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    The Menil Picasso vandal emerges from hiding to reveal motivation, tells policeto get "real criminals"

    Tyler Rudick
    Aug 27, 2012 | 2:04 pm
    The Menil Picasso vandal emerges from hiding to reveal motivation, tells policeto get "real criminals"
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    After tagging a 1929 Picasso painting at the Menil Collection with spray paint in June, alleged vandal Uriel Landeros disappeared and remained totally silent . . . until this weekend, when the 22-year-old artist published a series of brief YouTube videos in English and Spanish that detail his motivations.

    Landeros contacted CultureMap via social media Saturday to announce his new formal explanation, describing the motivations behind a surprise act of vandalism during which he spray painted the stencil of a bullfighter — and the words "conquista la bestia" ("conquer the beast") — on Picasso's cubist work Woman in a Red Armchair.

    The video itself offers an apo logy to the Menil as well as a claim that the material he used could be removed with only "a little bit of Windex."

    As authorities unsuccessfully combed the city for the suspected tagger in the wake of the stencil attack, rumors circulated through the Houston art scene that he'd fled to Mexico. John Lewis, the assistant Harris County district attorney leading the case against Landeros, tells CultureMap that the U.S. Marshals continue to follow leads to locate the vandal's whereabouts.

    The video itself offers an apology to the Menil as well as a claim that the material he used to paint the stencil could be removed with only "a little bit of Windex."

    After reciting a letter he wrote after the initial incident, Landeros explains his actions with a mixture of political, social and artistic motivations and a dash of Occupy rhetoric. While we'll never truly know whether the vandalism was fueled by ego or sociopolitical rage, the video argues that the attack was no empty gesture, but rather a commentary on the corruption of large institutions and governmental bodies in the U.S. and Mexico.

    "Don't look for me," Landeros says. "Look for the real criminals."

    Landeros appears to have little intention of following the footsteps of Tony Shafrazi, who spray-painted "KILL ALL LIES" on Picasso's Guernica in 1974 only to become an art advisor to the Shah of Iran and a major blue chip art dealer by the start of the 1980s.

    Here's a transcript of Landeros' English-language video (watch it above):

    I dedicate this to everybody out there who has suffered any kind of injustice, whether from your family, your religion or from your government. And to Pablo Picasso, the intellectual artist who loved bullfighting and understood that, at the end of the dance, somebody had to die. And on this day, it was his turn — June 13, 2012.

    I did this to turn heads, to raise awareness to the world, to make this a better place for everyone to live in. My intention was never to destroy Pablo's painting or to insult the Menil. If I would have wanted to destroy the painting, I would have ripped it with a knife or burnt it. But that was never my intention. I'm sorry for insulting anyone who has misunderstood my message, but I'm a good enough alchemist to know that the professionals in the Menil could easily restore the piece with a little bit of Windex.

    "Don't look for me. Look for the real criminals."

    My intentions are to give a voice to the public, to all those who go unheard of. Unfortunately, our society has become nothing but a corrupt, war-making, murdering, raping society. And all the religious and political leaders who will not fight against this problem are to blame. In fact, everybody who doesn't fight against this problem is only feeding this chaotic fire.

    We can all do something to be better. And all those who are part of the problem should truly be persecuted and punished.

    Why don't we begin to create a better society, a better world, a healthier one? Why is this government wasting society's money in a never-ending religious drug war, war that only kills our brothers and sisters, war that leaves families without their loved ones? Instead, focus on the real problem, the murders, the rapists, the thieves, the corrupt politicians in this war.

    These are the real issues. That's why the world is so fucked up. Don't look for me. Look for the real criminals.

    In the end, we all want the same thing — a safe society, a society where all the kids can run around and play safely in the street. But in order for this to work, everyone needs to stop being scared and to stand up for what is right. We cannot let fear control our society.

    Why does the one percent control the 99 percent? It is time for some real change, ladies and gentlemen, some real change. This is the true symbolism behind my activist movement.

