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    showtime!

    Hamilton, princesses, and waitresses revolutionize the new Broadway series at Hobby Center

    Tarra Gaines
    Mar 14, 2018 | 10:00 am

    With a little over a month to go until Hamilton takes his first hip hop bow in Houston on April 24, Broadway at the Hobby Center is already looking to a beautiful musical future with its just announced 2018-2019 season.

    The extensive lineup of seven shows and two season add-on brings to town beloved classics as well as some hot tickets still garnering raves on Broadway. There’s something for every type of musical theater lover on the calendar, so for a preview peek, here’s some trends and highlights we’re seeing for melodious nights ahead at the Hobby Center.

    Everything old is new
    The next season opens in late summer, with the acclaimed new production of a true musical phenomenon, Cameron Mackintosh’s Les Misérables (September 25-30, 2018). This re-imagined staging, with sets inspired by the paintings of Victor Hugo, garnered praise and several Tony nominations.

    Next spring, another revival of a beloved Mackintosh ​’80s hit, the Madama Butterfly-inspired Miss Saigon lands (yes, helicopter included) on the Sarofim stage May 7-12, 2019. This new production, which just closed on Broadway in January, is said to have a renewed focus on the star-crossed love story of Kim and Chris, doomed to be torn apart by war.

    Summer becomes the season of love as the 2018-2019 lineup ends (August 6-11, 2019) with a thoroughly American take on another Puccini opera, La Bohème. The 20th anniversary tour of Jonathan Larson’s Rent brings back to Houston the story of struggling artists living and loving through those five hundred twenty five thousand six hundred moments so dear.

    Mmm...pie
    In between all the returning favorites, the Tony Award winning freshly baked show Waitress brings an intimate feel-good and new love story to town (January 29-February 3, 2019). The hit musical is based on the Adrienne Shelly film about a woman taking life’s lemons and making delicious pie out of them. With music and lyrics by Sara Bareilles and book by screenwriter Jessie Nelson, The Waitress still charms audiences in New York. No word yet on if the touring show will continue the Broadway practice of actually baking pies before each performance, to set the olfactory mood.

    The biggest surprise in the lineup might be The Play That Goes Wrong (March 26-31, 2019), which only debuted in New York in April 2017 and yet has become the little UK show that could (garner huge laughs on Broadway). I’m usually not a big fan of broad physical farce, but on a East Coast visit last May, I wandered into this production having heard little about it. By the end of the first act, it had become one of my favorite comedies of the year. What happens when great actors play really bad actors, scenic designers and a clueless playwright? Something so wrong it becomes a revelation of comedy as chaos.

    Rub this Disney lamp
    Said to be inspired by both the 1950s Ingrid Bergman film and the ​’90s animated musical, the story of the lost possible-princess, Anastasia, made its Broadway debut last year with a book by acclaimed playwright Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens. Is Anya the last of the Romanovs or a just an amnesiac street sweeper, albeit with the voice of a fairytale princess? She joins two charming con artists on an adventure through 1920s Paris to find out, making a stop in Houston March 5-10, 2019.

    Disney rubs its creative lamp and conjures up another beloved animated film on stage with Aladdin. Still a family favorite hit on Broadway, with music by Alan Menken and lyrics by Howard Ashman, Tim Rice and Chad Beguelin, the touring production will bring all the classic’s heroes and villains, and the real star of the story, Genie, to Houston for something of an extended summer stay, June 26-July 14, 2019.

    Fun with Mormons
    Broadway at the Hobby rounds out the lineup with two seasons options. For those who can’t get enough Cameron Mackintosh productions, The Phantom of the Opera will haunt Houston once more November 7-18, 2018. If irreverent singing Mormons are more your speed, The Book of Mormon opens its musical pages again January 15-20, 2019.

    As an added incentive, Broadway at the Hobby Center also announced one show for its 2019-2020 season, the six Tony Awards winner, Dear Evan Hansen. Subscribers for the 2018-2019 Season will have first access to reserve their seats for Hansen when they renew their subscription for the 2019-2020 Season.

    The company of Les Misérables sing for "One Day More."

    Broadway at Hobby Center-Les Mis\u00e9rables
    Photo by Matthew Murphy
    The company of Les Misérables sing for "One Day More."
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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