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    a fresh, new tune

    Houston Symphony's newly named CEO garners a chorus of praise

    Tarra Gaines
    Jan 12, 2018 | 3:08 pm
    John Mangum, Houston Symphony CEO
    John Mangum takes his post as the CEO of the Houston Symphony on April 16, 2018.
    Photo by Drew Kelley

    California’s loss becomes our gain, as the Houston Symphony has named its new executive director/chief executive officer. John Mangum will bring his nearly two decades of arts administration experience to Houston, and takes up the (figurative) executive baton on April 16.

    Mangum, who earned a Ph.D. in history with a concentration in musicology from the University of California, most recently served as the president and artistic director of the Philharmonic Society of Orange County. He was director of artistic planning with the San Francisco Symphony from 2011 to 2014, and held a similar position at the New York Philharmonic from 2009 to 2011.

    “I’m thrilled and honored to be joining the Houston Symphony at a time when the organization is boldly looking to the future and charting a dynamic course for what an orchestra can be in the twenty-first century,” says Mangum, in a press statement.

    The search for the Symphony’s top executive began six months ago, after the pervious CEO, Mark Hanson, left for the San Francisco Symphony. So, perhaps California owed Houston a stellar replacement.

    “As a seasoned industry professional with an impressive background in orchestra management and fundraising, John has led some innovative artistic initiatives and has accomplished important milestones in some of the country’s largest markets,” says Janet F. Clark, Houston Symphony Board President. “We welcome John during this important time and look forward to raising our artistic excellence and community relevance under his leadership and creative vision.”

    Adding to the chorus of praise for the new CEO, Houston Symphony Music Director Andrés Orozco-Estrada lauds Mangum’s “enthusiasm and wealth of knowledge he brings from his years of experience with other great orchestras.”

    “I am particularly excited about collaborating with him as the Houston Symphony continues to realize the artistic vision we have been working so hard to achieve,” Orozco-Estrada notes.

    The executive director position calls for Mangum to work closely with Clark and Orozco-Estrada to manage an annual operating budget of $34 million, and direct the activities of the Houston Symphony, its 77 staff members, and 88 full-time professional musicians.

    Mangum will also likely aid in bringing to fruition the symphony’s vision to become America’s most relevant and accessible top 10 orchestra by 2025.

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    untitled art 2026

    Prestigious contemporary art fair returns to Houston for 2026

    Holly Beretto
    Apr 9, 2026 | 12:30 pm
    Untitled Art entry way
    Courtesy of World Red Eye
    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

    A prestigious contemporary art fair is coming back to the Bayou City. Untitled Art, Houston returns this October for its second edition. To mark the occasion and kick off plans, the show commissioned two artist projects that will be unveiled this weekend at the 39th annual Art Car Parade on Saturday, April 11 in downtown Houston.

    The art show will be held at the George R. Brown Convention Center October 2 to 4. An invitation-only VIP and Press Preview will take place on Thursday, October 1.

    Houston was the organization’s first expansion from its home base in Miami. When the show arrived in the city last fall, it showcased the works of contemporary artists from Houston, other parts of Texas, and around the world.

    Houstonians showed lots of enthusiasm for last year’s inaugural fair. The organization reported that several galleries reported six-figure sales and sold-out booths, and leaders from the Museum of Fine Arts, Houston, The Menil Collection, and Contemporary Arts Museum Houston were in attendance all weekend.

    This year, the show promises to be even more dynamic, with programming that includes live podcast recordings, panel discussions, culinary activations, and artist-led projects with an emphasis on embedding the fair within Houston’s civic and cultural fabric. Show attendees can expect an international roster of galleries alongside collectors, curators, and artists increasingly attuned to Houston’s evolving position as both a cultural gateway to Latin America and a substantial force in the international art scene.

    “Houston has proven to be a vital artery for the contemporary art market, blending a deep institutional history with a bold, global future,” Jeffrey Lawson, founder of Untitled Art, said in a statement. “We are thrilled to return and deepen our commitment to the city’s creative community.”

    Beyond the exhibits at the show, Untitled Art has made a commitment to helping ensure art and art collecting is accessible to the larger community. Last year, programming events took place all over the the city, with private collection visits, studio tours with artists, and guided engagements at institutions such as the Museum of Fine Arts, Houston, The Menil Collection, Contemporary Arts Museum Houston, and Asia Society Texas Center, in collaboration with more than two dozen cultural partners.

    This year’s Art Car entry marks the first of its kind for the organization. Untitled Art commissioned collaborations with ascendant emerging Los Angeles-based artists Aryo Toh Djojo and Mario Ayala. Ayala's exhibition Seven Vans is currently on view at the Contemporary Arts Museum Houston.

    “Houston continues to assert itself as a cultural capital of the South, and the inaugural edition confirmed that there is a serious and attentive audience invested in contemporary art from local, national, and international dealers alike," said Michael Slenske, director of Untitled Art, Houston.

    Information about ticket sales will be available closer to the opening.

    Untitled Art entry way
    Courtesy of World Red Eye

    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

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