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    Broadway in houston

    How Come From Away turned a 9/11-inspired musical into a beacon of hope

    Meredith Rainey
    Mar 2, 2020 | 12:00 pm
    Come from Away national tour
    Pilot Beverly Bass inspired one of the lead characters of Come From Away.
    Photo by Matthew Murphy

    On September 11, 2001, more than 7,000 airline passengers were diverted to a tiny Newfoundland town in eastern Canada. The weary, confused, and scared travelers were welcomed by the 9,000 residents of Gander, and together they struggled to make sense of the attacks.

    Come From Away tells these stories as a touching, uplifting musical, which is coming to Houston's Hobby Center March 3-8. It's part of a run across Texas that also includes Dallas (March 10-22), and Fort Worth (July 7-12). Two Dallas actors, Julie Johnson and Chamblee Ferguson, are included in the cast.

    Canadian husband-and-wife team Irene Sankoff and David Hein, who were living in Manhattan at the time, wrote the award-winning musical, and they are quick to point out that Come From Away is not a 9/11 story, but a 9/12 story. It’s about the emergence of hope, faith, and the realization that the most admirable human behavior often emerges from the darkest of tragedies.

    “When we started this, we thought it was a Canadian story. What we have realized is that this is really a universal story,” explains Sankoff. “That day, everyone felt helpless and everyone wanted to help and I think many people go into the show not realizing how light a Band-Aid they’ve covered this event up with, so it brings a lot of emotion with it but it does it in a safe, collective way.”

    The "come from aways"
    Sankoff and Hein were living in a residence for international graduate students in New York City when the Twin Towers were struck. Sankoff says she and Hein spent most of that day sharing fellowship with other students in their building, which contained 700 people from 110 different countries.

    “When we first heard about what went on in Gander, with people taking care of one another, it really resonated with us because our neighbors in New York checked on us,” Sankoff recalls.

    “We stayed together as a community, and people would take turns sitting down at piano and the music and the company really got us through it and gave us some stability on that day,” adds Hein.

    Fort Worth-based American Airlines captain Beverley Bass was on a flight from Paris to Dallas that fateful day, and commented to her co-pilot early on what a beautiful day it was for flying. Bass soon learned about one of the Twin Towers being hit, but assumed it was a small plane and went back to eating lunch in the cockpit. It wasn’t long before she and her crew learned that the second tower had been struck, and first heard the word "terrorism."

    Her plane’s planned flight path would take them over northern Canada and into Dallas, but as soon as they were in range of the Gander Airport, they were ordered to land due to closure of U.S. airspace. Bass' plane was one of 38 that lined up like sardines at the normally quiet Gander Airport.

    After landing, the crew was told by Canadian authorities that they would not be allowed off the aircraft until the next day. After 28 hours onboard, she and her fellow crew and passengers eventually deplaned and were greeted by a surprising sight.

    “We walked into the terminal, which was lined with tables with an enormous amount of food," says Bass. "The residents of Gander had literally made food to serve 7,000 passengers and that was my first revelation that we had landed in very unique place."

    The musical tells the story of what happened over the next five days, as the "come from aways" — a provincial Canadian term for visitors from somewhere else — became acquainted with their Newfoundland hosts. Many of the characters in the show, including Bass, are based on actual people, while others represent collective experiences. Sankoff admits that many lines in the script and songs are verbatim from interviews they collected while prepping.

    “We couldn’t make this stuff up,” she jokes.

    Despite the somber basis for the musical, it’s filled with toe-tapping music, hilarious moments, and a clever levity.

    “I always tell people there are a couple of sad moments in the show — there would have to be — but the most amazing thing is it never stays in those moments for too long,” says Bass.

    From news clippings to the stage
    Though the events in Gander and surrounding communities were covered in the press at the time, Sankoff and Hein were eventually approached by a friend wanting to capture what happened in a theatrical production. So in 2011, the couple applied for a grant from the Canadian government to attend the 10th anniversary of 9/11 in Gander, which was attended by many of the original "come from aways."

    Over the course of what turned into a four-week trip, Sankoff says they interviewed anyone they could get their hands on to learn about their 2001 experience.

    “It was a very immersive experience," she says. "It was more than interviewing people. It was being in coffee shops, being at the grocery story listening to people talk to one another — really getting a feel for the culture and the language and making sure that rang true once we put it all on paper.”

    Hein adds: “It was this incredible experience of just being welcomed in with the same generosity that the come from aways did in 2001 and getting to see it through their eyes.”

    It was during that trip that Sankoff and Hein met Bass. The captain had heard about the commemoration from an Austrian film crew and couldn’t pass up the chance to return to Gander with her husband. Bass, who happens to be American Airlines' first female captain, says she went back home to Fort Worth and heard from Sankoff and Hein a few times over the next four years as they confirmed a few details, but didn’t think much more about it. What she didn’t know was that the husband and wife spent those four year writing a musical about the 2001 events in Newfoundland.

    Bass and her husband, Tom, were invited to the 2015 opening of the musical Come From Away at the La Jolla Playhouse in California, knowing very little about what they were about to see.

    “I didn’t know how prominent my role in the show was," she says. "We didn’t really know anything, so I was pretty surprised."

    Bass, whose flying career is chronicled in the song “Me and the Sky,”was the only pilot Sankoff and Hein interviewed in preparation to write the show. Bass admits she was extremely emotional the first night she saw the show, as it really got her thinking about what a horrible day that must have been for her husband and children, not knowing where she was until late in the afternoon on 9/11. She says the scene where she is first able to speak with her husband and tell him she’s okay set them both crying. She estimates she probably missed 75 percent of the show that first night due to emotion.

    Thankfully, she’s had numerous occasions to see it again — 148 times, at last count. She’s since learned to embrace the limelight a bit more, becoming very involved with the show and helping to promote it around the world, all while still working at a full-time flying job.

    Bass says her experiences in Gander and her involvement with the show have changed her life immensely and have made her a better person. As an example, she says when Texas was ravaged by Hurricane Harvey in 2018, rather than watching it all unfold on TV and feeling helpless, she flew to Austin and helped out at evacuation centers assisting FEMA. She also helped organize air drops of supplies to people in need in more remote parts of the state.

    “I would not have done that before, but what Gander taught me is how important it is in times of tragedy to be able to be the helper of the other people," Bass says. "It has taught me to become very involved, and I really get so much gratification out of that.”

    The Come From Away family, which includes five casts around the world, tries to walk the walk, helping to raise money and awareness for causes dear to them, including recently helping raise $100,000 for Australian wildfire relief efforts.

    Bass says Come From Away has a healing effect and an indescribable impact on audiences.

    “Certainly, the first responders, those who lost family members or who were involved in some direct way, will tell you it was the first time they had a chance to heal and feel a little bit better about what happened during that time.” Bass adds, “What I say to people who have not seen the show is 'I promise you after you see it, you will be a better person.'"

    ---

    Memorial Hermann Broadway at the Hobby Center presents Come From Away, March 3-8, at Hobby Center; 800 Bagby St. For tickets and showtimes, visit Broadway at the Hobby Center. Tickets start at $35.

    interviewtheater
    news/arts

    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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