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    In the black

    Houston Symphony has more than 8 million reasons to be happy with recordfundraising

    Joel Luks
    Jun 6, 2011 | 5:42 pm
    • Photo by Bruce Bennett
    • Mark Hanson, Houston Symphony’s executive director and CEO
      Photo by Bruce Bennett

    The Houston Symphony announced Monday that it had raised more than $8 million in donations to its Annual Fund — a record amount — from 4,200 donors and qualified for the first of two $1 million challenge grants from the Houston Endowment.

    In April 2010 the symphony put forth a demanding long range five-year plan that involved expanding audiences, increasing its donor base through community concerts, implementing new programming formats and multi-media integration, all while strengthening roots with local residents. The Houston Endowment promised a two-part challenge grant if symphony management met certain operational benchmarks.

    By surpassing $8 million and exceeding 4,000 donors, the symphony has succeeded and thus qualifies for the first million. The figures represent a 30 percent climb from the previous fiscal year, when 3,200 supporters donated $6.2 million.

    “The outstanding success of the Houston Symphony in balancing its budget and surpassing all previous fundraising for its Annual Fund along with qualifying for a $1 million challenge grant attests to the excellent leadership of the orchestra’s management and the superior stewardship of its board,” Jesse Rosen, president and CEO of the League of American Orchestras, said in a statement.

    “Nationally, these are very challenging times for fundraising in all non-profits, including orchestras, so we particularly salute the Houston Symphony’s success in achieving these results this season.”

    Increasing the number of individual donors was a major goal of CEO Mark C. Hanson when he joined the symphony in May 2010.

    "Over the next couple of years, we need to go from 3,000 annual donors to 5,000 donors on our way to closer to 10,000 donors," Hanson said in a CultureMap interview soon after taking the job. "I think we can do that. There was a time when the Houston Symphony had close to 10,000. I think most would agree the city of Houston is bigger, healthier and more vibrant than it was back then. So we should be able to convince that many if not more music fans in Houston to support the Houston Symphony, which by all accounts is a cornerstone cultural institution."

    The members of the symphony's Board of Trustees doubled their collective contributions, and with the help of the "Million Reasons to Give" campaign, 1,200 new donors stepped up to the plate.

    The symphony expects to finish the 2010-11 fiscal year in the black, due to increased ticket sales, Symphony League events, special projects, a critically praised tour of the United Kingdom and a joint project with Holocaust Museum Houston. Expenses and revenues are expected to be in the range of $25 million, though final audited results will be released in October.

    Though symphony administrators and volunteers can breathe easier, for the time being, the challenge is far from over. Next year the goal is 5,000 donors to raise $9 million in order to earn another $1 million from the endowment.

    One can feel energy walking through the halls of the symphony's offices. There's new vitality. And that's music to our ears.

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    Get inspired

    Noted Houston street artist paints vibrant new mural at downtown venue

    Jef Rouner
    Dec 15, 2025 | 4:29 pm
    GONZO247 poses in front of his new mural, "Houston is Inspired" inside Hobby Center
    Photo courtesy of Hobby Center for the Performing Arts
    GONZO247 poses in front of his new mural, "Houston is Inspired" inside Hobby Center

    Visitors to the Hobby Center for the Performing Arts can now see an incredible new mural by one of Houston's most iconic street artists.Mario Enrique Figueroa, Jr., known as Gonzo247, debuted his piece, "Houston is Inspired" on Friday, December 12.

    “This piece is all about capturing the energy that makes Houston, Houston," said the artist in a statement. "It’s that raw, vibrant hustle — the music, the culture, the stories we’ve been telling for generations. I wanted to create something that pulls people in, gets them hyped for what they’re about to experience. Every color, every shape, every detail is telling a story, a vibe. This ain’t just a mural or a piece of art — it’s a journey. It's about the grind, the growth, and the inspiration we pass on to each other, on and off the stage.”

    The piece is called "Houston is Inspired," after the program at Hobby meant to showcase local performers by offering them week-long residencies on a prestigious stage. This season includes CJ Emmons's one-man comedy musical show I'm Freaking Talented; a rhythmic interactive storytelling experience called Our Road Home by Jakari Sherman; and Lavanya Rajagopalan's combination of music, dance and verse, Kāvya: Poetry in Motion. Information about all three shows, including ticket prices and availability, can be found at TheHobbyCenter.org.

    The last show (debuting May 1) was a particular inspiration to Gonzo247. Viewers may notice a pair of hands in a traditional Indian dance pose, a direct reference to Rajagopalan's show.

    The Houston is Inspired program was launched launched in the 2023-2024 season. In addition to the residency in Zilkha Hall, artists are given a $20,000 stipend for production and marketing costs. It is now a permanent fixture of the Hobby season. Applicants for future seasons can submit here.

    Known for his original "Houston is Inspired" mural in downtown's Market Square, Gonzo247 has been an active force in Houston art for 30 years, including producing the video series Aerosol Warfare about the street art scene in the 1990s and 2000s as well as founding the Graffiti and Street Art Museum. He also served as the artist liaison for Meow Wolf's Houston installation. If anyone's visual vision is perfect to welcome audience members to shows highlighting homegrown talent, it's him.

    “Art’s all about telling stories, but it ain’t just what you see — it’s what you feel," he said. "This piece speaks to the heart of everything we’re about: culture, rhythm, struggle, and triumph. When you walk into the space, you gotta feel the anticipation, the energy building up. That’s what I wanted to capture — the vibe of the whole city, the passion in the work, and that next-level hunger to rise up and create something fresh. It’s like the beat drops, and everything just connects.”

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