this great American play tells the story of small town life in the early 20th century.

    The Stage Manager introduces us to Grover’s Corners and the Webb and Gibbs families. The audiences watches their children grow up, marry, and have children of their own. In Our Town, the seemly simplest of relationships and stories hold wonder of lives well-lived, whether long or cut short. 4th Wall’s intimate space will likely add even more universal connections between audiences and these players, especially with a strong cast of Houston favorites, including company co-founder Philip Lehl as the Stage Manager.

    Georgiana and Kitty: Christmas at Pemberley at Main Street Theater (November 22-December 21)
    After a break last year, MST journeys back in time to Regency England and the beloved world of Jane Austin’s Pride and Prejudice. Lauren Gunderson and Margot Melcon’s trio of Christmas sequels to the classic novel — told with a persuasive 21st century sense and sensibility — have become a new holiday tradition among regional theaters across the country.

    This time Mr. Darcy’s talented pianist sister, Georgiana, and her best friend, the younger, spunky, and usually forgotten Bennet sister, Kitty, have their chance in to become heroes of their own stories. When unexpected guests arrive for the annual Christmas celebration at the Pemberley estate, new love and new music might be in the air. While staying close to the themes of family, love, and sisterhood of the earlier plays in the trilogy, Georgiana and Kitty, expands the story beyond Pemberley, exploring what women can achieve with bravery and determination even admit societal restrictions and some well meaning brotherly disproval.

    A Beautiful Noise tour
    Photo by Jeremy Daniel

    Broadway at the Hobby Center presets A Beautiful Noise: The Neil Diamond Musical.

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