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    Calendar Closeup

    Your weekly guide to Houston: Five (plus) don't-miss events

    Joel Luks
    Jul 5, 2012 | 3:37 pm
    • In Steve Jobs: The Lost Interview, the late Apple mogul chats about innovation,creativity and what can come out of dialogue between artists and techies.
    • From the streets of Los Angeles comes "Street Beat!," a high-decibel troupemelding urban culture, hip hop and acrobatics. The result is an energetic showthat promises to "explode" on stage.
    • Houston Symphony's "The Legend of Zelda: Symphony of the Goddesses" multimediashow expands Koji Kondo's music score into a four-movement orchestral work withfilm.

    If the revenge of the fifth — July 5 that is — erased any memories of Wednesday night's Independence Day rowdy carouse, let's just pretend that your walk of shame never happened and resume this week's regularly scheduled program. With a tad of 1990s Steve Jobs, video game music, art for good, street grooves and a handful of films, life is back to normal — to the best of your abilities.

    Screening of Steve Jobs: The Lost Interview at Museum of Fine Arts, Houston

    I must have been 11 years old when I was introduced to my first Apple IIe and the sleeker Apple IIc a year later. Learning to program and design computer games was the bane of my youthful existence, which came at roughly the same time that Steve Jobs was forced away from Apple after a falling out with the company's board of directors.

    Most of the footage from an interview recorded a decade later in 1995, some of which was used as part of a television special, was thought to be lost, but tucked away somewhere a VHS tape was found. In it, Jobs chats about innovation, creativity and what can come out of dialogue between artists and techies.

    Selected days between Thursday and July 21. Admission is $7 with discounts available for MFAH members, students and seniors.

    Houston Symphony Summer in the City Series: "The Legend of Zelda: Symphony of the Goddesses" at Jones Hall

    For a grown man to say that he likes video games . . . that's just not the chic thing to do. But I do, rather, I did during my teenage hood. There was something so romantically heroic about Link, the protagonist, on his quest to rescue Princess Zelda from the forces of evil by invoking the Triforce, which is much cooler than that Star Wars' "The Force."

    Confession time: I mostly fantasized about being Zelda and being set free by Link, only to find myself in a haute dance club technoing all night long — a scene that somehow involved a cage.

    Alas it's the hero's 25th birthday, and though I can't say I am familiar with any of the sequels, Link will never change.

    This multimedia Houston Symphony show expands Koji Kondo's music score into a four-movement orchestral work with film. If all this sounds dorky to you, it isn't. Take the adventure. What do you have to lose?

    Friday and Saturday, 7:30 p.m. Tickets start at $20.

    Opening of Archway Gallery's Fourth Annual Juried Exhibition benefiting ARTreach

    This week, a myriad of artists delivered works of art to Archway Gallery to be considered for this fourth annual exhibition, this year curated by Houston Center for Contemporary Craft executive director Julie Farr. She's charged with having to pore over all the submissions and decide what stays and what goes.

    The open-themed show serves as a fundraiser for ARTreach, a nonprofit that works with children at-risk, the elderly and disabled through specialized art programs.

    Opens Saturday, 5 to 8 p.m. An ArtHouston reception takes place July 14, 5 to 8 p.m. On view through Aug. 1. Free.

    "Street Beat!" at Miller Outdoor Theatre

    Trash cans lids, water barrels, pots, pans and junk — who says those can't be musical instruments? From the streets of Los Angeles comes this high-decibel troupe melding urban culture, hip hop and acrobatics. The result is an energetic show that promises to "explode" on stage.

    Saturday, 8:30 p.m. Free event; tickets are available for the covered seating area.

    Agatha Christie Black Coffee at the Alley Theatre

    Don't cheat and look up what happens at the end of this classic Agatha Christie whodunit masterpiece. Rather, put some money behind your intuition during intermission, make a wager with your date and see if your detective smarts lead you down the right path as you attempt to solve a murder mystery. The victim? A weapons creator. Named Sir Claude Amory.

    Here's a clue: Chances are the butler didn't do it. He never does.

    Saturday through Aug. 5. Tickets start at $25.

    Staff writer and most adorable Houston explorer Whitney Radley's pick: Screening of Forrest Gump at Miller Outdoor Theatre

    Whitney says: "I've been itching to revisit Forrest Gump since some old friends in the band Driver Friendly reprised Tom Hanks' greatest roles in a recent music video. There's no better place to watch it than on the lawn, under the stars, at Miller Outdoor Theatre.

    "The screening begins on Thursday at 8:30 p.m., and admission is free."

    Arts smarty pants and in-the-Loop-film-maven Nancy Wozny's pick: Screening of Phantom Museums - The Short Films of the Quay Brothers at 14 Pews

    Nancy says: "Homemade dolls with missing eyes, a shrunken head vault in a natural history museum. Who's in? Y'all know by now, I have a taste for the weird and a weakness for puppets. If you think Tim Burton owns film weirdness wait till you see The Brothers Quay, the original macabre stop animation duo.

    "14 Pews is presenting Phantom Museums, a collection of some 20 films from the identical twin team of Stephen and Timothy Quay, over a span of 30 years.

    "If you have never seen a Quay film, this is a great introduction to an outstanding and original body of work. Classics such as The Cabinet of Jan Svankmajer and Street of Crocodiles are included in the series along with more recent work as In Absentia (2000) and The Phantom Museum (2003). Come on, it's summer, let's goth it up."

    Saturday, 11 a.m. Admission is $10.

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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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