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    Houston Ballet's Swan Lake soars into Jones Hall to close season

    Tarra Gaines
    Jun 27, 2018 | 1:30 pm

    The Houston Ballet bids adieu to its 2017-2018 season of resilience with the ultimate swan song, artistic director Stanton Welch’s realization of one of the most beloved ballets of all time, the classic Swan Lake.

    Welch created this Swan Lake especially for the Houston Ballet in 2006, using Tchaikovsky’s full score for a rich, complex three-act production. Yet, Swan Lake’s story of an everlasting love and beauty that defies will likely resonates even greater today when viewed with a mind towards the ballet’s own, real life story of perseverance this year. When Hurricane Harvey’s damage to the Wortham Center, left them without their usual stages for a year, they made a promise to the city that the dance would go on. The company embarked on a hometown tour, pirouetting into to a different venue for each of their major productions.

    Quite fittingly, they end the season flying into their Theater District neighbor Jones Hall, which was originally one of HB’s early venue homes.

    “Jones Hall—for many years—was the place where Houston Ballet performed all of its repertoire. So, after all this chaos we’ve had with the storm and shifting from venue to venue, we return to the original place where Houston Ballet started to do these big full-length ballets. It does feel like a homecoming to us as an organization,” described Welch of the significance of staging Swan Lake in Jones Hall, in a statement.

    After attending the opening performance of this mad, tangled danced love story of a prince, the cursed swan-maiden of his dreams, her dark doppelgänger, and the evil knight magician who puts the tragic fairytale into motion, I can attest that it takes an expansive space like Jones to hold all the lush, majesty of Welch’s Swan Lake.

    The company will stage its triumphant return to the Wortham Center with its 2018-2019 season, but unfortunately, we’ll have something of a wait, as the season won’t begin until November with the Nutcracker. So ballet fans will need to commit to some bird watching by July 1 for a last chance to see a major production from the Houston Ballet before it migrates back into the Wortham this fall.

    Swan Lake soars in Jones Hall through July 1. Tickets start at $25.

    Houston Ballet Principals Yuriko Kajiya as Odile and Chun Wai Chan as Siegfried in Stanton Welch’s Swan Lake.

    Houston Ballet: Swan Lake
    Photo by Amitava Sarkar
    Houston Ballet Principals Yuriko Kajiya as Odile and Chun Wai Chan as Siegfried in Stanton Welch’s Swan Lake.
    dance
    news/arts

    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

    performing-artsstages theater
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