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    tamarie goes virtual

    Houston's comedy maven unleashes zany virtual romp amid COVID-19

    Holly Beretto
    Jul 31, 2020 | 1:30 pm
    Tamarie Cooper 2020
    Tamarie Cooper won't be stopped by no stinkin' COVID-19.
    Photo courtesy of Tamarie Cooper

    Anyone who's followed the comedic, chaotic adventures of Tamarie Cooper's longtime annual summer show — The Tamarie Cooper Show: Field Trip, A Very Tamarie Christmas, Tamarie Cooper's Doomsday Revue — knows to expect a couple of hours of laugh-till-you-cry mayhem. So, theater lovers could be expected to shed buckets of tears over the idea that the pandemic put a pause on the zany summer antics.

    But anyone who knows Tamarie Cooper knows a pandemic isn't stopping her from making art.

    The actress, writer, and co-founder of Catastrophic Theatre had COVID-19 hit close to home this spring, when her husband contracted the virus with a "relentless" fever that had him "down for the count," she tells CultureMap. That very possibly made her more determined than ever that she continue bringing levity among the serious issues of the day.

    Cooper and her team of writers and fellow actors, whom she lovingly calls her "merry band of crazies" bring Tamarie Cooper’s 2020: Quarantine Edition! online, with six weeks of shows, which start streaming July 31. The show is a three-part series, with new episodes every other week. The purchase of one ticket grants viewers access to the whole shebang.

    Writer Patrick Reynolds and Cooper had completed most of the script back in March, which is about the same time they figured out actually presenting the show on stage might not be viable. As the months of the pandemic wore on and Cooper, like most people, found herself quarantined at home, realized two things: the safety of her actors, artists and audience was more important than anything else, and that she could embrace technology to her advantage.

    "We salvaged about a quarter of the live version of the show and re-imagined it for the digital world," she says.

    The press release announcing the online extravaganza tells audiences to look for "the same level of wacky ass-clownery and satire that you've come to expect from Cooper's annual musical romps, as Tamarie and crew take on John Hughes movies, talking cereal boxes, insufferable cabaret performers, actual dogs, conspiracy theorists, God, profanity, iPhone Man, isolation, sparkly hats and jazz hands, and much, much more!"

    The show's promo video of a Zoom rehearsal gives a glimpse at the general state of bizarre that is a hallmark of all Tamarie Cooper Show offerings.

    Cooper fashioned the fashioned Quarantine Edition! after variety revues like The Carol Burnett Show, which Cooper, a self-confessed latchkey kid, watched as a child.

    "Having that feeling of sitting on your couch, watching something on the small screen made me really go back to my childhood," she says. "I was obsessed with television, and I wanted to recreate that sort of excitement about getting a new episode and that feeling of, 'Oh, what are they going to do this week?'"

    Every episode was produced with each of the performers in their own homes, captured by Tim Thomson of Staging Solutions, who Cooper says has filmed productions of hers for years. The bi-weekly episodes feature, among other things, performances by the house band; a segment called "At Home with Joe," headed by Joe Folladori; and general antics by Cooper and Catastrophic favorite Kyle Sturdivant.

    "We start out playing off the idea of quarantine in episode one and it just keeps getting weirder and weirder, and by episode three, it's totally off the rails," Cooper laughs.

    Along with offering comedy to help people cope with the wild events around them, Cooper also insisted on staying true to Catastrophic Theatre's commitment to never letting income be a barrier to seeing live theater. All episodes of Tamarie Cooper’s 2020: Quarantine Edition! are pay-what-you-can, and Cooper even plugged in a zero dollar amount.

    "We did that because we know that many of our friends who work in the entertainment industry and other gig workers are in really hard times right now," she says. "So, we understand that five dollars might be too much for someone right now. And we don't want to be in a situation where anyone is denied access to the show. If you have more you can pay, that's great!"

    Tickets can be purchased on the Catastrophic Theatre website or via the MATCH box office. Purchasers will get a code they'll plug into to Vimeo, and be able to watch the shows. The opening episode launches July 31, with new shows dropping Aug. 14 and 28. Ticket holders' original pass codes are good through the duration of the series.

    "You can watch it any time you want," Cooper emphasizes. "You can watch it 10 times in a row at two in the morning."

    ---

    Tamarie Cooper’s 2020: Quarantine Edition! begins streaming Friday, July 31, with episodes available for purchase through Sept. 13. Buy tickets online via Catastrophic Theatre's website, the MATCH box office or by calling 713-521-4533.

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    And the Winner Is

    Houston's Alley Theatre only Texas winner of prestigious new play award

    Lindsey Wilson
    Dec 5, 2025 | 11:31 am
    Audience at Alley Theatre
    Photo courtesy of Alley Theatre
    Bring a friend to the theater for free.

    The Tony Award-winning Alley Theatre has once again earned national recognition, becoming the only Texas theater selected for a 2025 Edgerton Foundation New Play Award, a prestigious honor known for helping launch some of the most influential plays and musicals of the past two decades.

    The award will support the Alley’s May 2026 world premiere of Dear Alien by Liz Duffy Adams, giving the production additional rehearsal time that has proven essential for shaping new work.

    The Edgerton Awards have a powerful legacy behind them. Past recipients include phenomenon-level titles such as Hamilton, Dear Evan Hansen, The Prom, Next to Normal, and Vanya and Sonia and Masha and Spike — shows that went on to win Tony Awards, earn Pulitzer Prizes, and define contemporary American theater.

    “I’m so grateful to the Edgerton Foundation for their support of Liz Duffy Adams’ play Dear Alien," says Alley artistic director Rob Melrose in a release. "Getting an additional week of rehearsal on a new play makes a tremendous difference. In Dear Alien, the titular role (played by resident acting company member Dylan Godwin) is onstage the entire show, and it is going to be quite a challenge. Supporting new plays is incredibly important for the health of the American theater. Four years ago, Alley Theatre premiered Liz’s play Born with Teeth, and it is currently having a run on the West End after gracing the stages of major theaters in the U.S. such as the Guthrie, Asolo Rep, and Oregon Shakespeare Festival."

    Alley Theatre has a significant history with developing new work. In 1996, the Alley won the Regional Theatre Tony Award after debuting the world premiere of the musical Jekyll & Hyde, which went on to tour 40 cities and play for two years on Broadway (it lives on thanks to a DVD and VHS recording starring David Hasselhoff in the title roles).

    In 1998, the Alley staged the American premiere of a rediscovered Tennessee Williams play, Not About Nightingales, which later enjoyed a successful Broadway run.

    The Edgerton Foundation New Plays Program, directed by Brad and Louise Edgerton, was piloted in 2006 with Center Theatre Group in Los Angeles by offering two musicals in development an extended rehearsal period for the entire creative team, including the playwrights. The Edgertons launched the program nationally in 2007 and have supported 569 plays to date at over 50 different theaters across the country. Over the last 19 years, the Edgerton Foundation has awarded $19,670,534 to 569 productions.

    Among the 2025 winners are pop-country star Jennifer Nettles' new musical Giulia: The Poison Queen of Palermo at Perelman Performing Arts Center in New York City; Claudia Shear's The Recipe, about the early life of Julia Child, at La Jolla Playhouse in California; and prolific playwright David Lindsay-Abaire's latest title, The Balusters, at Manhattan Theatre Club. See the complete list here.

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