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    Mark your calendars

    Sexy new Houston Symphony conductor to lead a season with twist, surprises: Chasing music electricity

    Joel Luks
    Jan 10, 2014 | 8:00 pm

    From the moment when Andrés Orozco-Estrada stepped onto the podium to lead his first concert with the Houston Symphony, the musicians knew they had found their guy. There was chemistry. There were sparks. And then there was passionate music.

    It's fitting that in announcing its 2014-15 concert lineup on Friday night, the Houston Symphony themed the official inaugural season of the Colombian-born music director "Conducting Electricity," a nod to the the synergies between his stimulating conducting style, the 87 orchestral players and a hungry audience aching to be moved.

    "I want to make music in a way that brings everyone together," Orozco-Estrada tells CultureMap. "My goal is for my guests to experience what can only happen in live performance — the excitement, the energy, the magic. If you've never been to a Houston Symphony concert, I promise to make this a thrilling experience."

    Will you accept his invitation? Here's how the season unfolds.

    You can expect the Opening Night Concert and Gala (Sept. 13) at the Corinthian to be a sold-out social affair teeming with the who's who of the city's philanthropists. British trumpeter and 2013 Gramophone Artist of the Year Alison Balsom is front and center for Haydn's Trumpet Concerto plus Mussorgsky's Pictures at an Exhibition and Mozart's Overture to the Marriage of Figaro.

    SIX DON'T MISS CONCERTS WITH OROZCO-ESTRADA

    The horns will wail and the woodwinds will twirl in Richard Strauss' Ein Heldenleben (A Hero's Life), a tone poem of epic proportions, scheduled as part of Watts Play Rachmaninoff (Sept. 19-21). Pianist André Watts joins Orozco-Estrada for the opulent Piano Concerto No. 2 by Rachmaninoff. Of note in this program is the world premiere of a commission by the Houston Symphony from composer Gabriela Lena Frank, who will serve as artist-in-residence for a community engagement program.

    Is there such thing as too much Beethoven?

    The symphony doesn't think so with the series Three Weeks of Beethoven Nov. 14-30), the first installment of a Beethoven Cycle to be completed in subsequent seasons. His first, fourth and fifth symphonies plus the overtures to Coriolan and Egmont are complemented by other important repertoire of the region, including Brahms' Schicksalslied, Mozart's Requiem and Schumann's Cello Concerto with principal cellist Brinton Averil Smith.

    The Vienna-trained music director has a penchant for opera, but without a theater suitable for full productions, Orozco-Estrada is trying the next best thing. Mozart's The Abduction from the Seraglio (Jan. 23-25, 2015) will be performed in concert version with the help of vocal students from the Shepherd School of Music and the Moores School of Music. The main roles will be cast with singers of international repute.

    "If you've never been to a Houston Symphony concert, I promise to make this a thrilling experience."

    Beethoven and Bartók (May 7-10, 2015) couples two completely different works that test the dexterity of the soloists. Violinist James Ehnes will interpret Beethoven's Violin Concerto while the full ensemble shows their goods in Bartok's Concerto for Orchestra.

    Lang Lang Joins Andrés (May 12, 2015) reunites the flamboyant piano badass with Orozco-Estrada for one night only. Expect tuneful fireworks and lots of gratuitous head bangs and facial expressions from the main man.

    Mahler's Symphony No. 3 (May 15-17, 2015) brings the classical season to a close. The massive orchestral forces are complemented by the women of the Houston Symphony Chorus for this longest symphony among the standards.

    UP-CLOSE AND PERSONAL

    No more Access concerts, a format that attempted to add an educational and social component to traditional performances. Instead, Musically Speaking with Andrés (Jan. 15, March 12 and May 7, 2015) at Rice University reinvents the concept with interactive talks with Orozco-Estrada. In addition, the maestro will be available after several concerts to engage in informal question-and-answer sessions with patrons. Cyber savvy guests can even interact with him using hashtag #1415AndresHS on Twitter.

    BIG NAMES

    Remember Sarah Chang? The violinist is back for Sarah Chang Plus Copland (Oct. 2-5) to perform Barber's Violin Concerto. Beefing up the program led by conductor Cristian Macelaru is local composer Karim Al-Zand's City Scenes.

    Always popular with audiences of every walk of life, Andrea Bocelli (Dec. 10) headlines a concert at the Toyota Center.

    Classical music celeb Itzhak Perlman (Feb. 12-15, 2015) conducts and plays fiddle in Bach's Violin Concerto No. 2 and Schubert's Symphony No. 9. In between that concert run, Bernadette Peters (Feb. 13, 2015) comes to town for a Valentine's soirée filled with popular Broadway tunes.

    The passionate maestro Robert Spano leads Ohlsson Plays Chopin (April 17-19, 2015) with pianist Garrick Ohlsson tickling the ivories to Chopin's Piano Concerto No. 1. Also on the program are two works by American composer Jennifer Higdon, an effort by the Houston Symphony to showcase more works by female composers.

    GRAF RETURNS

    Ravel and Debussy (Oct. 23-26) sees the return of former Houston Symphony music director Hans Graf in a concert with piano virtuoso Jon Kimura Parker. Graf will travel back for Graf Conducts Schumann (Feb. 20-22, 2015) to share music by Hindemith, Saint-Saëns and Schumann.

    FREE STUFF

    The first concert of the year happens to be free. ¡Bienvenido, Andrés! (Sept. 12) at Miller Outdoor Theatre introduces Orozco-Estrada to the city with a program that highlights music from the Americas. Adding prowess to this playbill is Venezuelan pianist Gabriela Montero, who's known for her ability to improvise on the spot.

    Fiesta Sinfonica con Andrés (Sept. 14) at Jones Hall continues the welcoming ceremonies with Orozco-Estrada again with Montero in a program that celebrates Hispanic Heritage Month.

    Think of the Second Annual Day of Music (July 12) as a cacophonous 12-hour concert marathon in which Jones Hall transforms into a showcase of many music presenters of all genres in Houston, including jazz, rock, blues, cultural groups, choirs and on and on.

    WHAT TO DO

    Season subscriptions — which are available in packages that include three to 18 concerts — start at $99. Subscriptions may be purchased online or by calling 713-224-7575.

    ___

    Stay tuned (pun intended) for CultureMap's coverage of the Houston Symphony's new Cynthia Woods Mitchell POPS season at Jones Hall.

    The Houston Symphony themed the official inaugural season of Andrés Orozco-Estrada "Conducting Electricity."

    unspecified
    news/arts

    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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