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    "An Insider's Index"

    Preservationist touts local history in comprehensive Houston-centric dictionary

    Elizabeth Rhodes
    Jul 27, 2015 | 8:00 am

    Easily considered one of the staunchest proponents of Houston and its history, James Glassman is taking his hometown love to another level with a comprehensive index of the people, places, dates and terms that define this city.

    Glassman is the founder of Houstorian, an education and advocacy group "committed to telling the story of Houston, preserving its cultural and architectural history, and supporting the landmarks that make Houston fun and unique." Whether it's with his "Today in Houston History" Tweets, the T-shirts he designs that feature iconic images of all things Houston or his newly released book, The Houstorian Dictionary: An Insider's Index to Houston, Glassman promotes the Bayou City with every chance he gets.

    Released earlier this month, Glassman's new "dictionary" is both entertaining and informational, containing an extremely comprehensive index of definitions ranging from downtown bar La Carafe ("widely considered to be Houston's oldest commercial building") and the Azalea Trail ("annual late-April home and garden tour hosted by the River Oaks Garden Club") to "Screwston" ("Houston nickname from fans of local hip-hop act DJ Screw") and late TV personality Marvin Zindler ("known for his white suit, blue-lensed glasses, cosmetic surgery and signature line, 'Slime in the ice machine'"). CultureMap has an entry of its own, too.

    In light of his recent book release, Glassman spoke with CultureMap about his definitions, "cultural amnesia" and what it means to be a Houstonian.

    CultureMap: How did you compile all this information about Houston’s history?

    James Glassman: Little by little. It started when I joined Twitter. I thought I could do a definition every day, but that's hard to do with so few characters. Then I thought I could do a Houston history tweet of the day. I use my iCalendar to write it down and have it repeat every year. I got sort of compulsive about it and I wanted to fill up my calendar to have something every day. It took about two years to get every single day covered. I'd be reading books and find a date that this had the groundbreaking or when they decided to annex this part of town and it just grew.

    I kept a list of terms, people, slang, events, dishes, movies, books and songs about Houston. I wrote them down and started writing definitions. For example, my entry on The Menil Collection — well, now I have to talk about Dominique de Menil. Now I need to talk about Schlumberger, and then I need to talk about oil and gas. So you can see how it grows. Each of those get their own entry.

    CM: Do you feel like Houstonians are in touch with the city’s history?

    JG: Well, Houston has a history problem and I want to fix it. That's why I founded Houstorian. It was to cure this sort of cultural amnesia that we have. Steven Fox, the author of the Houston Architectural Guide, first coined that term in relation to Houston — that we have amnesia, that we forget our past. But I think we can fix it. I think we've grown dramatically as a city in the past 15 years and there's a greater respect for our history and telling the story of Houston.

    It's why I'm doing this project of mine, which is telling the story of Houston and getting people to be more boastful about the city. Even if you live in Cy-Fair, you can be proud of Houston. This is hopefully an expansive idea that includes everybody, all the commuters and suburbanites.

    CM: What is something you especially love about Houston?

    JG: A term I love is "misfit-tinkerer" — all the misfit-tinkerers that come out of Houston. Whether it's Howard Hughes, who was never much of a Houstonian but he's from Houston and he's about the most misfit-tinkerer who ever was, or even someone more conventional like Wes Anderson. He's a very Houston guy.

    This city is filled with people like that. We do it our own way. When you look at the things that we have, like the Art Car Parade or even the Astrodome — what a weird idea it was at the time to build that. But that was a Houston idea, we invented indoor baseball. There are a lot of really neat ideas that have come out of Houston. I love bragging about that.

    CM: What does being a Houstonian mean to you?

    JG: That's an impossible question to answer because there're so many different ways to be a Houstonian, there's not a perfect one. I think it comes with a willingness to embrace the "misfit-tinkerer." We celebrate the Art Car Parade. Even the Rodeo is sort of a weird thing. You know, we aren’t a cowtown but we invented this stereotypic "Texan" sort of party. You can't find anyone alive who can remember Houston without the Rodeo, it's over 75 years old now. It's part of who we are, even if we aren't much of a cowtown to begin with.

    We're scientists and experimenters, we've got the oil and gas industry, the energy industry, we've got the Medical Center, we've got this great arts culture. We have this enthusiasm for doing it our own way.

    There's no such thing as a typical Houstonian. I say I'm a fifth-generation Houstonian, which is true, but I sometimes hesitate to say that because Houston's about what you do when you get here, not how long you've been here. They talk about that in old cities like New York and Savannah, but people don't really talk like that in Houston, we don't value how long you've been here, we value what you do when you're here and how you make your mark here. Look at Mattress Mack. He's not from Houston, but can you imagine Houston without him?

    James Glassman's book, "The Houstorian Dictionary: An Insider's Index to Houston," is a must-read for any city resident or visitor.

    The Houstorian Dictionary James Glassman
    Amazon.com
    James Glassman's book, "The Houstorian Dictionary: An Insider's Index to Houston," is a must-read for any city resident or visitor.
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    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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