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    best fall theater

    12 best Houston plays and performances to catch in-person this fall and 2022

    Tarra Gaines
    Aug 24, 2021 | 12:30 pm

    After a year and a half of virtual, streaming, and occasional outdoor theater, we finally might be seeing that stage spotlight at the end of the tunnel, leading us back to live, indoor theater again.

    With the summer winding down, here’s a roundup of those companies who have made formal announcements of their 2021-2022 seasons. Mark your calendars for the opening show and dates for each company, and check out our overview of a season of stage hits across Houston.

    Broadway at Hobby Center opens with My Fair Lady September 14
    As the curtain rises in New York once more, the big musical tours will also hit the road. One of the grandest, the My Fair Lady revival, dances through Houston before most of the local theaters open their seasons.

    Broadway at Hobby Center marks the first of many companies who have rejigged the previously announced 2020-21 season, adding in new shows to keep lineups fresh while also giving us a chance to see those show we anticipated 16 months ago.

    Look for the Tony sensation Hadestown next year along with Hamilton’s return. The season also brings the latest movies-into-musicals productions with Tootsie, Disney’s Frozen, and Mean Girls on the roll.

    Ensemble Theatre opens with Respect: A Musical Journey of Women September 18
    The historic and continually influential company just announced a season lineup of intriguing new work, crowd-pleasers, family fare, and musical stories that audiences have come to expect and love from Ensemble.

    We certainly have to respect their choice of an opening show to bring them back to in-person productions. The inspirational show weaves 40 songs into stories of modern women’s work, relationships, family and dreams. (We’ll listen for a little Aretha along the way.)

    The theatrical journey will continue throughout the season with A Motown Christmas more musicals, comedies, drama. A special local treat is The Lawsons a world premiere commissioned work from Meda Beaty, based on the real life love story of Houston’s Bill and Audrey Lawson, their civil rights leadership, and the founding of Wheeler Avenue Baptist Church.

    The season takes a bow with Sarah Sings a Love Song, a show that depicts the life and music of jazz great Sarah Vaughan while telling a 30-year spanning love story of a devoted couple.

    Alley Theatre opens with Sweat October 1
    For their 75th anniversary season the Alley has stacked its lineup with several world premieres, but even those might give us a slight case of deja vu. The Alley’s selected a mix of shows that never made it to the stage from spring 2020 as well as some initially announced for 20-21 before they reorganized to produce their free digital season.

    The new year especially brings in world premieres from playwrights the Alley have nourished creative relationships through their Alley All New play development program, including High School Play: A Nostalgia Fest, a comedy about Texas drama competitions, and the new musical Noir by Duncan Sheik (Spring Awakening) and Kyle Jarrow (SpongeBob SquarePants).

    But the whole season begins with a unique collaboration with Ensemble Theatre with Alley artistic director Rob Melrose helming the acclaimed, and very timely play Sweat with Ensemble’s Eileen J. Morris associate directing.

    Stages opens with Hook’s Tale October 1
    Except for a few fan favorites, Stages is all in with world premiere plays and musicals for ’21-22, including four debuts from locally based playwrights.

    The company offers a generous mix of comedies, dramas and musicals, with two holiday shows: a brand new Texas Panto, Panto Little Mermaid and a fan favorite from CTU (the Catechism theatrical universe), Sister’s Christmas Catechism.

    The Gordy really gets rocking in April when the world premiere jukebox musical You Are Cordially Invited to Sit-In from local playwright ShaWanna Renee Rivon opens the Rochelle and Max Levit Stage. This will finally put all three Gordy stages in use, something that only happened before for one week before the pandemic shut down stages across the city.

    Main Street Theater opens with Darwin in Malibu October 2
    The Rice Village cultural staple picks up most of their announced ’21-22 season and moves it to ’21-22. Look for a season of cerebral comedies and novel reimagining of historical figures.

    They’ve also added a sort of world premiere with the debut of the English translation of the play based on Nobel Prize-winning Latin-American writer Mario Vargas-Llosa’s autobiographical novel, Aunt Julia and the Scriptwriter.

