a lone starlet

From Texas to Broadway: a local star shines in her Color Purple homecoming

Never underestimate the power of a good ol Texas high school musical theater production. Adrianna Hicks, the star of the national touring The Color Purple revival, certainly doesn’t because growing up in McKinney, Texas, a school rendition of Guys and Dolls changed the course of her life.

In The Color Purple musical, Hicks plays Celie, the abused but ultimate survivor female hero first brought to life in Alice Walker’s Pulitzer prize-winning novel. Whoopi Goldberg earned her first Oscar nomination in the Steven Spielberg directed film adaptation. The story was then turned into a musical, a Broadway hit back in 2005, but the 2015, John Doyle directed revival quickly became a critical darling, earning the Tony Award for best musical revival.

As the national tour of the show heads to Houston, CultureMap caught up with Hicks by phone to learn more about this new version and how she feels coming back to her home state she left more than a decade ago on a journey to Broadway.

Musical Calling
As a girl, church choirs gave Hicks a passionate love of music and later she learned to play the flute and joined the school band.

“I’m very thankful because it helped me to learn to read music, how to join with other instruments and to appreciate the art of classical music,” she explained of her early music experiences, yet only during her sophomore year at McKinney High did she have her theatrical epiphany.

“Even today I have those images in my mind,” she described of that Guys and Dolls production, the first live musical she remembers seeing. And that show became her revelation that there existed a performing art where music, dance and acting melded into one form. At that moment, she knew: “This is what I want to do.”

Hicks soon got herself up on that high school stage, playing the butler in Joseph and the Amazing Technicolor Dreamcoat.

“I had my mini-solo that lasted a couple of bars, a couple of lines. That was it, but I’ll never forget being so nervous,” she confessed, going on to recount her next part, the Sour Kangaroo in Seussical, which she laughingly describes as her first meaty, “character role," and Alice in Big River. She still remembers the joy in having a beautiful solo number.

In a rather wondrous coincidence, or perhaps performing arts destiny, her senior year also introduced Hicks to the show she now stars in, as the Thespian program at McKinney took seniors to New York for spring break. The final show they saw during the trip: The Color Purple, with the kids even participating in a talkback with some of the actors.

Broadway Home
Fast forward a decade to 2015 when Hicks had moved to New York and won a swing role in Broadway revival, playing an understudy for seven of the nine female parts in the show, including Celie, an experience that gave Hicks an intimate understanding of each of those characters’ perspectives.

That year, a new group of Texas high school students with a love of musical theater came to Broadway for the same spring break program and this time it was Hicks who sat in front of them, giving them guidance and encouragement.

“It was incredible. I told them: guys I was in your position ten years ago. It’s the show that just keeps on giving,” she said of that very special moment of her musical world coming full circle.

The New Celie
Even as she brings inspiration to the next generation of theater kids, she draws insight from the many extraordinary actresses to have played Celie. Still, Hicks believes each performer has added their own uniqueness to the role, and she can do no less.

“There’s no way I can fill any of these women’s shoes. I’m so honored and humbled that they’ve called me to continue the journey of this character,” she said. “All I have to bring is myself and that’s exactly what they had. I look at that in the sense that all these women could only be true to the essence of who they were and that brought out a different element of Celie. We’re all intricately created beings.”

This stripped-down production in particular calls on Hicks to bring much of herself. The show goes back to the emotional core of the story, relying on the words, music and performances to reveal the intricacies of the characters. This Color Purple has no elaborate sets, and gives the actors only minimal costume changes and makeup; meanwhile, Hicks must play Celie’s growth and change from an adolescent to middle aged woman.

“It’s a challenge because in our production you can’t hide behind anything, the set, makeup, costume changes,” she describes, going on to praise director Doyle for helping them trust their bodies to do the work.

A Journey Full Circle
All that work earned her a home on Broadway, but now as the star of the touring production, she comes home to Texas.

Though she must keep to a tight performance schedule through Houston, Dallas and San Antonio, she plans to visit friends and family, especially her mother. She also wants to go back to her high school, where her musical theater journey began, and visit with some of her old teachers.

“That would be wonderful because they were the ones who helped me get to this point.”

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The Color Purple runs at the Hobby Center Tuesday, January 9, through Sunday, January 14, 2018.

Adrianna Hicks and the cast of The Color Purple.

Adrianna Hicks (Celie) and the North American tour cast of The Color Purple

Photo by Matthew Murphy

Adrianna Hicks and the cast of The Color Purple.

theater

fall theater preview

Sneak peek at the 2026 fall performance slates for 15 Houston companies

Theatre Under the Stars presents The Music Man

Photo courtesy of Theatre Under the Stars

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For theater and performing arts lovers, late summer is the most wonderful time of the year, as stage companies across the city begin their new 2026-2027 seasons. But before the curtains rise, most of those companies also give us the gift of Houston Theater Week and all those buy-one-get-one-free discounts.

