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    CultureMap Video

    Inside the Alley Theatre's extreme makeover: 21st century renovation saves iconic Houston building

    Clifford Pugh
    Jan 8, 2015 | 3:30 pm
    Inside the Alley Theatre's extreme makeover: 21st century renovation saves iconic Houston building
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    On a frigid day, the Alley Theatre is just a shell of its former self, as a patch of blue sky and the Wortham Theater peek out from the top of an exposed main stage. Workers scramble over the bones of the 46-year-old fortress-like structure like ants at a picnic as they dodge officials and reporters shivering in the open-air surroundings.

    Talk about an extreme makeover.

    Unlike most theater companies around the nation that have demolished their old quarters to make way for new digs, Alley officials decided to save the original theater by stripping it down to its bare essentials and reconstructing a up-to-date theater complex. With only nine months before the newly refurbished Alley Theatre opens again, officials offered a hard hat tour to explain what they're doing — or as artistic director Gregory Boyd summed it up — "We want to keep the Alley-ness of the Alley intact."

    "We thought it was an iconic building for Houston. We just needed to update it for the 21st century."

    "Our plan was not to tear down the building," managing director Dean Gladden explained. "We thought it was an iconic building for Houston. We just needed to update it for the 21st century."

    The main entrance and ticket area on Texas Avenue will remain essentially the same, with enhanced LED lighting and new carpet up the grand stairway leading to the third floor lobby. Administrative offices have been moved to an adjoining building, leaving lots more room on upper floors for bars, rooms for private events and education purposes, and a donor's Green Room with a private bar and restrooms.

    And perhaps, more importantly, the number of toilets for theatergoers has been doubled (when those on the tour heard that, they burst into applause.)

    A lot of the big changes will come in the bowels of the building that patrons don't see. The theater was originally built with a thrust stage, with the audience surrounding the actors, and no place to store scenery. The area below the stage has been opened up so that scenery can be easily moved around and an orchestra pit has been added. When the Alley staged the world premiere of The Gershwin's An American in Paris in 2008, most of the orchestra had to be on the stage because there was no orchestra pit, Boyd recalled.

    The changes will likely allow an additional 30 more performances a year, because the time to move scenery between productions will be cut in half, Boyd said. Other improvements include a fly loft with computerized rigging, off stage space on either side of the stage and up-to-date communications equipment, expanded dressing rooms and warm-up areas.

    The main stage, known as the Hubbard Theatre, will have 774 seats, about 50 fewer than before. But more than 60 percent of all seats in the newly refurbished theater will be in the first 11 rows, allowing for more intimate interaction between audience and actors. And four pillars in the middle of the stage that blocked views have been removed.

    "Most theaters receive productions from the outside. They present. This theater produces. So the implication for that is enormous and influences everything that we do," Boyd said. "We don't think it as a renovation so much as a reinvention — a rededication of what this theater was created to do."

    (The Neuhaus Theatre stage in the Alley basement was remodeled after being flooded during Tropical Storm Allison in 2001 and will remain the same, with the exception of new carpet to match that upstairs, Gladden said.)

    Even with all of the changes, officials insist the integrity of the building designed by Ulrich Franzen and which opened in 1968, remains. "All the concrete and cement are still here," said Studio RED Architects principal Pete Ed Garrett, the project architect for the renovation.

    Roger Plank, co-chair of the Alley Theatre capital campaign, said that more than $51 million has been raised toward a goal of $56.5 million for the building renovation and $10 million for artistic enhancement. "We are 90 percent toward being able to move into this building debt free," he said. (While other major performing arts organizations perform in city-owned buildings, the Alley owns its theater.)

    The campaign also aims to raise an additional $16.5 million for endowment and cash reserves, making the total $73 million.

    The Alley's Hubbard Theatre is a more open space.

    Alley Theatre renovation with main stage and Wortham Theater in background
    Photo by Clifford Pugh
    The Alley's Hubbard Theatre is a more open space.
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    best july art

    MFAH celebrates America 250 and 7 more must-see art openings for July

    Tarra Gaines
    Jul 7, 2026 | 2:00 pm
    ​Orkhan Mammadov’s “Visions” at Art Club
    Photo courtesy of Art Club
    Orkhan Mammadov’s “Visions” at Art Club

    The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

    Art Club’s New Season at POST (ongoing)
    When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

    One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

    Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

    “This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

    “Horizon” at The Plaza at Avenida Houston (now through September 7)
    Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

    Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

    “George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
    The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

    “America 250” at the Museum of Fine Arts, Houston (now through January 3)
    The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

    From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

    "On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

    "Representation of Form" at MATCH (July 9-12)
    Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

    “Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
    Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

    For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

    "World of Color” at Laura Rathe Fine Art (July 16-August 14)
    This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

    "Learning Curve 18” at Houston Center for Photography (July 16-August 16)
    This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

    “As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

    \u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

    Photo courtesy of Art Club

    Orkhan Mammadov’s “Visions” at Art Club

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