    The holiday favorite and Pride and Prejudice contemporary sequel, Miss Bennet: Christmas at Pemberley is back. Setting the tone for the season is Darwin in Malibu, Crispin Whittell’s comedy on faith, science and plastic surgery imagines Charles Darwin, Thomas Huxley, and the Bishop of Oxford, Samuel Wilberforce, hanging out at a beach house in California.

    Theatre Under the Stars opens with Rock of Ages October 5
    Many of the dazzling shows that were scheduled for last season have been moved to the coming season, so get ready for ’80s headbangers (Rock of Ages), singing sea creatures (Disney’s Little Mermaid), hospitable Canadians (touring Come From Away), and a fake nun on the run (Sister Act).

    Due to delays in its New York opening, the pre-Broadway tour of the 1776 won’t happen, so TUTS will sub in those favorite Jersey Boys next spring.

    A.D. Players opens with “Dear Jack, Dear Louise” October 6
    After the stresses of that last year and a half, the company looks to bring Houston audiences a season of shows about human triumph amid struggles.

    They begin with a Ken Ludwig’s new play based on his parent’s love story during World War II. Things end with probably the most famous musical depicting the same period, Rodgers and Hammerstein’s The Sound Of Music.

    Look for a world premiere holiday show, The Christmas Shoes, and the company will turn two of the plays from Metzler New Works Festival they streamed as remote works into full onstage productions, Apollo 8 and No One Owns Me. They’ll also offer new concert events in partnership with Artists Lounge Live.

    Classical Theatre Company opens with Nevermore: Tales of Edgar Allan Poe October 6
    The company that only produces work at least a century old brings us a futuristic season of horror and Sci-Fi.

    They begin with a kind of world premiere, an evening of staged Poe tales adapted by Chris Iannacone and company artistic director, John Johnston.

    They’ll also produce a show likely new to Houston audiences, the Czech Sci-Fi play R.U.R. (Rossum’s Universal Robots) by Karel Čapek, and then end the season with the H.G. Wells classic alien invasion story The War of the Worlds.

    4th Wall Theatre opens with Doll’s House, Part 2 October 14
    They had to wait a year, but one of Houston’s most acting-centric company celebrates their 10-year anniversary with a season of Houston premieres, and a lineup of very contemporary plays, many offering unique takes on urban life and media culture.

    Fourth Wall moved the dates around, but kept the same roster of works that had previously announced for last season. They begin with Lucas Hnath’s acclaimed sequel to the Ibsen masterpiece, A Doll’s House and end with the makeup run of Stephen Adly Guirgis’s Pulitzer Prize-winning Between Riverside and Crazy, which they had to close in March 2020 after only a few performances.

    Dirt Dogs Theatre opens with The Revolutionists October 22
    The little company with a strong reputation for big performances will take to the MATCH stage once more with an eclectic mix of contemporary theater hits, starting with Lauren Gunderson’s funny, wild and female-centric take on the French Revolution.

    Next year, look for intimate productions of the gritty cop drama “A Steady Rain” and Bruce Norris’s Pulitzer Prize and Tony winning homage to Lorraine Hansberry’s 1959 play, A Raisin in the Sun, dubbed Clybourne Park.

    Mildred’s Umbrella opens with El Huracán November 11
    The female-focused company will present two shows this season.

    The first, set on the eve of a hurricane tells the story of four generations of Cuban American women. Mildred's will gather an all Latinx cast and crew to bring it to the stage.

    In the spring, Mildred’s will produce the multi-media world premiere He Cried for His Mother, based on interviews from Black American mothers, midwives, and doulas. The project is being partially supported by The National Endowment for the Arts.

    Catastrophic Theatre debuts Drama Squad (part 3) September 24
    The absurdist mainstays recently released a no-announcement announcement that they’re putting a return to their MATCH home and live, indoor theater on hold.

    In a statement Catastrophic explained: “We have resisted the urge to promote performances we could not in good conscience promise to actually perform. We will not solicit season subscriptions in this uncertain time and will instead launch a second membership campaign to join our Catastrophic Army.”

    While the company assesses their situation, they decided to unleash another round of Drama Squad, their outdoor variety show of original short work. For previous iterations, the company performed for limited audiences in private yards.

