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    Drama and surprises take center stage in Alley's bold new season

    Tarra Gaines
    Apr 6, 2018 | 12:01 pm

    After months of Harvey recovery followed by a slew of shocking backstage revelations, the Alley Theatre has gotten back to the (show) business of putting all of its best drama and comedy on stage as they continued with their 2017-2018 season. Now Houston’s oldest theater company is making news again, but this time with a hopeful look to the future as they announce their 2018-2019 season.

    In a statement revealing the new season, James Black, interim artistic director, who has been an actor and director with the company for 30 years, somewhat alluded to the trials and struggles the Alley has gone through recently with his praise of a lineup that perhaps reflects the spirit, if not the specifics, of the trying times the company and Houston audiences have traversed.

    “In times of transition, we all are drawn to the familiar, traditional, productions - the timeless classics,” described Black, but went on to note “Yet, the upcoming season also asks audiences to go beyond the more recognizable titles and engage with work that represents the population around us. The characters on stage experience a span of emotions from heartbreak to fulfillment, so similar to what we as a community have recently experienced.”

    Black also sees the season containing themes of connection and community, values that the organization will likely look to as they continue to makes changes behind the scenes.

    “The productions truly center on the inter-connectivity we all share, the idea of family and what makes up a family. I hope to hold a mirror up to the community and utilize not only the exceptionally talented Alley Resident Company but also engage local artists on both sides of the footlights,” described Black.

    After taking a look at the lineup, we can certainly see that balance between new, innovative and familiar. In fact, while it might be too early to know what shows will keep Alley supporters in their reserved seats and which will lure new audiences the the theater, we definitely see a balance of traditional, fresh and the intriguing with the coming season. Here’s our sneak peek.

    The traditional
    The beginning, middle and end of this lineup are very familiar Alley-type selections that will likely feel comfortable to long-time subscribers.

    Over the years, the annual Summer Chills offering has helped Houstonians sweat out the summer heat in the comfort of a good ole air-conditioned murder, usually conceived by the twisty mind of Agatha Christie. This summer will be no different as the company sets the Christie classic The Mousetrap (August 10).

    We also tend to expect a Shakespeare production, which was once a Boyd specialty, to pop up at least every other year, so mounting the glorious Twelfth Night to open the season for the Hubbard stage (October 5) isn’t much of a surprise. Jonathan Moscone, who has directed several comedies at the Alley, will bring his imagining of the cross-dressing, gender-bending comedy to the stage.

    The holidays, of course, bring A Christmas Carol (November 16), once more directed by James Black.

    Family comes center stage with Beth Henley’s Pulitzer Prize winning Crimes of the Heart (April 17, 2019). The contemporary classic will be directed by Theresa Rebeck who’s had several of her own plays produced at the Alley. And the 2018-2019 will close with a family-friendly, tale retold by an Alley favored playwright, Ken Ludwig, with his adaptation of Alexandre Dumas’s The Three Musketeers (May 31, 2019).

    The new (to Houston, at least)
    The company continues to use their annual January Alley All New Festival play reading and workshop series as a kind of rehearsal for their next season. Two alumni from previous Festivals usher in 2019, including Houston playwright Robert Askins’s mistaken identity dark comedy, The Carpenter (January 18), and Eliza Clark’s comedy Quack (February 8), about the fall of a celebrity health guru.

    Another company tradition is picking up a new major Tony-winning play as soon as it becomes available and this year that play will be Stephen Karam’s The Humans, which won the 2016 best play Tony. This homegrown production is a bit of a nice surprise because the play is still on a national tour run. Long-time artistic associate, who has also been assistant director on many an Alley production, Brandon Weinbrenner, steps up to direct.

    The intriguing
    The downstairs Neuhaus stage season begins and ends with two shows we’re most anticipating. First up, is acclaimed American playwright and executive story editor on the Showtime series Shameless, Dominique Morisseau’s Skeleton Crew (August 31, 2018), the final work in her trilogy Detroit Projects cycle. 


    Dating meets string theory and quantum mechanics in British playwright, Nick Payne’s Constellations (May 8, 2019) a cerebral and emotional critical hit in New York and London. Leslie Swackhamer, who Houston theater-lovers will likely recognize for some of her phenomenal directorial work at Stages Theatre will helm Constellations.

    Visit the Alley Theatre site for the full season list and dates.

    James Black, Alley Theatre's interim artistic director, announced the 2018-2019 season.

    Alley Theatre: James Black
    Photo by Eric W. Pohl
    James Black, Alley Theatre's interim artistic director, announced the 2018-2019 season.
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    new at HMNS

    China's Terracotta Warriors return to Houston Museum for fall exhibit

    Jef Rouner
    Sep 17, 2025 | 2:01 pm
    Three Chinese Terracotta Warriors amid an archeological dig.
    Photo courtesy of the Shaanxi Cultural Heritage Promotion Center
    Terracotta Warriors and more than a hundred artifacts head to the HMNS this November.

    One of the greatest archeological discoveries in Chinese history, the Terracotta Warriors, is returning to the Houston Museum of Natural Science this November, alongside more than a hundred artifacts unearthed in recent digs. World of the Terracotta Warriors: New Archaeological Discoveries in Shaanxi in the 21st Century opens to the public November 14. Pre-sale tickets are on sale now from $20-$35.

    “This exhibit presents the latest archaeological discoveries that rewrote history,” said Dr. Dirk Van Tuerenhout, curator of anthropology for HMNS. “China’s advanced civilization did not start where once thought it did. This is a story of over two millennia with kingdoms waxing and waning. It ends with the reign of Emperor Qin Shi Huang. His mausoleum still stands, undisturbed. His army, and servants have awoken and await your visit.”

    The Terracotta Warriors were displayed in Houston in 2012 and 2009.

    In 1974, farmers near Xi'an in Shaanxi Province were digging a well when they unearthed the head of a Terracotta Warrior. Subsequent archeological work revealed one of the most elaborate mausoleums in human history, that of the first emperor of China, Qin Shi Huang. Rivaling the pyramids and burial chambers of the Egyptian Pharaohs, the emperor's necropolis was the size of a football field and guarded by thousands of the Terracotta Warriors. These statues were supposed to protect the emperor in the afterlife, and many remained standing at attention as if they could do just that.

    The Terracotta Warriors date to 206 BCE, showing an advanced Chinese civilization on par or exceeding the Roman Empire that completely redefined Chinese history. The new exhibit will display artifacts from the site as well as others that fully explore the region's human habitation, including items from 4,000 years in the past from the city of Shimao. In addition to the famous warriors, visitors will get to see opulent jade and gold ornaments and other accessories buried with kings and nobles in the necropolis.

    However, it's the Terracotta Warriors who will take center stage. Presented in partnership with leading institutions across Shaanxi Province, visitors will be able to get up close to several of the life-sized figures, including archers and military officials. The warriors who once guarded the tomb of the emperor now welcome people to learn about the political and artistic history of the land he once ruled.

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