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    Mark your calendars

    Sexy new Houston Symphony conductor to lead a season with twist, surprises: Chasing music electricity

    Joel Luks
    Jan 10, 2014 | 8:00 pm

    From the moment when Andrés Orozco-Estrada stepped onto the podium to lead his first concert with the Houston Symphony, the musicians knew they had found their guy. There was chemistry. There were sparks. And then there was passionate music.

    It's fitting that in announcing its 2014-15 concert lineup on Friday night, the Houston Symphony themed the official inaugural season of the Colombian-born music director "Conducting Electricity," a nod to the the synergies between his stimulating conducting style, the 87 orchestral players and a hungry audience aching to be moved.

    "I want to make music in a way that brings everyone together," Orozco-Estrada tells CultureMap. "My goal is for my guests to experience what can only happen in live performance — the excitement, the energy, the magic. If you've never been to a Houston Symphony concert, I promise to make this a thrilling experience."

    Will you accept his invitation? Here's how the season unfolds.

    You can expect the Opening Night Concert and Gala (Sept. 13) at the Corinthian to be a sold-out social affair teeming with the who's who of the city's philanthropists. British trumpeter and 2013 Gramophone Artist of the Year Alison Balsom is front and center for Haydn's Trumpet Concerto plus Mussorgsky's Pictures at an Exhibition and Mozart's Overture to the Marriage of Figaro.

    SIX DON'T MISS CONCERTS WITH OROZCO-ESTRADA

    The horns will wail and the woodwinds will twirl in Richard Strauss' Ein Heldenleben (A Hero's Life), a tone poem of epic proportions, scheduled as part of Watts Play Rachmaninoff (Sept. 19-21). Pianist André Watts joins Orozco-Estrada for the opulent Piano Concerto No. 2 by Rachmaninoff. Of note in this program is the world premiere of a commission by the Houston Symphony from composer Gabriela Lena Frank, who will serve as artist-in-residence for a community engagement program.

    Is there such thing as too much Beethoven?

    The symphony doesn't think so with the series Three Weeks of Beethoven Nov. 14-30), the first installment of a Beethoven Cycle to be completed in subsequent seasons. His first, fourth and fifth symphonies plus the overtures to Coriolan and Egmont are complemented by other important repertoire of the region, including Brahms' Schicksalslied, Mozart's Requiem and Schumann's Cello Concerto with principal cellist Brinton Averil Smith.

    The Vienna-trained music director has a penchant for opera, but without a theater suitable for full productions, Orozco-Estrada is trying the next best thing. Mozart's The Abduction from the Seraglio (Jan. 23-25, 2015) will be performed in concert version with the help of vocal students from the Shepherd School of Music and the Moores School of Music. The main roles will be cast with singers of international repute.

    "If you've never been to a Houston Symphony concert, I promise to make this a thrilling experience."

    Beethoven and Bartók (May 7-10, 2015) couples two completely different works that test the dexterity of the soloists. Violinist James Ehnes will interpret Beethoven's Violin Concerto while the full ensemble shows their goods in Bartok's Concerto for Orchestra.

    Lang Lang Joins Andrés (May 12, 2015) reunites the flamboyant piano badass with Orozco-Estrada for one night only. Expect tuneful fireworks and lots of gratuitous head bangs and facial expressions from the main man.

    Mahler's Symphony No. 3 (May 15-17, 2015) brings the classical season to a close. The massive orchestral forces are complemented by the women of the Houston Symphony Chorus for this longest symphony among the standards.

    UP-CLOSE AND PERSONAL

    No more Access concerts, a format that attempted to add an educational and social component to traditional performances. Instead, Musically Speaking with Andrés (Jan. 15, March 12 and May 7, 2015) at Rice University reinvents the concept with interactive talks with Orozco-Estrada. In addition, the maestro will be available after several concerts to engage in informal question-and-answer sessions with patrons. Cyber savvy guests can even interact with him using hashtag #1415AndresHS on Twitter.

    BIG NAMES

    Remember Sarah Chang? The violinist is back for Sarah Chang Plus Copland (Oct. 2-5) to perform Barber's Violin Concerto. Beefing up the program led by conductor Cristian Macelaru is local composer Karim Al-Zand's City Scenes.

    Always popular with audiences of every walk of life, Andrea Bocelli (Dec. 10) headlines a concert at the Toyota Center.

    Classical music celeb Itzhak Perlman (Feb. 12-15, 2015) conducts and plays fiddle in Bach's Violin Concerto No. 2 and Schubert's Symphony No. 9. In between that concert run, Bernadette Peters (Feb. 13, 2015) comes to town for a Valentine's soirée filled with popular Broadway tunes.

    The passionate maestro Robert Spano leads Ohlsson Plays Chopin (April 17-19, 2015) with pianist Garrick Ohlsson tickling the ivories to Chopin's Piano Concerto No. 1. Also on the program are two works by American composer Jennifer Higdon, an effort by the Houston Symphony to showcase more works by female composers.

    GRAF RETURNS

    Ravel and Debussy (Oct. 23-26) sees the return of former Houston Symphony music director Hans Graf in a concert with piano virtuoso Jon Kimura Parker. Graf will travel back for Graf Conducts Schumann (Feb. 20-22, 2015) to share music by Hindemith, Saint-Saëns and Schumann.

    FREE STUFF

    The first concert of the year happens to be free. ¡Bienvenido, Andrés! (Sept. 12) at Miller Outdoor Theatre introduces Orozco-Estrada to the city with a program that highlights music from the Americas. Adding prowess to this playbill is Venezuelan pianist Gabriela Montero, who's known for her ability to improvise on the spot.

    Fiesta Sinfonica con Andrés (Sept. 14) at Jones Hall continues the welcoming ceremonies with Orozco-Estrada again with Montero in a program that celebrates Hispanic Heritage Month.

    Think of the Second Annual Day of Music (July 12) as a cacophonous 12-hour concert marathon in which Jones Hall transforms into a showcase of many music presenters of all genres in Houston, including jazz, rock, blues, cultural groups, choirs and on and on.

    WHAT TO DO

    Season subscriptions — which are available in packages that include three to 18 concerts — start at $99. Subscriptions may be purchased online or by calling 713-224-7575.

    ___

    Stay tuned (pun intended) for CultureMap's coverage of the Houston Symphony's new Cynthia Woods Mitchell POPS season at Jones Hall.

    The Houston Symphony themed the official inaugural season of Andrés Orozco-Estrada "Conducting Electricity."

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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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