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    Show me the music

    Keeping it classical: Houston Symphony reveals a showstopping new season — here are the don't-miss concerts

    Joel Luks
    Jan 24, 2015 | 7:00 pm

    Unlike the Houston Ballet and Houston Grand Opera, which typically program somewhere between six to eight big works per season, the Houston Symphony is like a revolving door of performing arts. Each week is something different.

    You blink and puff, world class artists and significant music-making are here and gone like a Washington Corridor restaurant.

    Having just announced its 102nd season at Jones Hall during a special broadcast on Houston Public Media Saturday night, the Houston Symphony's showing off a 2015-16 calendar that's one hell of an impressive beast. It mixes traditional classical, pops, family-friendly, community and educational programs — what else is new?

    The Houston Symphony reports that individual ticket buyers for classical performances have increased 14 percent over the previous season.

    What's still new is the buzz around music director Andrés Orozco-Estrada, who goes into his official second season with impressive accomplishments under his baton. Specifically, the Houston Symphony reports that individual ticket buyers for classical performances have increased 14 percent over the previous season.

    Try as you may, I know you can't really attend every Houston Symphony program. So here are my Top 10 recommendations for the classical portion of the calendar.

    Don't miss performances

    Violin superstar Joshua Bell follows trumpeter Alison Balsom (2014) and soprano Renée Fleming (2013) in headlining the Opening Night Concert and Gala (Sept. 12) alongside Orozco-Estrada. The program, a tad on the lighter side of classical music, includes Gershwin's An American in Paris, Bernstein/Brohn's Westside Story Suite and Stravinsky's fantastical Suite from The Firebird (1919).

    While "Mahler's Symphony No. 5" (Sept. 17-20) is the main attraction in this big program — of particular interest is experiencing Orozco-Estrada's interpretation as compared to Christoph Eschenbach's epic night in 2011 — the concert also includes the world premiere of the orchestral adaptation of John Corigliano's Stomp, an audience pleaser originally written for the 2011 Tchaikovsky Competition that requires fiddlers to, you know it, stomp their feet.

    Beethoven binge

    Shall we bring back Beethoven (as if he ever left the building)? The Houston Symphony's "Three Weeks of Beethoven" refocuses on the temperamental composer with a trio of concert runs. It's not just traditional German scores, though. "Beethoven 2 and 8" (March 4-6, 2016) also includes composer-in-residence Gabriela Lena Frank's La Llorona for Viola and Orchestra, a piece that was commissioned by the Houston Symphony in 2007 for principal violist Wayne Brooks.

    "Beethoven's Eroica Plus Shostakovich" (March 10-13, 2016) combines my personal favorite Beethoven symphony — the second movement of which is one of the most beautiful funeral processions ever written — with Shepherd School of Music faculty Pierre Jalbert's Music of Air and Fire plus Shostakovich's Concerto No. 1 for Piano, Trumpet and Strings with principal trumpeter Mark Hughes and pianist Martin Helmchen.

    Finishing this Beethoven binge with a bang is "Beethoven 9 and Bernstein" (March 18-20, 2016), which features the Houston Symphony Chorus in the joyous choral work plus Bernstein's popular Chichester Psalms.

    Are you noticing the emphasis on American composers? It's part of the symphony's initiative, Music of the Americas (both North and South), which also programs works by Samuel Barber, James Horner, Silvester Revueltas and Heitor Villa-Lobos in other concerts.

    Guest conductors

    While it hasn't been terribly long since the symphony performed "Rachmaninoff's Symphonic Dances" (March 31-April 3, 2016), the highlight of this run helmed by maestro Michael Francis spotlights two of the orchestra's virtuosos who typically hang at the back in the brass section. Principal horn William VerMeulen (known as "the captain" to his students at Shepherd) and associate principal horn Robert Johnson step to the front of the stage, alongside Charles Watkins and David Pyatt, for the North American premiere of James Horner's Concerto for Four Horns and Orchestra.

    Fabien Gabel, music director of the Orchestre Symphonique de Québec, makes his Jones Hall debut in "Ravel's Bolero" (April 8-10 2016). This classically friendly program begins with the sparkly Dukas' The Sorcerer's Apprentice, followed by Bruch's Violin Concerto No. 1 with soloist Caroline Goulding and Poulenc's Suite from The Model Animals. Adding to the performance is the juxtaposition of descriptive text, special lighting, images and video as part of Sound Plus Vision, an initiative and fuses multimedia elements with good tunes.

    David Zinman may be a petite gent, but his musical ideas are big, genuine and captivating. "Faure Requiem" (April 28-May 1, 2016) marks the Tonhalle Orchestra Zurich music director's first show at Jones Hall. The evening pairs Faure's lyrical masterwork with Mendelssohn's lilting Symphony No. 4 "Italian."

    Out of this world

    Hallucinate your way to a dream land where witches party and someone gets his or her head cut off — too much fun. "Andrés Conducts Symphonie Fantastique" (May 19-22, 2016) complements Berlioz's boisterous Romantic magnum opus with Gabriela Lena Frank's Escaramuza and Grieg's dramatic Piano Concerto, with audience favorite Gabriela Montero at the keyboard.

    "The Cosmos — An HD Odyssey" (May 27-29, 2016) continues the Houston Symphony's partnership with innovative filmmaker Duncan Copp to complete the trilogy of iconic works against stunning high-definition images sourced from NASA. While the music isn't as complex as the second installment that featured John Adams' Short Ride in a Fast Machine and Richard Strauss' Also Sprach Zarathustra, for the third chapter Copp will find a way to layer excitement to Dvorak's Symphony No. 9 "From the New World."

    More music?

    Check out the Houston Symphony website for the complete season. Because perhaps your tuneful hot button will go off with Orff's Carmina Burana, Sibelius' Violin Concerto, Brahm's Symphony No. 2, Prokofiev's Romeo and Juliet and Shostakovich's Symphony No. 10.

    And artists such as Hilary Hahn, Emanuel Ax, Stephen Hough and Kirill Gerstein.

    Violin superstar Joshua Bell headlines the Opening Night Concert and Gala.

    Joshua Bell
    Photo courtesy Houston Symphony
    Violin superstar Joshua Bell headlines the Opening Night Concert and Gala.
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    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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