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    Frederica Von Stade is back

    Putting a ring on it: Houston Grand Opera reveals its new season and there's extra drama

    Joel Luks
    Jan 16, 2013 | 6:00 pm

    In this world you're either growing or you're dying — so get in motion and grow. Words to live by from Lou Holtz, a famous American football coach, author and motivational speaker.

    His adage, evident in the master plan of Houston Grand Opera's 2013-14 season, holds true when it comes to the ideal strategy for presenting arts organizations. The Grammy-, Emmy- and Tony-winning company will offer many firsts in the new season, which was just announced Wednesday.

    Among them are world and American premieres, commissions and new productions alongside standard repertoire. Together they represent a 45 percent increase in the number of performances staged at Wortham Theater Center and out in the community.

    Artistic and music director Patrick Summers and managing director Perryn Leech tracked a 35 percent rise in subscription sales from 2007, an achievement that offers a financially stable foundation from which to expand its programs, services and scope.

    "The growth in demand for tickets is in alignment of Houston's growth, strong economy and HGO's consistently high level of performances and varied repertoire choices," Summers tells CultureMap. "One of the best kept secrets in the East Coast centric opera world is that Houston possesses one of the great and diverse opera audiences."

    Here's what opera fans can expect: A mixture of drama (it's opera after all), innovation and charming entertainment.

    Fulfilling the promise HGO made a couple of years ago, the prelude opera of Richard Wagner's Der Ring des Nibelungen, Das Rheingold (April 11-26, 2014) sets in motion a four-year venture that follows the Norse tale of fate, destiny, celestial heroes and villains. A production of La Fura dels Baus, whose notoriety stems from the opening spectacle of Barcelona's 1992 Olympic Games, the production promises to present acrobats fashioning vignettes flowing with imaginative visual content.

    Scottish bass-baritone Iain Paterson makes his HGO debut as Wotan, HGO Studio alum, mezzo-soprano Jamie Barton complements him as Fricka with Slovak tenor Stefan Margita as Loge.

    "One of the best kept secrets in the East Coast centric opera world is that Houston possesses one of the great and diverse opera audiences."

    Will there be live elephants? That's the big tongue-in-check question posed when a revival Verdi's Aida (Oct. 18-Nov 9) is staged.

    The production, which features sets and costumes by fashion designer Zandra Rhodes, collaborates with Dominic Walsh Dance Theater to bring to life the grand dance sequences. Opera giants like Dolora Zajick as Amneris and the pride of the Ukraine National Opera, Liudmyla Monastyrska, as Aida sing along more familiar faces of HGO, including baritone Scott Hendricks and conductor Antonino Fogliani.

    Rigoletto (Jan. 24-Feb. 1, 2014) continues the season's Verdian obsession. Rigoletto was performed in 2009 with Albina Shagimuratova, who stole the show, and though rumors infer that she may have been at one point recast as Gilda, the coloratura role remains to be fulfilled. Confirmed are bass-baritone Ryan McKinny as the title character and tenor Stephen Costello as the Duke of Mantua.

    On the lighter side, and aligned with a trend at HGO to mount one or two pop-ish works in the genre, Johann Strauss' Die Fledermaus (Oct. 25-Nov. 10) will be staged in Art Deco-style as envisioned by Australian director Lindy Hume. This charming operetta's cast includes Studio alum Liam Bonner, soprano Wendy Bryn Harmer and the zestful mezzo Susan Graham in drag, singing a trouser role as Prince Orlofsky. A dose of celebrity is added with four-time Grammy Award-winner Anthony Dean Griffey as Alfred.

    Along those gaily flamboyant tunes, fashion icon Isaac Mizrahi designs Stephen Sondheim's A Little Night Music (March 7-23, 2014). Soprano Elizabeth Futral, Studio alum Chad Shelton and mezzo Joyce Castle join in the musical theater fun.

    On a serious note, the North American premiere of Polish-Jewish exiled composer Mieczyslaw Weinberg's The Passenger (Jan. 18-Feb. 2, 2014), a setting based on a novel by Auschwitz survivor Zofia Posmysz, journeys with a former SS officer, Linda, aboard an ocean liner. There, she identifies a concentration camp prisoner. The opera dates back to 1968, though its fully-staged premiere did not occur until 2010 at the Bregenz Festival. South African mezzo Michelle Breedt and Canadian tenor Joseph Kaiser are featured in this poignant, emotional story.

    The world premiere of Ricky Ian Gordon's A Coffin in Egypt (March 14-22, 2014) marks the inaugural commission in a series of operas, and continues HGO's focus on being a catalyst for the creation of new, fresh, contemporary works that speak to audiences today. Frederica Von Stade, whose apparent retirement from the operatic stage didn't last very long, comes back to take on the lead role.

