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    CultureMap Video

    Bringing the soul (and hope): Old school gospel group uses its power to change lives in Houston

    Joel Luks
    Feb 7, 2014 | 4:04 pm
    Bringing the soul (and hope): Old school gospel group uses its power to change lives in Houston
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    The Bard of Avalon was right in tune when he wrote, "If music be the food of love, play on." Although the verse of Twelfth Night appears in reference to romantic courtship, Shakespeare's words taken out of context deepen the possible interpretations of music's ethos and what it can do for the human spirit.

    You won't find music for music's sake in The Soul Influence's repertoire. This brotherhood of five kind, energetic and warm gents finds its strength in a capella harmonies that aren't only beautifully reverberant. The old school gospel quintet — although technically speaking The Soul Influence is a quartet as defined by the number of voice parts — considers a performance successful if listeners are inspired to become better people.

    The Soul Influence, which is based out of the Fifth Ward Church of Christ on Stonewall Street, represents one of three faith-based music traditions that will be featured in "Voices of the Spirit IV," a concert series organized by Houston Arts Alliance's Folklife + Traditional Arts Program, an initiative helmed by director Pat Jasper. Jasper surveys Houston in search for cultural jewels in what the mainstream may consider to be hidden communities.

    The performances, set for 7:30 p.m. Saturday and 3 p.m. Sunday at the Asia Society Texas Center, also spotlights Buddhist chants sung by nuns and members of the Chung Mei Temple in Stafford and Hindustani classical music performed by Pandit Suman Ghosh.

    "In my opinion, I believe singing has the power to change lives, music has the power to motivate and encourage," Robert Melton III tells CultureMap in a video interview (watch above) during a Soul Influence rehearsal. "I always try to keep in mind that someone in the audience is dealing with some kind of issue, some kind of pain, somebody in the big crowd is having problems with their job.

    "I started singing when I came out of the womb. I cried a note."

    "For the few moments that I'm on stage, I want to take their mind off of that."

    Melton describes himself as a furniture mover by day, a singer by night. His colleagues, most of them cousins, also share similar alter egos. Donnis Lemon works as a grounds keeper at Texas Southern University, Arzell Draine teaches communication at North Shore Senior High School in Galena Park and Marcus Barnum is a financial advisor with Wells Fargo Advisors. Alongside the fifth member of the group, Lawrence Brown, they all consider themselves to be traditional vocalists whose journey with music began at home as part of family gatherings and celebrations.

    "I started singing when I came out of the womb," Melton jokes. "I cried a note."

    Barnum's mother was a natural soprano with a moving voice, the kind of singer who isn't common place nowadays, he says. She instilled in him a love and a discipline for singing at a young age.

    "She had one of the most beautiful voices I've ever heard," Barnum says. "She drilled singing in me. I'm talking about getting up at five in the morning to go over songs. No instruments. Only the instrument that we are born with. All instruments are derived from the voice. I believe that's God's instrument and we have to be able to own it."

    Lemon, whose father was a bass in his own gospel group, says he inherited the low tessitura vocals as a birthright.

    "I don't do a lot of snares or pops, you know, I can actually sing bass," Lemon adds. "Like my dad."

    Many of The Soul Influence's performances are held as part of religious services, although some of the more significant memories took place outside of the walls of the church. When Barnum's mother was undergoing cancer treatment, the ensemble sung for her at her bedside. It wasn't long before other patients requested their uplifting melodies to ease their road to recovery.

    "Just those kinds of moments stick out in my head more so than the big stages and the applauses," Melton says. "This group has been a blessing to me.

    "If it were up to me, I'm going to sing until I'm 80 years old. This is a good organization to be a part of."

    Watch the video (above) for the full interview and to experience The Soul Influence in rehearsal.

    ___

    Houston Arts Alliance's Folklife + Traditional Arts Program presents "Voices of the Spirit IV" on Saturday, 7:30 p.m., and on Sunday, 3 p.m., at the Asia Society Texas Center. Tickets are $10 and $5 for seniors, students, Houston Arts Alliance members and Asia Society Texas Center members. Tickets may be purchased online or by calling 713-496-9901.

    The Soul Influence represents one of three faith-based music traditions that will be featured in "Voices of the Spirit IV."

    The Soul Influence
    The Soul Influence Facebook
    The Soul Influence represents one of three faith-based music traditions that will be featured in "Voices of the Spirit IV."
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    untitled art 2026

    Prestigious contemporary art fair returns to Houston for 2026

    Holly Beretto
    Apr 9, 2026 | 12:30 pm
    Untitled Art entry way
    Courtesy of World Red Eye
    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

    A prestigious contemporary art fair is coming back to the Bayou City. Untitled Art, Houston returns this October for its second edition. To mark the occasion and kick off plans, the show commissioned two artist projects that will be unveiled this weekend at the 39th annual Art Car Parade on Saturday, April 11 in downtown Houston.

    The art show will be held at the George R. Brown Convention Center October 2 to 4. An invitation-only VIP and Press Preview will take place on Thursday, October 1.

    Houston was the organization’s first expansion from its home base in Miami. When the show arrived in the city last fall, it showcased the works of contemporary artists from Houston, other parts of Texas, and around the world.

    Houstonians showed lots of enthusiasm for last year’s inaugural fair. The organization reported that several galleries reported six-figure sales and sold-out booths, and leaders from the Museum of Fine Arts, Houston, The Menil Collection, and Contemporary Arts Museum Houston were in attendance all weekend.

    This year, the show promises to be even more dynamic, with programming that includes live podcast recordings, panel discussions, culinary activations, and artist-led projects with an emphasis on embedding the fair within Houston’s civic and cultural fabric. Show attendees can expect an international roster of galleries alongside collectors, curators, and artists increasingly attuned to Houston’s evolving position as both a cultural gateway to Latin America and a substantial force in the international art scene.

    “Houston has proven to be a vital artery for the contemporary art market, blending a deep institutional history with a bold, global future,” Jeffrey Lawson, founder of Untitled Art, said in a statement. “We are thrilled to return and deepen our commitment to the city’s creative community.”

    Beyond the exhibits at the show, Untitled Art has made a commitment to helping ensure art and art collecting is accessible to the larger community. Last year, programming events took place all over the the city, with private collection visits, studio tours with artists, and guided engagements at institutions such as the Museum of Fine Arts, Houston, The Menil Collection, Contemporary Arts Museum Houston, and Asia Society Texas Center, in collaboration with more than two dozen cultural partners.

    This year’s Art Car entry marks the first of its kind for the organization. Untitled Art commissioned collaborations with ascendant emerging Los Angeles-based artists Aryo Toh Djojo and Mario Ayala. Ayala's exhibition Seven Vans is currently on view at the Contemporary Arts Museum Houston.

    “Houston continues to assert itself as a cultural capital of the South, and the inaugural edition confirmed that there is a serious and attentive audience invested in contemporary art from local, national, and international dealers alike," said Michael Slenske, director of Untitled Art, Houston.

    Information about ticket sales will be available closer to the opening.

    Untitled Art entry way
    Courtesy of World Red Eye

    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

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