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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 20, 2019 | 9:00 am

    RodeoHouston is right around the corner, which usually means a dip in larger shows coming through town. Thankfully, rock and hip-hop fans will be satiated with some big name acts before Houston goes all boots and saddles for three weeks, kicking off with a powerhouse multiple Grammy Award winner next Monday.

    CultureMap's best, biggest, and most notable shows of the week are:

    CultureMap show of the week: Muse
    Monster British rock trio Muse got off to a slow start. First compared to Radiohead upon their debut album, Showbiz, in 1999, they made a small dent on the U.K. charts and barely a blip in the U.S. But a tour slot on the 2004 Curiousa Festival bill alongside heavyweights The Cure and a fantastic album, Absolution, started their ascent, eventually culminating in albums and singles placing near or at the top of the U.S. charts and multiple headline festival slots, solidifying them as one of the best live acts in the world.

    Critics may not love them, but there is no denying that Muse can seduce audiences like few other bands with their mix of glam, prog rock, and Queen-like theatrics. This is a can’t miss performance for any rock fan with the group having eight albums to pull a truckload of great tunes from, the latest being 2018’s Simulation Theory..

    Muse takes over Toyota Center, located at 1510 Polk St., on Friday, February 22. Tickets start at $39.50 plus fees. Doors open at 6:30 pm.

    Meek Mill at Revention
    Philly rapper Meek Mill’s career started out promising enough, his debut album, Dreams and Nightmares, reaching No. 2 on the charts. But his long list of run-ins with the law meant that he missed out on possibly millions of dollars in recordings and touring time. But his legal woes seemed to up the spotlight. Following the latest release from prison last year, Mill released his latest album, Championships, which went straight to No. 1, and he was invited to perform on Saturday Night Live. Unfortunately, this show is sold out with the only hopes of getting in the resale ticket market, but the hype is strong with this one.

    Meek Mill is at Revention Music Center, located at 520 Texas Ave., on Saturday, February 23. Tickets start at $85 plus fees on the resale market. Doors open at 7 pm.

    John Oates at Heights Theater
    One-half of the classic ’80s group, Hall and Oates, John Oates is mostly known for his guitar work in that duo, but he’s also an underrated singer. While his first group was a going concern throughout much of the ’80s, Oates spread his wings in the early-2000s with a solo career, producing five albums under his own name. The Rock and Roll Hall of Fame inductee is touring behind 2018’s Arkansas, which is much more influenced by blues, jazz, and gospel than the pop music of his early career.

    John Oates performs at the Heights Theater, located at 339 W 19th St., on Saturday, February 23. Vanessa Peters opens. Tickets start at $24 plus a $6 service charge. Doors open 7 pm.

    Cypress Hill at HOB
    Cypress Hill
    rose to fame in the early-’90s, speaking to a generation of suburban kids with the group’s undeniably catchy melodies and off-the-wall lyrics a la nasal voiced B Real. Singles “How Could I Just Kill a Man,” and “Insane in the Brain” pervaded U.S. youth culture before harder-edged gangster acts shuffled Hill’s stoner-rap to the sidelines. But nostalgia being a powerful motivator and ticket seller, Cypress Hill is back on the road, promoting their latest album, 2018’s Elephants on Acid, sticking largely to their sticky-icky rap playbook.

    Cypress Hill lights up the House of Blues, located at 1204 Caroline St., on Sunday, February 24. Hollywood Undead open. Tickets start at $34.50 plus fees. Doors open at 6:30 pm.

    CultureMap recommends: Kacey Musgraves
    When CultureMap spoke to Jason Kane, managing director of entertainment for the Houston Livestock Show and Rodeo, at the annual RodeoHouston artist line-up announcement in January, he said Kacey Musgraves had been on his radar as a possible performer for the last few years.

    Then she released the critically and commercially acclaimed, Golden Hour. Kane smartly booked the crossover country-pop star to open RodeoHouston festivities and she went on to win four Grammy Awards, including Best Album. Other than Cardi B (set to perform at Rodeo Houston on March 1), no other star is going supernova like Musgraves is right now.

    Kacey Musgraves opens RodeoHouston at NRG Stadium, located at 1 NRG Pkwy., on Monday, February 25. Tickets start at $20 plus fees. Doors open at 6:45 pm.

    The massive British rock band Muse is at Toyota Center on Friday, February 22.

    Muse Band
    Photo by Danny Clinch
    The massive British rock band Muse is at Toyota Center on Friday, February 22.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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