    "This new opera has deep Texas roots," Summers writes in a statement. "It is based on a play of the same name by the renowned Texas writer Horton Foote. Ricky Ian Gordon is a very theatrically driven composer with a style that is perfectly suited to opera."

    The main stage season closes with another new production of an old time favorite. Bizet's Carmen (April 25-May 10, 2014), directed by American director/choreographer Rob Ashford, an on-trend young Broadway director, is set to be a show stopper with talent like Puerto Rican soprano Ana María Martínez, another Studio alum, as the sassy gipsy, tenor Brandon Jovanovich as the love stricken Don José, and bass-baritone Ryan McKinny as Escamillo.

    HGO's community engagement arm, HGOco, carries on the métier of the Song of Houston's East + West initiative with two additional world premieres. The Vietnamese Lunar New Year will be observed with Bound (January 2014) by librettist Bao-Long Chu and composer Huang Ruo. To coincide with the Indian festival of Holi, Jack Perla, whose Courtside premiered in 2011 as part of the same venture, alongside wordsmith Chitra Banerjee Divakaruni, make this the company's 53rd world premiere since 1973.

    ___

    Tickets go on sale 9 p.m. Thursday. Information on Houston Grand Opera subscription and single ticket sales can be found online or by calling 713-228-OPERA (6737).

    Aida features sets and costumes by fashion designer Zandra Rhodes.

    Houston Grand Opera, Aida, January 2013
    Photo by Cory Weaver
    Aida features sets and costumes by fashion designer Zandra Rhodes.
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    best november art

    Where to see art in Houston now: 10 shows and exhibits opening in November

    Tarra Gaines
    Nov 12, 2025 | 2:31 pm
    Meow Wolf presents Phenomenomaly
    Photo by Eric Scire/Atlas Media
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    Friends and family visiting Houston during the holiday season will find art openings that appeal to every taste. Classic art and history buffs can take time traveling journeys into ancient empires with two blockbuster exhibitions from the Houston Museum of Natural Science and Museum of Fine Arts, Houston.

    Younger generations with an interest in social media will find new immersive and interactive art that's perfect for sharing. For the adventurous wanting to see art in creation, consider taking a crawl through Warehouse District studios for art. Even busy travelers can see some of our best local artists with a special showcase at IAH.

    “Art and Life in Imperial Rome: Trajan and His Times” at Museum of Fine Arts, Houston (now through January 25)
    Featuring 160 objects of antiquity, including marble sculptures, frescoes, mosaics, delicate glass vessels, and bronze artifacts, the exhibition will transport visitors back in time to the Roman Empire during a flowering of art and architecture. The MFAH partnered with the Saint Louis Art Museum to organize the exhibition, which will showcase many pieces that have never been on view in the U.S.

    While Emperor Trajan might not be the most famous — or in some cases, most infamous — of the Roman emperors, he ruled between 98 and 117 C.E. during the empire’s height and was the second of the so-called “Five Good Emperors” of the Nerva-Antonine dynasty. During his reign, he granted citizenship and rights to some peoples from conquered lands. The exhibition will explore how this time period expanded what it meant to be a Roman and how art reflected Rome’s power and promoted the empire’s values and ideals.

    “Soledad Salamé: Camouflage” at Blaffer Art Museum (now through March 7)
    This exhibition showcasing the Chilean-born, Maryland-based multimedia artist focuses on Salamé’s work with environmental themes. Using aerial photos of the Atacama Desert in northern Chile, the site where millions of pounds of disposable textiles, often called “fast fashion,” are dumped and piled, Salamé then hand embroiders the photos with needle and thread, adding weighty details to these landscapes of immense fabric fields. For other pieces in the exhibition, Salamé gives new shape to humble dresses that the artist has fashioned from recycled cotton fabric. Throughout the exhibition, Salamé finds ways to marry art, research, and re-invention.

    “Sawyer Yards 2025 Showcase” at Bush IAH (now through July 31)
    Let local artwork lighten your wait and brighten your travels at Houston's busiest airport. Bush IAH received the 2023 Best Art in the Airport international recognition from Skytrax, a status it aims to maintain with a new selection of recent pieces by Sawyer Yard artists. The works on display in Terminal A represent 15 artists from each of the five studio buildings across the Sawyer Yards campus. The range of media, including drawing, painting, assemblage, and photography, highlights the diversity of Houston artists. The display will remain on view for one year and then be rotated with new selections from Sawyer artists. The exhibition is located in Terminal A, starting at Gate A7.

    “Mario Ayala: Seven Vans” at Contemporary Arts Museum (November 14-June 21, 2026)
    Though Ayala’s paintings have been showcased in museums across the globe, “Seven Vans” becomes the acclaimed contemporary artist’s first solo museum exhibition in the U.S. Known for his unique way of depicting life on the West Coast and especially California, this CAMH show will feature seven life-sized canvases painted as realistic portraits of the back of vans. The CAMH notes that word and concept of vans came into being as an evolution of caravans, making them also representations of commerce and both working and counterculture lifestyles.

