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    Where Cultures Meet

    Puppet masters bring ancient art form out of the shadows in spectacular ways

    Joel Luks
    Feb 25, 2015 | 6:34 pm

    In a celestial epic of good versus evil and between light versus darkness, it's the shadows that appear to be the hero, at least as a mysterious, ancient and simple channel that is acting as a cultural exchange in Houston.

    While shadow puppet theater isn't a sophisticated art form by Western standards, the practice is highly complex in Indonesia, dating back to the first century before the common era.

    You won't find amateurish hand shadows that resemble lewd body parts like you did as a kid. Instead, exquisitely crafted three-dimensional wooden puppets and two-dimensional leather puppets are manipulated from behind a backlit screen by a skilled master, called the tok dalang, who also impersonates numerous characters — sometimes more than 40 characters — vocally. Typical performances can last up to four hours (and you thought Wagner was long winded).

    That's in addition to a gamelan music ensemble that, together with the theatrical elements, creates a milieu that was recognized as a Masterpiece of Oral and Intangible Heritage of Humanity by UNESCO.

    "To experience the wonder of the Malaysian shadow puppet group Wayang Kulit is to discover an art form that borrows from many cultural traditions."

    To experience the wonder of the Malaysian shadow puppet group Wayang Kulit is to discover an art form that borrows from many cultural traditions that have grazed its area of origin.

    Sponsored by the Society for the Performing Arts, in partnership with The Doris Duke Foundation for Islamic Art and Arts Midwest, Wayang Kulit is in Houston to perform plays based on the Hindu folktale Ramayana, widely treasured in the Muslim villages in the Kelentan (translated as "Land of Lightning") region of Malaysia. The tale portrays the ideal father, servant, brother, wife and king, among many more characters.

    A public performance — don't worry, it isn't four hours long — is scheduled for 7:30 p.m Thursday at the Asia Society Texas Center, followed by a shadow puppetry workshop set for 1 p.m. Saturday also as the Asia Society.

    The engagement is part of an initiative titled Caravanserai: A Place Where Cultures Meet, which also includes performances and workshops at schools in an effort to encourage youth to open up their minds to the world at large. On Wednesday, YES Prep Academy Southwest students previewed a 20-minute show, participated in a dance class and engaged in lively dialogue with the visiting theater troupe, which has members from 13 to 75 years old.

    ___

    Society for the Performing Arts and Asia Society Texas Center presents "Wayang Kulit - The Shadow Play of Kelantan" on Thursday, 7:30 p.m. Tickets are $10 for general public and $5 for Asia Society Texas Center members and can be purchased online.

    YES Prep Academy Southwest students previewed a 20-minute show by Wayang Kulit.

    Wayang Kulit: The Shadow Play of Kelantan
    Courtesy of Society for the Performing Arts
    YES Prep Academy Southwest students previewed a 20-minute show by Wayang Kulit.
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    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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