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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 26, 2019 | 5:15 pm

    RodeoHouston takes center stage this week after opening with an electrifying performance by Kacey Musgraves. Shows are on tap every night through March 17 with a variety of genres to please almost every type of fan.

    It's hard to believe, but there are those out there that don't do RodeoHouston. They might be too cool for school or aren't into mainstream pop or country acts, and that's just fine. We get it. Thankfully for them, there are a few good options outside of NRG Stadium this week to satiate their live music fix, including some big name talent.

    CultureMap's best shows of the week are as follows:

    RodeoHouston rundown
    RodeoHouston welcomes a run of name-brand acts to the star-shaped center stage this week. Country vets Brooks and Dunn are back after an 11-year absence on Wednesday, February 27, followed by megastar, country heartthrob and American Idol judge, Luke Bryan, on Thursday, February 28. Friday night brings the CultureMap show of the week, which can be read below. Satruday, March 2 features the wood and wire country of Turnpike Troubadours. Emo-rockers Panic! at the Disco perform for the younger demographic on Sunday, March 3. C&W favorites, Old Dominion, takes a star turn on Monday, March 4.

    RodeoHouston runs every night through March 17, located at 1 NRG Pkwy. Tickets start at $20 plus fees. Shows start at approximately 8:45 p.m. on weeknights, 5:45 on weekends.

    Car Seat Headrest at White Oak
    We heartily recommend the LP show on Friday night at White Oak, but her show is rightly sold out, so we recommend checking out one of the better indie acts today in Car Seat Headrest. Started as a bedroom project by Will Toledo, he eventually signed to the indie watermark label, Merge Records, releasing two critically acclaimed albums, 2015's Teens of Style and 2016's Teens of Denial, both which feature smart lyrics set to a Guided By Voices influenced soundtrack.

    Car Seat Headrest is at White Oak Music Hall, located at 2915 North Main St., on Wednesday, February 27. Naked Giants open. Tickets start at $23 plus fees. Doors open at 7 pm.

    Rock and Roll Hall of Fame nominees The Zombies
    It's not every day one gets to see a Rock and Roll Hall of Fame nominated band play an intimate venue like Heights Theater. Rescheduled from an earlier, cancelled date, this show is now sold out, definitely helped by the fact that the classic '60s British group The Zombies will be inducted into the Hall along with bands like Radiohead and The Cure. They made their name with the hits, "She's Not There," "Tell Her No," and "Time of the Season," up against The Beach Boys as one of the most melodic acts of their time. For true classic rock fans, this may be one show worth hitting up the resale market for tickets.

    The Zombies perform at Heights Theater, located at 339 W 19th St., on Wednesday, February 27. Liz Brasher opens. Tickets are available on the resale market only. Doors open at 7 pm.

    CultureMap recommends: Metric at Revention
    Easily one of the best bands from north of the border, Metric makes spiky, synth-driven alt-rock with a bite, fronted by a star in Emily Haines, whose acerbic lyrics tackle subjects as diverse as sexism in the music industry to the constant struggle to connect in a world consumed with technology. Started in the early-2000s between Haines and guitarist Jimmy Shaw (both members of Broken Social Scene) in New York before moving back to their hometown Toronto, the four-piece is completed on bass by El Paso native Joshua Winstead and on drums by Joules Scott-Key.

    Metric hasn't put out a bad album, and their latest, Art of Doubt, is one of their best - their version of Radiohead's In Rainbows, a perfect symbiosis of their early guitar-driven work with their later synth heavy records. They are also a killer live band, as evidenced when they out-performed Smashing Pumpkins as an opening act for that band at Toyota Center this past summer. This will be a killer show, with Grammy Award winners Zoé plus July Talk on the bill.

    Metric are at Revention Music Center, located at 520 Texas Ave., on Thursday, February 28. Tickets start at $40.50 plus fees. Doors open at 8 pm.

    CultureMap show of the week: Cardi B
    Good luck getting a ticket to this show. But those who do find a ticket to Cardi B's performance at RodeoHouston will no doubt witness what will be one of the most talked about shows of the year. Whether it will be her outfits, or whether she lip syncs, or keeps it clean for the family-friendly rodeo audience, the biggest hip-hop artist in the world not named Drake will put on a show. This is easily the hottest show in Houston in recent memory. Will you be there to witness Cardi B in all her glory?

    Cardi B will do lord knows what at RodeoHouston, located at 1 NRG Pkwy, on Friday, March 1. Tickets, if available, start at $20 plus fees. Shows starts at approximately 8:45 p.m.

    Mariah Carey at Smart Financial
    Those who prefer their divas with stellar vocal chords will want to be in Sugar Land this Friday to see the queen herself, Mariah Carey. To put it in perspective, Carey boasts 200 million albums worldwide and is the highest selling female artist all-time in the U.S. Her hits are countless and a part of the fabric of modern music, including "Hero," "Fantasy," "Honey," and "One Sweet Day." She is touring behind her comeback album, Caution, released last year. It will be interesting to see how well this show does up against Cardi B at NRG Stadium, but no doubt, it will draw a big crowd that grew up on her hits.

    Mariah Carey performs in eight octaves at Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Friday, March 1. Tickets start at $64.95 plus fees. Doors open at 7 pm.

    Cardi B makes her first RodeoHouston appearance this Friday, March 1.

    Cardi B singing sitting mic perform
    Photo by Theo Wargo/Getty Images for iHeartMedia)
    Cardi B makes her first RodeoHouston appearance this Friday, March 1.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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