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    a world revealed

    Museum of Fine Arts, Houston doubles gallery space for precious and exquisite Islamic art

    Steven Devadanam
    Feb 9, 2022 | 3:03 pm
    Rudaba’s Parents Converse about her Love for Zal Museum of Fine Arts
    “Rudaba’s Parents Converse about her Love for Zal,” folio 77v from the Shahnama of Shah Tahmasp.
    Image courtesy of the Museum of Fine Arts, Houston

    Fans of art from the Islamic world now have an expanded showcase in Houston, thanks to a 15-year initiative by the city’s leading arts museum. The Museum of Fine Arts will double its galley space for art from historic Islamic lands, with new galleries opening in early 2023.

    These new galleries will reveal hundreds of additional works, including paintings, manuscripts, ceramics, carpets and metalwork spanning more than 1,000 years. The pieces will reflect the breadth of historic Islamic lands: present-day India, Pakistan, Afghanistan, Uzbekistan, Iran, Iraq, Syria, Turkey, Egypt, Tunisia, Spain, and Morocco, the museum notes.

    With this expansion, the MFAH can now present its permanent collection, enhanced by a significant selection of Persian masterworks from the collection of Hossein Afshar, as well as objects on loan from The al Sabah Collection. This partnership with the Afshar collection is the second initiated by the museum; the first was in 2012’s agreement with The al-Sabah Collection, Kuwait — considered a landmark partnership at the time.

    As for the galleries: The new spaces will be sited on the street level of the Mies van der Rohe-designed Caroline Wiess Law Building and will boast nearly 6,000 square feet of space, including an adjoining garden. Plans for the outdoor space include a fountain and landscaping inspired by Islamic gardens.

    Highlights of the inaugural installation, per the museum, include “Rudaba’s Parents Converse about her Love for Zal,” folio 77v from the Shahnama of Shah Tahmasp. This work from the 1520s is attributed to ‘Abd al-‘Aziz under the direction of Sultan Muhammad (both Persian, active first half of the 16th century.) A work of ink, opaque watercolor, gold, and silver on paper, this folio is from the celebrated copy of the Shahnama prepared for the Safavid ruler Shah Tahmasp (1524–76). The now-dispersed manuscript once included 759 text folios and 258 paintings of the highest quality.

    Other precious pieces include a Moroccan Qur’an manuscript in Maghribi script, a 17th-century Iranian silk carpet, and a mid-17th-century huqqa base from India displaying intricate landscape artwork.

    “Ten years ago, we established a landmark partnership with The al-Sabah collection to share with the MFAH their extraordinary holdings of art from Islamic lands,” said Gary Tinterow, director and Margaret Alkek Williams Chair of the MFAH, in a statement.

    “These new and expanded permanent galleries devoted to Art of the Islamic Worlds are made possible by a new partnership with Hossein Afshar, creator of perhaps the most extensive collection of Iranian art in private hands. We are immensely grateful to Mr. Afshar, who has endowed a gallery for the Arts of Iran and placed his collection on long-term loan in Houston so that we may enhance our effort to reflect the city whose many communities we serve.”

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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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