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    Gabriel Allon returns

    Best-selling author Daniel Silva returns to Houston to discuss highly anticipated new book

    Holly Beretto
    Jul 20, 2022 | 1:15 pm
    Daniel Silva author
    Silva is back on the road after a three-year pause.
    Photo by Marco Grob

    Acclaimed author Daniel Silva's latest thriller, Portrait of an Unknown Woman, has just been released, and if the past is precedent, there's no reason it won't become a New York Times bestseller — like so many others in Silva's Gabriel Allon series.

    Yet, there's something different about this particular Gabriel Allon novel, in which the protagonist, the former art restorer turned director of the Israeli intelligence service and assassin, finds himself living quietly with his family in Venice, enjoying retirement and trying to put his violent past behind him. And then, that painting turns up. Is it real or a clever forgery? Can Gabriel figure it out before it ruins his friend's life?

    Silva may answer some of those question when he makes highly anticipated appearances in Houston and Dallas this month. He'll be in conversation with Jean Becker, former chief of staff to George H.W. Bush, here at the Evelyn Rubenstein Jewish Community Center on Wednesday, July 27 in an event also produced by Murder by the Book. Fans in Dallas can catch him with Michael Granberry of the Dallas Morning News at the Aaron Family JCC on Monday, July 25.

    Both events require tickets ($34; find them here). Importantly, Silva will not sign copies of the new book; each ticket purchase with a pre-signed copy of Portrait.

    CultureMap caught up with the best-selling author to talk his new book and being back on the road again, after previous virtual events.

    CultureMap: You're back on tour. How excited are you to be traveling again?

    Daniel Silva: I'm very excited to do it. We thought about it very carefully and looked at the [COVID] numbers, and put some protocols in place. It in its own weird way though, it's still going to seem sort of virtual in that I can't sit and have a signing. That's the one big component that we'll be missing, those moments with readers, which is a shame, because hat's what I like best.

    CM: As a reader, this book felt different. Maybe not so much a transition into something that Gabriel's going do next in his life, but certainly this was Gabriel in a whole different world. Did you think that you were going to get to this kind of a point, when you made your assassin an art restorer and a painter?

    DS: Yeah. I actually wanted to get him to this point a long time ago, that the series would be much more art based than it became. My editor at the time really wanted him to be more violent character and to mix it up with these really, really bad, bad guys. I let [Gabriel] get drawn into the global war on terror.

    From there, he got drawn into his long-running duel with the Russians and that really changed the, the series. I mean, Moscow Rules [published in 2008] was a very important book for me. This is what I always had in mind for the series as the final act, that I was going to return Gabriel to the art world.

    The first thing that I wanted to do with this novel is to just sort of wall it off from Israeli intelligence. He's on his own and. I just enjoyed writing this book so much.

    CM: Of course, Gabriel has had capers that involve the art world before now.

    DS: Yes, I had books that started in the art world and then branched into, for instance, the Iran nuclear program. But, this one stayed in the art world and I did something that I wanted to do for a very long time.

    CM: When we talked last year, we spoke about your love of classical music, which informed what you did in The Cellist. Are you an art lover, too?

    DS: I wouldn't have handled [Gabriel] the way I have if I wasn't. Writing the series gave me a sort of an amateur master's degree. I'm fascinated by the business of art and I'm really fascinated by the dirty side of the art business that I've explored in the past.

    CM: And that is where Portrait of an Unknown Woman is set.
    DS:
    Yes. There are a lot of very, very, very fine and very reputable art dealers and galleries. But there are a lot of dirty, disreputable art dealers out there, too. And they will sell anything if they think they can make money. That's something that the book explores.

    Money has always been at the heart of art, going back to the Renaissance, when rice Italian noblemen would hire artists to paint their portraits or their palazzos. And, of course, there's the relationship between art and the Catholic Church, which hired artists to decorate their churches.

    CM: Did it feel different writing this novel, as opposed to the others in the series?

    DM: I very deliberately reset character. In the first chapters, his wife won't let him work. She sends him out to explore [Venice]. So, he wanders the city and visits paintings he's restored there. And he is able to let go of these nights of blood and fire and he changes; his physical appearance changes a little bit.

    I love the subtle changes that I was able to bring to the character. I love the fact that humor that found its way into the book book totally by accident. I did not realize that it was going to such a rocket journey through the art world.

    CM: What should fans expect when they come and see you in conversation in-person after all these virtual visits?

    DS: I hope that it's both a relaxing, funny and informative evening. It's gonna be interesting. You know, I literally have not been in public in three years.

    -----

    Daniel Silva will discuss his new book and career with Jean Baker, former chief of staff to George H.W. Bush, at the Evelyn Rubenstein Jewish Community Center (5601 S Braeswood Blvd.) at 7:30 pm Wednesday, July 27. Tickets are $34; all tickets come with a pre-signed copy of the book. For reservations, visit the event page.

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    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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