    Influenced by the diverse artistic landscapes of his Californian home, from Mexican-American mural art to body tattooing to highway signage and car culture, Ayala’s paintings of the backs of vehicles become a kind of portrait of their owners. Each one portrays an individual personality. Without ever painting their faces, Ayala offers a vivid portrait of the people of his community.

    “Ayala’s impactful engagement with car culture encourages a fresh look at both vehicles and the spaces they occupy,” describes exhibition curator Patricia Restrepo, who makes the case that the show will have great resonance for Houstonians. “Seven Vans is designed to resemble a parking garage, with each vehicle frozen like a performer mid-scene. This eerie stillness may feel all too familiar in Houston, where more than a quarter of downtown is paved with parking lots and garages.”

    “Phenomenomaly” at Meow Wolf Houston's Radio Tave (November 15-January 4)
    Visual and performance art meet in the time and universe tripping dimensions of Meow Wolf’s Radio Tave, with live performances from Houston dancers, musicians, and storytellers every weekend. These live performances will help tell “Phenomenomaly,” an immersive, new sci-fi story about the mysterious Flickerwerms.

    Depending on the day or time, visitors will encounter different characters in this ongoing tale with the chance of spotting the story reaching its crescendo as Mama Flickerwerm emerges in a dazzling sequence of dance and performance. Some of the eclectic featured live performances in November and December will be from the contemporary Bollywood dance company, T2 Dance, Houston’s own poetry superstar, Outspoken Bean, the sizzling Hot City Brass Band, the beer loving opera divas and divos of Hopera, and the always vibrant Mariachi Oro de mi Tierra.

    “Pop Air – Art Is Inflatable” presented by The Balloon Museum (November 15-April 19)
    Already a hit in Dallas and Austin, the Balloon Museum will arrive in Houston with a different show than our neighbor cities. “Pop Art” features immersive air art from 14 international artists all creating work with themes about the power of play and human connections.

    Together, these large-scale installations will span more than 65,000 square feet, creating luminous spaces for visitors to interact with the art. From inflatable sculptures of humans, monsters, and geometric shapes to colorful virtual reality worlds to simulated cloud rooms to landscape installations that move thanks to the energy generated by biking power, “Pop Air” art really is inflatable, interactive, and very Instagramable.

    “World of the Terracotta Warriors: New Archaeological Discoveries in Shaanxi in the 21st Century” at Houston Museum of Natural Science (opens November 15)
    Ancient art marches into town to conquer our imagination once again with the return of the Terracotta Warriors. The HMNS has previously presented exhibitions of these burial sculptures depicting the armies of Emperor Qin Shi Huang, but this new show will also deliver over 100 newly unearthed artifacts to North America for the very first time.

    These latest archaeological discoveries tell the story of the people and culture that helped to give rise to the Qin dynasty. Included in the exhibition are jade pieces, gold ornaments, bronze vessels, and ceremonial horse fittings uncovered in the tombs of kings and noblemen, along with rare artifacts from the 4,000-year-old city of Shimao, China’s first walled city. The exhibition will include the Warriors in a variety of forms and roles including archers, kneeling figures, a high-ranking military official, and a even the figure of the emperor’s personal afterlife entertainer.

    “This exhibit presents the latest archaeological discoveries that rewrote history,” says Dr. Dirk Van Tuerenhout, curator of anthropology for HMNS. “China’s advanced civilization did not start where once thought it did. This is a story of over two millennia with kingdoms waxing and waning. It ends with the reign of Emperor Qin Shi Huang. His mausoleum still stands, undisturbed. His army and servants have awoken and await your visit.”

    "Back in Black” at Laura Rathe Fine Art (November 20-December 31)
    The group show represents a a new chapter for the Colquitt location of Laura Rathe Fine Art, reintroduced with a striking black façade to honor its legacy while embracing contemporary refinement. Featuring a curated selection of new works by LRFA artists, the exhibition celebrates individuality and collective vision alike. Each artist has spent months of dedicated work in the studio, refining their craft and creating pieces that reflect both personal evolution and shared purpose. Together, the art and the space tell a story of continuity, transformation, and the legacy of Laura Rathe Fine Art.

    “ArtCrawl Houston” throughout the Downtown Warehouse District (November 22)
    Take a pre-Thanksgiving crawl through some of the studios and artist spaces in the historic Warehouse District at the 33rd annual free event. Wander through open studios, exhibitions, and installations, all while catching pop-up performances in some of the spaces. Artists and visitors alike can expect a celebration of contemporary art in all its forms — abstract, figurative, digital, performance, and more — accompanied by food, music, and family-friendly programming.

    Meow Wolf presents Phenomenomaly
    Photo by Eric Scire/Atlas Media

    Meow Wolf presents Phenomenomaly.

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