    A rough take of the same speech has been posted on YouTube as well.

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    Houston Grand Opera trades Appalachian heartbreak for black-tie revelry

    Joel Luks
    Oct 28, 2026 | 11:45 am
    Houston Grand Opera opening 2026
    Photo by Michelle Watson
    James Gaffigan, Astley Blair, and Ping Sun.

    Ain’t it a pretty night? Well, that depends on whom you ask.

    For the title character in Carlisle Floyd’s Susannah, things go south rather quickly. For the Houston Grand Opera crowd gathered at the Wortham Theater Center on October 23, however, the evening was looking positively peachy.

    HGO opened its 72nd season with the American classic, celebrating Floyd’s centennial and the nation’s 250th birthday. And what better way to salute Americana than with a little Appalachian intrigue, religious fervor, and small-town gossip?

    The drama began before anyone sang a note. A passionate overture accompanied by sweeping projections offered a tantalizing preview of the story’s twists and turns. Spoiler alert: Susannah wasn’t headed for a fairy-tale ending. But the evening certainly had its leading man. James Gaffigan made his first appearance as HGO’s music director designate, taking the podium for a production reimagined by soprano-turned-director Patricia Racette.

    Houston Grand Opera opening 2026

    Photo by Michelle Watson

    James Gaffigan, Astley Blair, and Ping Sun.

    Soprano Sylvia D’Eramo made her role debut as Susannah, with baritone Rod Gilfry portraying the Reverend Olin Blitch. Tenors Bille Bruley and Aaron Blake rounded out the principal cast as Sam and Little Bat. And the audience delivered a standing ovation. Because heartbreak sounds better with a full orchestra.

    Chairs Sylvia Barnes and Jim Trimble, longtime HGO supporters, welcomed guests to Ray C. Fish Plaza, where The Events Company had conjured an Appalachian autumn, complete with sunset hues, lush greenery, and the illusion of a stream. Anyone fancy a dip? Considering how things turned out for Susannah after her ill-fated bathing excursion, perhaps not. You never know who might be watching. Better to plunge a fork into the flourless chocolate torte.

    And while Susannah might have had opinions about mail-order catalogs (if you know, you know), the Houston crowd was having none of that. The dress code was decidedly black tie.

    During dinner, board chair Astley Blair celebrated HGO’s recent Grammy win, while CEO Khori Dastoor reflected on the company’s artistic ambitions. Gaffigan introduced the cast, who received yet another standing O.

    Perhaps Susannah would have fared better had she set her sights beyond Nashville, Asheville, and Knoxville. Houston, after all, knows a thing or two about tall buildings, fancy clothes, and pretty nights. The festivities drew 370 guests and raised $640,000 to support HGO’s mission of bringing opera to Houston’s diverse communities.

    Making a scene were Claire Liu and Joe Greenberg, Patrick Summers, Margaret Alkek Williams, Renu and Suresh Khator, Dian and Harlan Stai, Farida Abjani, François Badoual, Jennifer Bielstein, Jack Bell, Katy and Logan Boatman, Norma and Beto Cardenas, Janet Clark, Louise Chapman, Ambassador Breno Costa, Molly and Jim Crownover, Isabel and Danny David, Mindy and Josh Davidson, Debra Dunn, Mahshid and Rod Foroozan, Sarah and Doug Foshee, Lily and Charles Foster, Mary Foster and Don DeSimone, Marianne and Joe Geagea, Christel and François Good, Janet Gurwitch and Ron Franklin, Celina Hellmund, Gary Hollingsworth and Ken Hyde, Elizabeth and Richard Husseini, Michelle and Doug Huth, Teresa and José Ivo, Sarah and Bryant Lee, Tomikia LeGrande, Kristen and Matthew Loden, Cynthia and Tony Petrello, Irina and Andrey Polunin, Ambassador David Satterfield, Ping Sun and David Leebron, Apurva Thekdi, Ellen and Bob Vladem, and Geraldina and Scott Wise.

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