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    Runaway Hit

    Lifelike sculptures by Ron Mueck draw record crowds to MFAH's most popular exhibition ever

    Clifford Pugh
    Jul 14, 2017 | 12:00 pm
    Ron Mueck: Couple under an Umbrella
    Ron Mueck's lifelike sculptures are drawing record crowds to the MFAH. This one is titled "Couple Under An Umbrella."
    Photo by Patrick Gries

    When it comes to art, impressionist painters are usually the biggest crowd pleasers at museums around the world. But at the Museum of Fine Arts, Houston, an exhibition of hyperrealistic creations of everyday people by London-based Australian sculptor Ron Mueck has turned into a runaway hit.

    The exhibition of the lifelike figures made of resin, silicone, and other materials — some oversized and others much smaller — has captivated large crowds since opening in late February in the museum's Audrey Jones Beck Building. With a few weeks to go before it closes on August 13, Mueck's work has attracted nearly 108,000 visitors, making it already the MFAH's most popular exhibition of all time.

    "Ron Mueck is on track to be our most popular exhibition ever and we've had some of the biggest days ever at the beginning," MFAH director Gary Tinterow tells CultureMap. "And what's especially satisfying is the exhibition is strongly appealing to college students. We've had the largest proportion of college students attend that exhibition than any other. And also nonmembers. So it means we're reaching a new audience and that's what we hope to do."

    Tinterow chuckles when asked if he thought the Mueck exhibition would be this popular. In fact, he did, he says, since an exhibition of Mueck's work drew more than 1 million visitors at the Fondation Cartier pour l’art contemporain in Paris four years ago and has drawn large crowds in museums around the world since then.

    Why has it connected with audiences? "I think we're all fascinated to see ourselves and other humans from beginning to end, from birth to death. It's a very moving exhibition," Tinterow says.

    In a review of the exhibition, CultureMap arts writer Tarra Gaines noted:

    The exhibition offers 13 sculptures, but since Mueck takes approximately a year to complete a work, the galleries contains almost “one-third of the artist’s total oeuvre,” according to the MFAH. And yet, we could probably spend a full afternoon staring at this baker’s dozen of sculpted people (and one dead chicken) as our gaze turns into a kind of visual exploration into the intricacies of their bodies and faces: the creases of wrinkles, the fine hair on an ankle, a line of veins under the skin, even the smear of blood glazing a newborn.

    Mueck purposely crafted the sculptures to be larger — or smaller — than life; some figures are big enough to fill one gallery while others are only three-feet high. “I never made life-size figures because it never seemed to be interesting,” he explained in a rare interview in 2003. “We meet life-size people every day. (Altering the scale) makes you take notice in a way that you wouldn’t do with something that’s just normal.”

    Other popular exhibitions at the MFAH have included:

    • Degas: A New Vision (October 16, 2016 to January 16, 2017) — 82,004
    • The Age of Impressionism: Great French Paintings from the Sterling and Francine Clark Art Institute (December 21, 2013 to May 3, 2014) – 78,498
    • Picasso Black and White (February 23 to May 26, 2013) – 74,267
    • Monet and the Seine (October 25, 2014 to January 31, 2015) – 71,486

    Another exhibition currently at the MFAH might join that list. Pixel Forest and Worry Will Vanish, a grand-scale immersive exhibition created by video artist Pipilotti Rist, has already drawn more than 46,000 museumgoers since it opened earlier this summer. It runs through September 17. "The average daily attendance for the show, so far, in the first four weeks, has been higher than any recent ticketed exhibition, so it is proving to be just as, if not more, popular than expected," a museum spokeswoman said.

    Like Ron Mueck, the Rist exhibition has proved popular with a millennial crowd that doesn't often frequent museums. To make it more attractive to that demographic, the MFAH is offering at "2 Pack" Combo Package, with admission to both exhibitions for $25. Advance reservations can be made online. (A "3-Pack" Combo Package, which also includes admission to the new Mexican Modernism exhibition, is $30.)

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    Ride the Wave

    Houston Grand Opera's new album spotlights groundbreaking production

    Holly Beretto
    Jul 23, 2026 | 12:00 pm
    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves
    Photo by Lynn Lane
    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

    A groundbreaking opera is finally getting a recording, and Houston Grand Opera is behind it. Breaking the Waves, by composer Missy Massoli and librettist Royce Vavrek, originally premiered in 2016. The opera’s regional premiere at HGO during the 2024 - 2025 season was captured for the album release. It will be available starting August 7 in both physical and digital formats, with streaming offered on major platforms including Apple Music, Amazon Music, and Spotify.

    This album is the third release from the Houston Grand Opera label, created in partnership with the London Symphony Orchestra’s LSO Live. The label’s first album — for company-commissioned world-premiere opera Intelligence — won the 2026 GRAMMY Award for Best Opera Recording.

    It features a star-studded cast led by soprano Lauren Snouffer and bass-baritone Ryan McKinny, accompanied by the HGO Orchestra and Chorus under the baton of HGO Music Director Emeritus Patrick Summers.

    Breaking the Waves is set in Calvinist 1970s Scotland, and tells the story of the impressionable young Bess (Snouffer) and offshore oil rigger Jan (McKinny). After they marry, Bess embarks on a journey of sexual exploration that, following a series of shocking events, ends in tragedy. Based on the art film of the same name by Lars von Trier, it won the inaugural Best New Opera Award from the Music Critics Association of North America and was shortlisted for Best World Premiere at the International Opera Awards.

    “Breaking the Waves is a fearless, devastating, and utterly singular landmark of contemporary American opera from one of the most compelling compositional voices of this generation,” HGO General Director and CEO Khori Dastoor said in a statement. “Alongside Missy Mazzoli and Royce Vavrek, our company’s incredible cast, orchestra, and chorus have brought their own fearlessness to this piece, rising to meet its challenges with passionate artistry. This album brilliantly captures the electricity of these sublime live performances, preserving their energy in every measure. HGO launched this label to bring bold American works to the world, and there is no better testament to that mission than what you will hear here.”

    In addition to Snouffer and McKinny, the cast features soprano Michelle Bradley as Mother, mezzo-soprano Maire Therese Carmack as Dodo McNeill, tenor David Portillo as Dr. Richardson, baritone Michael Mayes as Councilman, bass-baritone Sam Dhobhany as Terry, bass Johnny Salvesen as Sadistic Sailor, tenor Andrew Surrena as Young Sailor, and Jon Janacek as Tenor Solo.

    “Breaking the Waves is one of the most important operas of the 21st century, a work of incredible beauty, dramatic power, and profound lessons,” said Summers. “I am deeply honored to conduct its first recording.”

    The recording was made possible by Aaron Copland Fund for Music, Inc., Juan Moreno, Kristine Vikmanis and Denny Creighton, Alexander Sanger, and David Gindler.

    “I’m so grateful that Houston Grand Opera has captured this extraordinary cast and creative team in this recording of Breaking the Waves. Opera is an art form that not only takes a village, but a small city, and this performance is filled with artists who gave themselves completely to this emotional, dramatic whirlwind,” said Mazzoli.

    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves

    Photo by Lynn Lane

    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

    houston grand operaperforming-arts
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