To get ready, CultureMap has put together this fall theater guide with the opening shows and dates for each company, as well as taking an early look at what the rest of the fall and holidays will bring. So grab those discounted tickets for a fall filled with blockbuster musicals, dramas, comedies, as well as lots of classics and audience favorites.

A.D. Players opens with Holly Street (August 19)
The spiritual and family friendly theater company began its season a bit early with a poignant world premiere set in small town Kentucky in the 1940s after World War II. Holly Street tells the story of two sisters at Christmas time and two unexpected guests.

The company takes a break for a month and then offers one of the funniest, yet heartwarming holiday plays for all ages withThe Best Christmas Pageant Ever, the beloved comedy about a children’s play that goes wrong.

Houston Ballet opens with Pecos Bill (September 11)
HB says howdy to a great fall season with a mixed rep program that holds something for all dance tastes. The performance includes Stanton Welch’s rollicking ballet version of cowboy folklore, Pecos Bill’s adventures. Performances also feature George Balanchine’s elegant and dynamic Symphonie Concertante, and an HB debut, Meadow, a work by celebrated choreographer Lar Lubovitch.

For the first full story ballet of the fall (September 24), HB brings the opulence of Sir Kenneth MacMillan’s now classic and tragic Mamon, the doomed love story between an irresistibly beautiful femme fatale and impoverished student. Of course, in November, it wouldn’t be the holidays without Stanton Welch’s version of The Nutcracker Ballet that brings the story’s focus back to the adventurous Clara.

4th Wall Theatre opens with Proof (September 11)
The first of several Pulitzer Prize-winning plays produced this season comes from this intimate stage. Playwright David Auburn’s Proof is the story of the daughter of a genius mathematician who might have inherited both his aptitude for math and his mental instability. The play travels back and forth through the present and past to study the formulas of family, loss, and love

Over the years, 4th Wall has produced several wild and moving adaptations of Jane Austen novels. This year, it will present Are the Bennet Girls Ok? This new version of the Pride and Prejudice story, that had a recent Off-Broadway debut to much critical praise, tells the Bennet girls’ marriage quests from their mother’s point of view.

Main Street Theater opens with Cold War Choir Practice (September 12)
Also earning lots of recent off-Broadway buzz, this genre-defying comedy with music is one of the most intriguing picks for the fall. In Reagan’s America, a young girl is embroiled in intrigue when her estranged uncle, a prominent Black conservative, brings his mysteriously ill, white wife home for the holidays and forces long-simmering tensions within the family to boil.

From Victorian England to a fast food joint, theaters across the world and certainly in Houston have put Dickens’s Christmas Carol into a multitude of settings. For the holidays, MST invites Houstonians to a Dublin pub for An Irish Carol, where rich owner David has lost touch with his own humanity in the interest of self-protection and material success. Now on Christmas Eve, a voice from the past will ask David to look at his relationships in the past, present, and possible future to perhaps change his life for the better.

Theatre Under the Stars opens presenting The Music Man (September 15)
TUTS changes its usual mix of more self-produced shows than touring shows, leaning in on presenting this season. The season begins with this classic musical comedy about a charming con man who gets conned himself by small town sincerity and love.

The touring hits continue in October with Mrs. Doubtfire, the musical based on the Robin Williams comedy about a divorced man who disguises himself as a British nanny to take care of his kids. Then for the holidays, TUTS brings back its own leviathan-sized production of Disney’s The Little Mermaid for under the sea family fun with a cast filled with Houston singing sensations, including students from the TUTS schools.

Rec Room opens with Amadeus (September 17)
The east-ish downtown theater company decided to take some time off after last year's productions of Angels in American to switch from a calendar year season to the traditional fall/spring season that most Houston companies use. Now they’re back and celebrating their 10 year anniversary with plays Houstonians haven’t seen in quite a while, or ever, on a local professional stage. The season begins with the now classic 20th century play about the (mostly one-sided) rivalry between composers Antonio Salieri and Wolfgang Amadeus Mozart, and its exploration of jealousy and the nature of genius.

For the ultimate holiday show counter programming, Rec Room will produce a new adaptation of Nobel Prize-winning Italian playwright Dario Fo’s The Accidental Death of an Anarchist. It’s Christmas time at the police station, as Rec Room reimagines Fo’s groundbreaking political farce of the 1970s as a contemporary American satire infused with detective noir, Cold War paranoia, and sharp absurdity.

