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    Live Music Now

    These are the 7 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Apr 2, 2019 | 10:36 am

    No, it wasn't an April Fool's joke at the Ultra Music Festival this past weekend when KFC paid to commandeer the main stage for a DJ set by none other than Colonel Sanders.

    Well, it was more like it was a dude in a big mask of the late fried chicken restaurant spokesperson, dropping mediocre dance tracks, asking the perplexed crowd, "Any of y'all hungry for some beats?" We seriously can't make this stuff up. Unfortunately, it's a sign of the times that a corporate brand can infiltrate large scale events in such a blatant way that we are surprised this is the first time anyone has tried such a move.

    Hopefully, this trend will stay far from the stages of Houston shows and festivals. Ronald McDonald, we see you.

    CultureMap's biggest, best, and most notable shows of the week are as follows:

    Kodak Black at Revention
    Kodak Black aka Bill K. Kapri is evidence that bad boys still sell lots of records, as he rolls into Houston with a recent No. 1 album under his belt with Dying to Live. Black has been in and out of legal troubles over the last five years, a few jail stints, several initiated by social media posts, only serving to increase his profile in what can only be described as the Kardashian effect. Despite spending time behind bars, the rapper is part of the new wave of artists taking over the charts, including Houston native Travis Scott, who he teamed up with on the No. 2 2018 hit, "Zeze."

    Kodak Black is at Revention Music Center, located at 520 Texas Ave., on Tuesday, April 2. Featuring YNW Melly, Callboy. Tickets start at $39.50 plus fees. Doors open at 7 pm.

    CultureMap recommends: Death Cab for Cutie
    No other band working today has been producing acclaimed melancholy alt-rock longer than Death Cab for Cutie. The Washington-based act, led by Ben Gibbard, superseded its early cult status by continuing to release great albums, including their latest, Thank You for Today. For anyone that still busts out their copy of the watershed 2003 album Transatlanticism or Gibbard's still-great side-project, the Postal Service, this is a must-see show from these indie heroes.

    Death Cab Cutie headlines the Revention Music Center, located at 520 Texas Ave., on Wednesday, April 3. Tickets start at $35 plus fees. Doors open at 8 pm.

    Lee Ann Womack at Heights Theater
    One of the more respected country singer-songwriters in the industry, Lee Ann Womack first burst onto the scene with hit No. 1 single "I Hope You Dance" in 2000. She went onto an award-winning and multi-platinum selling career, picking up Country Music Awards and Grammys for her work. The East Texas native has been invited to sing for presidents, and she's dueted with the biggest country legends, including Willie Nelson, George Strait, and Alan Jackson. Seeing her in such an intimate concert hall is a rare treat.

    Lee Ann Womack performs at Heights Theater, located at 339 W 19th St., on Thursday, April 4. Tickets start at $28 plus a $7 service fee. Doors open at 7 pm.

    CultureMap free show alert: Da Camera Jam

    There's no better way to kick off the weekend with the free Da Camera Jam on Discovery Green in the heart of downtown, fun for the whole family, especially while the weather is still nice. Bring a blanket and lawn chair, some snacks in a picnic basket, and enjoy some smooth jazz sounds. This Sunday's line-up includes José-Miguel Yamal and Friends, the Chilean-American pianist with Latin-inspired jazz; the Thomas Helton Quartet, a regular on the Houston jazz scene; and students from the Houston School of Performing and Visual Arts Jazz Combo.

    Da Camera Jazz Jam takes place at Discovery Green, located at 1500 McKinney St., on Friday, April 5. Admission is free. Show starts at 6:15 pm.

    Citizen Cope at HOB
    Fans of roots-rock, folk, hip-hop, and reggae will be out in full force to see cult-act Citizen Cope when they appear at House of Blues on Friday night. Led by the Los Angeles-based Clarence Greenwood, he and his band are on the road with their latest, Heroin and Helicopters, carving out a niche audience since releasing their self-titled debut in 2002. Citizen Cope garnered their biggest hit in 2012 with the Top 40 One Lovely Day, which gained a fan in Ellen DeGeneres. This show is for those into Dave Matthews Band or Santana.

    Citizen Cope is at House of Blues, located at 1204 Caroline St., on Friday, April 5. Tickets start at $30 plus fees. Doors open at 7 pm.

    '90s Kickback Concert at Arena Theatre
    This is how we do it. The '90s Kickback Concert, includes some of the best of old school R&B making a stop at Arena Theatre. Most notable on the lineup is Montell Jordan, whose single "This is How We Do It" is still a wedding and banquet staple and receives regular radio play after its impressive No. 1 placement for seven weeks back in 1995. He'll be joined by Next, the multi-platinum-selling Minnesota trio, which shot up the charts with "Too Close" in 1998. The New York City singer Case, who had ties to Mary J. Blige and Foxy Brown, and reached the top of the charts with "Missing You," will also appear. These acts will be joined by H-Town, Changing Faces, Kut Klose, and Shai.

    ‘90s Kickback Concert goes down at Arena Theatre, located at 7326 Southwest Fwy., on Friday, April 5. Tickets start at $75 plus fees. Doors open at 8.

    CultureMap show of the week: Jenny Lewis
    Who said all child actors are messed up? Los Angeles native Jenny Lewis went from starring in beloved '80s films — the Shelly Long-led Troop Beverly Hills and alongside Fred Savage in the Super Mario Bros. 3 video game flick, The Wizard — to fronting one of the more beloved late-'90s, early-2000s indie-rock acts, Rilo Kiley. After that band broke up, Lewis embarked on a successful solo career, producing four great albums, including her latest, and some say best, album with the recently released On the Line, incorporating a beautiful mix of Laurel Canyon pop, rock, and country, featuring appearances by the legendary Ringo Starr and Don Was. Her Hollywood and music connections mean her videos always draw some big names, all definitely worth checking out.

    Jenny Lewis plays at White Oak Music Hall, located at 2915 N. Main St., on Sunday, April 7. The Watson Twins open. Tickets start at $25 plus fees. Doors open at 7 pm.

    Jenny Lewis performs at White Oak Music Hall on Sunday, April 7.

    Austin City Limits Festival ACL 2014 Weekend One Day Three Jenny Lewis
    Photo by Shelley Neuman
    Jenny Lewis performs at White Oak Music Hall on Sunday, April 7.
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    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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