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    squeeee!

    Meet all the adorable babies born at the Houston Zoo in 2020

    Steven Devadanam
    Dec 30, 2020 | 3:45 pm

    Given the horror that 2020 presented to so many, locals would be forgiven for clamoring to all things cute — and few things are cuter than newborn animals.

    Locally, the Houston Zoo provided fans with a gaggle of cute and cuddly newborns this year, ranging from a bouncing baby elephant to a red-tailed monkey. Here, then, is an adorable reminder, courtesy of the zoo, of all the babies born there in 2020, spreading some cheer in an otherwise awful year.

    Traci, giant anteater: born March 31
    Born to mom Olive, Traci spent the first few weeks of life clinging to his mom and will no doubt hitch a ride on her back for almost 12 months. While he’s almost as big as Olive at nine months old, Traci can still be found on her back sometimes at the Zoo’s newest addition, South America’s Pantanal, according to the zoo.

    Peter Rabbit, Schmidt’s red-tailed monkey: born April 10
    Why the name? Born to proud mother Njeri on April 10, this bundle of joy was named Peter Rabbit in honor of Easter weekend. Peter was hand-raised by keepers and veterinary staff members after the infant could no longer hold on to mom before reuniting with her full-time in August, per the zoo.

    Nelson, Asian elephant: born May 12
    Few, if any, animal births grab headlines like that of a baby elephant. So it was with great excitement that the zoo announced the arrival of Nelson, who was born to 29-year-old Asian elephant Shanti. Coming in at a whopping 326 pounds, Nelson was born after a short labor.

    As CultureMap reported, immediately following his birth, the elephant team and veterinary staff saw that Nelson was hemorrhaging severely from his umbilicus and determined that he tore a vessel in his umbilical cord during birth. The team sedated the one-hour-old calf and performed emergency surgery. Veterinarians performed the 30-minute procedure to find the torn vessel, stop the bleeding, and close the hole in the calf’s abdomen.

    Nelson is now thriving and weighs nearly 1,000 pounds and is frolicking at the McNair Asian Elephant Habitat.

    Madagascar hedgehog tenrecs: born June 16
    The zoo welcomed not one, but three Madagascar lesser hedgehog tenrecs. The tiny newborns weighed only 10 grams (small enough to fit on a small spoon) at birth, but are now 10 times their birth weight, according to the zoo. The tenrecs are ambassador animals, helping to educate guests the importance of saving their counterparts, and other animals, around the world.

    Kivuli, okapi: born July 19
    Summer baby Kivuli was born to mother Sukari (aged 13). Within the hour, Kivuli was standing with help from mom. She made her public debut on August 12. The zoo then held a public naming contest; the name Kivuli, which means “Shadow” in the Swahili language.

    Baby bongos: born July and August
    Over a span of three and a half weeks, the three female bongos each gave birth to healthy calves with dad, Bobby. The zoo reports that mom Penelope gave birth on July 21 to a male calf; Bernadette gave birth on July 29 to a female; and Lily, the most recent mother, birthed a male calf on August 15. All three baby bongos and their mothers can be seen daily in the zoo's bongo yard.

    2 Santa Catalina rattlesnakes and 40 Bornean eared frogs: born in the fall
    It wasn’t just mammals born in 2020. The zoo’s herpetology department welcomed some of the Zoo’s smallest new additions: two Santa Catalina Island rattlesnakes and 40 Bornean eared frogs. The rattlesnakes’ birth is an important event, as these offspring are not only genetically valuable, but this was also the first time this species has reproduced at the Houston Zoo.

    Marlie, Howler monkey: born on November 17
    Little cutie Marlie was born to mom Charlie and dad Howie. Both mom and Marlie can be seen with the rest of the howler monkey family in South America’s Pantanal.

    A young okapi and mom.

    Houston Zoo baby okapi
    Photo courtesy of Houston Zoo
    A young okapi and mom.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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