Ensemble Theatre opens with Purpose (September 18)
Ensemble celebrates its 50th season with this recent Best Play Tony and Pulitzer Prize winner by Brandon Jacobs-Jenkins about a prominent and political Black family, the Jenkins. While the patriarch was a leader in the Civil Rights movement, the adult sons are having trouble living up to their father’s legacy. Generational aspirations come to a comic clash for one particularly awkward but purposeful family dinner.

For the holidays, the company brings back an audience favorite, the joyful and soulful A Motown Christmas, which melds Motown hits and choreography with traditional holiday classics.

Stages opens with Come From Away (September 19)
Based on the true story, this poignant and hopeful musical tells the story of a small town in Newfoundland that rallied together to host thousands of stranded international travelers after planes were grounded September 11, 2001. It’s been a few years since Come From Away toured nationally, so Houstonians are definitely looking forward to seeing Stages begin its season with an intimate and homegrown production.

In October, Stages jumps from a musical with a large cast of characters to The Roommate, the Jen Silverman comedy about two 50-something women with very different personalities and life experiences who begin living together. For the holidays, it brings back another audience favorite with all the music, fun, and wild plots found in The Great American Trailer Park Christmas Musical.

Alley Theatre opens fall with Romeo and Juliet (September 25)
While technically the thrilling Girl on the Train began its 26-27 season, the Alley heats up the fall with the play that originated the term star-crossed lovers and is arguably the greatest romantic tragedy in literature. The entire resident acting company will take the stage in Shakespeare’s wrenching tale of young lovers crushed between their warring families.

In October, the Alley leaps from a classic of world literature to a world premiere satire with Uhuru. This play explores very contemporary themes of access and identity as it follows a group of climbers up Mount Kilimanjaro. Uhuru was developed as part of the Alley All New play reading season. For the holidays, look for both Alley artistic director, Rob Melrose’s, lovely adaptation of A Christmas Carol as well as its very contemporary Texas version of The Night Shift Before Christmas.

Broadway at the Hobby Center opens with The Sound of Music (September 29)
Musical lovers might want to see if the Hobby Center will rent a room this fall, because the TUTS and Broadway combined schedules will fill Sarofim Hall with the sound of music almost every week, including the actual Sound of Music. One of the most beloved musicals of all time, Richard Rodgers and Oscar Hammerstein’s story of the von Trapp family and the woman who brought music into their lives tours the country again with new direction from three-time Tony Award winner Jack O’Brien (Hairspray).

Then, just in time for spooky season, the ghost-est with the mostest, the irrepressible Beetlejuice, returns to haunt Houston after being a surprising comic hit a few seasons ago. Then, the Tony Award-winning Buena Vista Social Club arrives. Depicting the backstage story of the Grammy-winning album of the same name, the show transports audiences into the heart of Cuba, beyond the glitz of the Tropicana into the soul of the music.

Houston Grand Opera opens with Susannah (October 23)
Continuing its centenary celebration for the great American composer Carlisle Floyd, HGO opens its season with this tragic beauty of an opera inspired by Floyd’s childhood as a minister’s son. With a score infused with revival hymns and Appalachian folksong, the opera depicts life in a small Tennessee town and the gossip, judgement, and hypocrisy that leads to the ruin of one innocent woman.

HGO elevates spooky season with upGounod’s masterpiece Faust in late October. This production from acclaimed Scottish director David McVicar reimagines Faust as a tormented composer in Belle Époque Paris, before making a deal with the devil for youth and earthly pleasures.

Other fall debuts

While it might only be producing one show this fall, Houstonians still have these plays from some of the city's mid-sized and smaller companies on their must-see lists. In early September, Mildred’s Umbrella gets mad with Jen Silverman’s Collective Rage: A Play in 5 Betties, a sharp comedy with its synopsis in the title as it depicts the lives of five very different women all named Betty. The recently announced Catastrophic Theatre season scheduled the majority of its shows in 2027, but in September the company will revive Eugene Ionesco’s epic absurdest play, Rhinoceros, about a small town whose citizens begin to transform into a herd of giant horned mammals.

In mid-October, Dirt Dogs presents one of those great dinner parties from hell plays with Donald Margulies’ Pulitzer Prize-winning Dinner with Friends about one couple’s divorce that leads their best friends to question their own marriages. Also in October, Classical Theatre opens its season with one of George Bernard Shaw’s wittiest works from his “Plays Pleasant” collection, Arms and the Man, about a young woman who has romanticized war until she decides to shelter a war-weary enemy soldier.

Photo courtesy of Theatre Under the Stars

Theatre Under the Stars presents The Music Man