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    Show me the music

    Keeping it classical: Houston Symphony reveals a showstopping new season — here are the don't-miss concerts

    Joel Luks
    Jan 24, 2015 | 7:00 pm

    Unlike the Houston Ballet and Houston Grand Opera, which typically program somewhere between six to eight big works per season, the Houston Symphony is like a revolving door of performing arts. Each week is something different.

    You blink and puff, world class artists and significant music-making are here and gone like a Washington Corridor restaurant.

    Having just announced its 102nd season at Jones Hall during a special broadcast on Houston Public Media Saturday night, the Houston Symphony's showing off a 2015-16 calendar that's one hell of an impressive beast. It mixes traditional classical, pops, family-friendly, community and educational programs — what else is new?

    The Houston Symphony reports that individual ticket buyers for classical performances have increased 14 percent over the previous season.

    What's still new is the buzz around music director Andrés Orozco-Estrada, who goes into his official second season with impressive accomplishments under his baton. Specifically, the Houston Symphony reports that individual ticket buyers for classical performances have increased 14 percent over the previous season.

    Try as you may, I know you can't really attend every Houston Symphony program. So here are my Top 10 recommendations for the classical portion of the calendar.

    Don't miss performances

    Violin superstar Joshua Bell follows trumpeter Alison Balsom (2014) and soprano Renée Fleming (2013) in headlining the Opening Night Concert and Gala (Sept. 12) alongside Orozco-Estrada. The program, a tad on the lighter side of classical music, includes Gershwin's An American in Paris, Bernstein/Brohn's Westside Story Suite and Stravinsky's fantastical Suite from The Firebird (1919).

    While "Mahler's Symphony No. 5" (Sept. 17-20) is the main attraction in this big program — of particular interest is experiencing Orozco-Estrada's interpretation as compared to Christoph Eschenbach's epic night in 2011 — the concert also includes the world premiere of the orchestral adaptation of John Corigliano's Stomp, an audience pleaser originally written for the 2011 Tchaikovsky Competition that requires fiddlers to, you know it, stomp their feet.

    Beethoven binge

    Shall we bring back Beethoven (as if he ever left the building)? The Houston Symphony's "Three Weeks of Beethoven" refocuses on the temperamental composer with a trio of concert runs. It's not just traditional German scores, though. "Beethoven 2 and 8" (March 4-6, 2016) also includes composer-in-residence Gabriela Lena Frank's La Llorona for Viola and Orchestra, a piece that was commissioned by the Houston Symphony in 2007 for principal violist Wayne Brooks.

    "Beethoven's Eroica Plus Shostakovich" (March 10-13, 2016) combines my personal favorite Beethoven symphony — the second movement of which is one of the most beautiful funeral processions ever written — with Shepherd School of Music faculty Pierre Jalbert's Music of Air and Fire plus Shostakovich's Concerto No. 1 for Piano, Trumpet and Strings with principal trumpeter Mark Hughes and pianist Martin Helmchen.

    Finishing this Beethoven binge with a bang is "Beethoven 9 and Bernstein" (March 18-20, 2016), which features the Houston Symphony Chorus in the joyous choral work plus Bernstein's popular Chichester Psalms.

    Are you noticing the emphasis on American composers? It's part of the symphony's initiative, Music of the Americas (both North and South), which also programs works by Samuel Barber, James Horner, Silvester Revueltas and Heitor Villa-Lobos in other concerts.

    Guest conductors

    While it hasn't been terribly long since the symphony performed "Rachmaninoff's Symphonic Dances" (March 31-April 3, 2016), the highlight of this run helmed by maestro Michael Francis spotlights two of the orchestra's virtuosos who typically hang at the back in the brass section. Principal horn William VerMeulen (known as "the captain" to his students at Shepherd) and associate principal horn Robert Johnson step to the front of the stage, alongside Charles Watkins and David Pyatt, for the North American premiere of James Horner's Concerto for Four Horns and Orchestra.

    Fabien Gabel, music director of the Orchestre Symphonique de Québec, makes his Jones Hall debut in "Ravel's Bolero" (April 8-10 2016). This classically friendly program begins with the sparkly Dukas' The Sorcerer's Apprentice, followed by Bruch's Violin Concerto No. 1 with soloist Caroline Goulding and Poulenc's Suite from The Model Animals. Adding to the performance is the juxtaposition of descriptive text, special lighting, images and video as part of Sound Plus Vision, an initiative and fuses multimedia elements with good tunes.

    David Zinman may be a petite gent, but his musical ideas are big, genuine and captivating. "Faure Requiem" (April 28-May 1, 2016) marks the Tonhalle Orchestra Zurich music director's first show at Jones Hall. The evening pairs Faure's lyrical masterwork with Mendelssohn's lilting Symphony No. 4 "Italian."

    Out of this world

    Hallucinate your way to a dream land where witches party and someone gets his or her head cut off — too much fun. "Andrés Conducts Symphonie Fantastique" (May 19-22, 2016) complements Berlioz's boisterous Romantic magnum opus with Gabriela Lena Frank's Escaramuza and Grieg's dramatic Piano Concerto, with audience favorite Gabriela Montero at the keyboard.

    "The Cosmos — An HD Odyssey" (May 27-29, 2016) continues the Houston Symphony's partnership with innovative filmmaker Duncan Copp to complete the trilogy of iconic works against stunning high-definition images sourced from NASA. While the music isn't as complex as the second installment that featured John Adams' Short Ride in a Fast Machine and Richard Strauss' Also Sprach Zarathustra, for the third chapter Copp will find a way to layer excitement to Dvorak's Symphony No. 9 "From the New World."

    More music?

    Check out the Houston Symphony website for the complete season. Because perhaps your tuneful hot button will go off with Orff's Carmina Burana, Sibelius' Violin Concerto, Brahm's Symphony No. 2, Prokofiev's Romeo and Juliet and Shostakovich's Symphony No. 10.

    And artists such as Hilary Hahn, Emanuel Ax, Stephen Hough and Kirill Gerstein.

    Violin superstar Joshua Bell headlines the Opening Night Concert and Gala.

    Joshua Bell
    Photo courtesy Houston Symphony
    Violin superstar Joshua Bell headlines the Opening Night Concert and Gala.
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    best july art

    MFAH celebrates America 250 and 7 more must-see art openings for July

    Tarra Gaines
    Jul 7, 2026 | 2:00 pm
    ​Orkhan Mammadov’s “Visions” at Art Club
    Photo courtesy of Art Club
    Orkhan Mammadov’s “Visions” at Art Club

    The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

    Art Club’s New Season at POST (ongoing)
    When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

    One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

    Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

    “This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

    “Horizon” at The Plaza at Avenida Houston (now through September 7)
    Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

    Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

    “George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
    The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

    “America 250” at the Museum of Fine Arts, Houston (now through January 3)
    The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

    From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

    "On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

    "Representation of Form" at MATCH (July 9-12)
    Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

    “Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
    Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

    For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

    "World of Color” at Laura Rathe Fine Art (July 16-August 14)
    This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

    "Learning Curve 18” at Houston Center for Photography (July 16-August 16)
    This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

    “As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

    \u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

    Photo courtesy of Art Club

    Orkhan Mammadov’s “Visions” at Art Club

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