    Now, they hope to bring the all-new Squad theatrical adventures to larger audiences in public outdoors spaces.

    Broadway at the Hobby Center opens the 2021-2022 season across Houston theaters with My Fair Lady touring production.

    National tour of My Fair Lady
    Photo by Joan Marcus
    Broadway at the Hobby Center opens the 2021-2022 season across Houston theaters with My Fair Lady touring production.
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    honoring the past

    Houston museum's new project preserves historic Freedmen's Town bricks

    Emily Cotton
    Jun 19, 2026 | 12:00 pm
    Freedmen's Town Rebirth in Action pavilion rendering
    Rendering courtesy of Studio Zewde
    Rebirth in Action is set to open in 2027.

    As Houstonians come together to celebrate Juneteenth, it’s jarring to think that this day of celebration has only been a federally-recognized holiday since 2021. After all, it was in 1865 that U.S Major General Gordon Granger arrived in Galveston on June 19 to enforce the Emancipation Proclamation of 1863. After this event many formerly enslaved Black Americans made their way to Houston, establishing what is now Houston’s very first Heritage District, known as Freedmen’s Town.

    Now, the robust Houston Freedmen’s Town Conservancy, in partnership with the Contemporary Arts Museum Houston, and Mount Horeb Church, are working with the City of Houston on a long overdue project, Rebirth in Action, to honor this historic site. Designed by artist Theaster Gates in partnership with landscape architect Sara Zewde, the monumental pavilion will temporarily house more than 20,000 historic bricks previously removed and preserved from Houston’s Freedmen’s Town. Houston Mayor John Whitmire attended the groundbreaking, which took place last month.

    While many people recognize Galveston as the site of the first Juneteenth celebrations, both of those took place on January 1, to honor the Emancipation Proclamation. However, recent research by Mary Gibbs Jones Professor of Humanities at Rice University W. Caleb McDaniel, has uncovered that the first official Juneteenth celebration was led by two ministers, Sandy Parker and Elias Dibble, right in Freedmen’s Town in 1866. McDaniel’s fascinating article will appear in the next issue of the Journal of Texas History.

    Freedmen’s Town, established in 1865 by over 1,000 newly-free Black Houstonians following Juneteenth, has significantly dwindled in recent years due to systematic reductions in resources, despite its initial 500+ historic structures, including churches, schools, and cultural institutions. Rebirth in Action aims to preserve and promote the neighborhood as a monument of Black community, agency, and heritage.

    “The work of the Contemporary Arts Museum Houston is to utilize our museum as a platform for resources sharing; a platform for unearthing new conversations around gems in our city that are also right down the street,” explains Ryan Dennis, co-director and chief curator for the Contemporary Arts Museum Houston. “Artists have different practices and artists like Theaster [Gates] can really help understand preservation conditions and needs of community, revitalization, and bringing resources together to better serve a neighborhood and realize optimal benefits, particularly antiquities like the bricks in Freedman’s Town that have been taken out of the neighborhood, displaced in other areas of Houston, and not in the home where they were originally created, paid for, and laid down in (by formerly enslaved individuals), which is Freedmen’s Town.”

    The first phase of Rebirth in Action involved artistic activations (including Gates’ exhibition The Gift and The Renege in 2024), artist residencies, community and stakeholder meetings, and the identification, cataloging, and preservation of over 20,000 historic bricks. The pavilion will encourage public viewing of these historic bricks and serve as a hub for engagement with the history, cultural significance, and future of Freedmen’s Town. Additionally, Hines Architecture + Design will rehabilitate three row houses into an adjoining community center.

    “I think the whole project is one that’s quite interesting, useful, and productive. I think it’s important for us to think about how we can use our resources to accomplish the things that build collective wellness — right? Wellness in the space of really preserving our communities that have been disinvested in, elevating the real gems of our city,” says Dennis. “We can do that through collaborations and partnerships; we are much stronger when we can do that with others, versus by ourselves, and I think this project really speaks to that ethos.”

