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    best January art

    8 museum and gallery openings no Houston art lover should miss

    Tarra Gaines
    Jan 8, 2025 | 11:00 am

    Houston art organizations must have made a resolution to bring us a dynamic variety of art for 2025, because the city's galleries have museums are displaying art for every taste this month. From British landscapes to animals in motion to the art of Kimono design to a giant of the Abstract Expressionism movement, the diversity of exhibitions will astound.

    Read on for this month's best bets, and don't miss CultureMap's guide to January's best theatrical productions.

    Winter Exhibitions at Box13 ArtSpace (January 10-Febrary 8)
    The artist-run nonprofit organization opens three contemplative solo shows this month for a colorful variety of art. Peter Broz’s "Out of Touch in the Wild” is a collection of two-dimensional works that explore the fine line between fear and excitement and how those feelings coincide with our experiences in nature. Inspired by Cognitive Behavioral Therapy, artist Molly Margaret Sydnor’s vibrant installation “After the Rain Part I” takes the form of a large scale intricate weaving. Also opening is Michael Guerra Foerster’s “Fries,” an exhibition of ceramic pieces that represent the artist’s wrestling with concepts of identity and self actualization.

    “Bumin Kim: Lingering Light” at Anya Tish Gallery (January 10-February 22)
    This solo exhibition by Korean-born, Texas-based artist Bumin Kim will showcase her signature thread paintings that redefine the traditional concept of painting. In these works, thread becomes the brushstrokes of the images, and the flat surface transcends into three-dimensional space. Kim believes that by repurposing thread as a tool of expression, her work can capture the power, elegance, and versatility of painting, embracing the transformative power of materiality to challenge what a painting can be.

    “Object Impermanence” at Koslov Larsen (January 10-February 28)
    This group show featuring the works of Rosalba Breazeale, Julián Chams, and Amber Toplisek explores the art object as artifact. Viewers might think of these works as tools for time-traveling, reaching back into the past and sustaining into the future. An artifact serves as a physical mark of the maker having existed in time, a testament to the perseverance of their legacy. Each handmade artifact holds personal memories as well as collective memories. Taken together, the show asks the question: what do we choose to preserve as part of our lineage?

    “Picturing Nature: The Stuart Collection of 18th- and 19th-Century British Landscapes and Beyond” at Museum of Fine Arts, Houston (January 12-July 6)
    Since 2015 the MFAH has grown a small selection of 18th and 19th century British landscape artworks into a a sizable and esteemed collection thanks to Houstonian Francita Stuart Koelsch Ulmer, who established the Stuart Collection in memory of her parents, Robert Cummins Stuart and Frances Wells Stuart. Now Houston art lovers will get an in-depth view into this expansive collection with the opening of this homegrown exhibition. The show will feature over 70 watercolors, drawings, prints, and oil sketches by John Constable and J.M.W. Turner. It also includes other artists whose work exemplifies the flowering of British landscape drawing, including Paul Sandby, Thomas Gainsborough, Richard Wilson, John Robert Cozens, and Samuel Palmer.

    “Francita Stuart Koelsch Ulmer’s family is truly a Texas legacy, with 200 years of history here. Her great-grandmother was a member of the founding organization of the Museum of Fine Arts, Houston in the 1920s,” describes MFAH director, Gary Tinterow, “Francita was captivated by the beauty of England many years ago, inheriting a John Constable oil sketch of the River Stour from her grandmother. We are so grateful to Francita for honoring the Museum by funding these extraordinary acquisitions in tribute to her parents.”

    “Stenciled Elegance: Ise Katagami and the Art of Kimono Design” at Asia Society (January 23-April 27)
    Explore the exquisite art of Japanese kimono creation in this rare exhibition. “Stenciled Elegance” will give visitors insight into the essential role of Ise Katagami, the thousand-year art form of using intricate paper stencils to adorn kimono with beautiful design themes like flora, water, and geometric patterns. Named after the Ise region in Japan, Ise Katagami are made by skilled artisans who slice, cut, and incise extraordinarily fine patterns into paper by hand. The exhibition will feature 25 Ise Katagami stencils loaned by the Yasuhiko and Akemi Saitoh Foundation in order to highlight the sophistication and precision of traditional Japanese crafts as a true art form.

    “Breath(e): Toward Climate and Social Justice” at Rice Moody Center for the Arts (January 24-May 10)
    Climate, equity, social justice, and art intersect in this provocative and timely exhibition. First curated for the Hammer Museum in Los Angeles, the exhibition features a renowned array of national and international artists. As the exhibition moves to the Moody, it will expand its breadth to focus on art that explores environmental justice for the Gulf Coast region.

    Highlights of this Gulf Coast focus include: a two-channel video centered on Houston from interdisciplinary artist Cannupa Hanska Luger; a Houston-themed sculpture made of PET (Polyethylene terephthalate) plastics by Xin Liu, artist-in-residence at Rice University’s Houston Asian American Archive; and community workshops led by Brandon Ballengée, whose featured works address the impact of the 2010 Deepwater Horizon oil spill on native species in the Gulf of Mexico.

    “As a space dedicated to the intersection of art and ideas, we’re excited to present this multifaceted exploration of one of the most critical issues of our time, through the lens of contemporary artists who are deeply engaged with our current environmental and social challenges,” said Moody Center director Alison Weaver.

    “Joe Overstreet: Taking Flight” at Menil Collection (January 24-July 13)
    This first major museum exhibition in nearly 30 years of the great Abstract Expressionist, Joe Overstreet’s work is making some national art media’s must-see lists. Overstreet stood at the forefront of 20th century artists who sought to intertwine abstract art and social politics, and this exhibition examines Overstreet’s use of abstraction in his art to explore ideas of freedom and the Black experience in the United States. Organized chronologically, “Taking Flight” features Overstreet’s landmark “Flight Pattern” series of radially suspended paintings from the early 1970s, alongside crucial bodies of work that preceded and followed them. Look for significant pieces on loan from United States museums and private collections, as well as major paintings from the estate that have rarely been on view.

    “John and Dominique de Menil’s support of the artist began in the early 1970s when a painting was commissioned by him for an exhibition about the African American experience that the couple sponsored in Houston, Texas,” recounts Menil Collection director Rebecca Rabinow. “Soon after, they purchased two of Overstreet’s Flight Pattern works and invited him back to Houston for a solo show. Now, some 50 years later, the Menil Collection looks forward to sharing his work with a new generation of visitors.”

    “Reclaimed Creations” at The Health Museum (January 25, 2025-January 4, 2026)
    Internationally acclaimed artist Sayaka Ganz uses discarded plastic objects as her medium to sculpt wondrous figurative pieces and large-scale installations with a special focus on animals in motion. As appropriate for an exhibition at the Health Museum, the show will not just feature these remarkable pieces but also teach visitors about the science of plastic and its impact on our world. Comparing her use of plastic material as brush strokes on a canvas, Ganz describes her work as “3D impressionist.” Ganz makes it a practice to only work with previously used plastic items, buying material from thrift stores or using donations given to her from family and friends.

    “My work is about perceiving harmony, even in situations that appear chaotic from the inside,” explains Ganz. “When observing my sculptures up close, one might see gaps, holes, and items being held on only by small points; step away, however, and the sculptures reveal the harmony created when the objects are aligned to the same general direction.”

    \u200bThe Health Museum presents \u201cReclaimed Creations\u201d

    Photo courtesy of The Health Museum

    The Health Museum presents “Reclaimed Creations.”

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    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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