    Phase Two has been made possible by Mount Horeb Church’s continued stewardship of both land and existing historic structures in Freedmen’s Town. The project will include an arts pavilion and community green space designed by Sara Zewde, with an installation by renowned artist Theaster Gates, plus three historic structures redesigned and restored by Daimian Hines Architecture + Design for adaptive reuse as a food pantry and community garden, after-school programming, and senior services for Mount Horeb Church, who will guide programming and operations.

    The art installation will display the original Freedmen’s Town bricks that once lined the streets, giving visitors a chance to experience their significance firsthand. Working with the City of Houston and the North Houston Highway Improvement Program that will reconnect Freedmen’s Town to downtown, Phase Three will see these bricks returned to the streets in a pedestrian promenade capacity. Subsequently, the pavilion will showcase rotating artist activations.

    “The Brick Pavilion for Freedmen’s Town is a project that is deeply resonant for me,” shares Gates. “In part, because there are several opportunities to cultivate community and institutional trust, to create an additional neighborhood heart, and to invest in more beauty for this hugely important district of Houston.”

    Landscape architect Sara Zewde's pavilion, gardens, and landscape design will help centralize all facets of Rebirth in Action, creating a community hub: “Studio Zewde's collaboration with Theaster Gates began with a shared belief that the future of Freedmen's Town must be rooted in the wisdom of the community that built it,” she writes in an email. “The pavilion and landscape draw inspiration from the neighborhood's tradition of shared backyards that connected the community across property lines. The project builds on this inheritance by forming a shared landscape at the center of the sacred bricks and their pavilion, the restored row houses, the Freedmen's Town Conservancy Visitor Center, and Mount Horeb Baptist Church.”

    Architect Daimian Hines credits Reverend Dr. Smith of Mount Horeb Church for the continued stewardship of the land and notes that Dr. Smith oftentimes remarks that the holding of the land has been a form of resistance, the act of holding the land keeping outsiders from contributing to the erasure of Freedmen’s Town and its history.

    “The fact that these three houses, and more in the community, that these post-emancipation structures still exist, it wasn’t for a lack of community pressure. It was a combination of efforts by folks like Dr. Smith, who were resisting [gentrification] through ownership,” explains Hines.

    “Some of the ownership of some of these properties are so complex, it was difficult for potential buyers [developers] to actually get ownership of some of these structures—I consider that sheer luck.”

    Hines worked closely with the Houston Archeological and Historic Commission to propose rehabilitating, modifying, and even relocating the row houses a mere 15 feet. The gabled, cottage-style row houses date back to the late 19th century. These post-emancipation row houses were built by formerly-enslaved, new residents of Houston.

    “We wanted to think through: ‘what was the original story, how did the front of the houses and the back of these structures — what role did they play in day-to-day life?’ We were able to make some strategic moves to bring that to the forefront again,” Hines says. “The Rebirth in Action project and the houses are part of a broader preservation goal within the community to not just preserve, but to reuse either for housing, or — in this case — adaptive reuse as a community space.”

    Hines notes that one of the row houses is of double-door configuration. This typology signifies that it was most likely a boarding house in its prime, a time when Black Americans weren’t welcome in downtown hotels. The two front doors let travelers know that they were welcome to rent a safe place to stay. Together, the three row houses will offer approximately 3,200-3,600 square feet of space, plus a large back porch that will face the pavilion.

    As resources were often few and far between in post-emancipation Freedmen’s Town, the cladding on row houses was patchwork in appearance, as purchasing gaps meant that continuing on with the same materials was unlikely. Regardless, these homes were remarkably well constructed, with solid wood, wooden dowels, and shiplap interior walls. These construction methods, along with allowances for airflow, contributed significantly to their preservation.

    “The one thing about these structures is, that as robust as they are, they have taken a beating,” says Hines. “The actual wood, the detailing, a lot of that has been lost, but these structures tell a story. This is a project I knew I wanted to be personally involved in, and my firm. [The structures] will be able to continue telling a story and play an active role in that community, and that’s why I’m excited.”

    Freedmen's Town Rebirth in Action pavilion rendering

    Rendering courtesy of Studio Zewde

    Rebirth in Action is set to open in 2027.

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