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    Best, Worst, and Wildest

    Best, Worst, and Wildest happenings on the Houston theater scene in 2016

    Tarra Gaines
    Dec 27, 2016 | 1:50 pm

    Though 2016 will probably not make many people’s list of great years, for Houston theater these 12 months brought some stellar drama and comedy, while many companies settled down after all the venue and name changes of the past few years. Instead of looking for that one absolute best play or performance, I’d like to take a backward glance at some of the trends and changes in Houston theater as well offering a few of my own–completely made up–awards for some of the quirkiest fun we enjoyed of staged (and mostly) intentional drama of 2016.

    The Playing with Your Theater Award
    While Houston might not readily dive into the kind of immersive theater so popular in New York that requires audience members to don masks and follow Lady Macbeth into her bathroom, we do dip our toes into the immersive theater tub now and then.

    One of my favorite audience participation pieces came from the visiting Big Dance Theater and their work, This Page Left Intentionally Blank, at the Menil Collection during the CounterCurrent Festival. Turning the traditional docent tour into a part wacky-docent characters study, part art history lecture, and topping in off with an participation dance performance, This Page allowed audiences to discover the comedy and the theatricality of a walk through any museum.

    Best Real and Reimagined History on Stage
    For their 2016 seasons, many Houston artistic directors picked plays chronicling the real lives large and small that created history, and many Houston actors gave their best performances playing those kings, queens, presidents, saints, martyrs and philosophers. I can’t recount them all, but also can’t think back on all the extraordinary performances this year without remembering Shawn Hamilton’s radiant Martin Luther King Jr in All the Way (Alley Theatre), Bree Welch’s dizzy but strangely wise 21st century version of Marie Antoinette in The Revolutionists (Main Street Theater) and Carolyn Johnson’s portrayal of Judy Garland as an almost Shakespearean tragic hero in The End of the Rainbow (Stages Theatre).

    Best: Maybe We Should Have Called Each Other to Compare Outfits
    When Catastrophic Theatre and 4th Wall proved they were fools for Sam Shepard love by scheduling Buried Child (Catastrophic) and True West (4th Wall) last fall and even opening within a day of each other, it could have become Shepard overkill, but their unique visions of such different plays instead gave Houston audiences a chance to savor Shepard’s range as an American master.

    Worst: Maybe We Should Have Called Each Other to Compare Outfits
    On the other hand, even Shakespeare himself might have found three separate, major productions of Much Ado About Nothing in five months not as we like it. I love Benedict and Beatrice as much as the next arts writer, but there’s such a thing as too much ado.

    The Steve Buscemi “How do you do, fellow kids?” Award for age-blind casting
    Not even the wondrous, foul-mouthed, demonically possessed hand puppet and fascinating comic exploration on the nature of good, evil and teen angst could distract from the distraction of 30-something-looking actors playing seventeen-year-olds in Hand to God at the Alley Theatre. And it’s not like Houston is devoid of young actors who look like teens. (Case in point: the heart-wrenching performances from Melissa Molano and Mateo Mpinduzi-Mott in Stages’ production of I and You.)

    The Working It Super Model Acting Award
    2016 theater had its share of crazy costumes, but I’d say in my very unscientific survey no one had to wear his share of them more than Kyle Sturdivant. Whether he was playing a horny Thanksgiving turkey, one-legged man who lost his artificial leg, the good witch of Oztin or Panto Dorothy’s Auntie Ann Richards (eat your heart out Holland Taylor), no one worked a costume across a stage like Sturdivant.

    Best Dystopia
    If you feel like 2016 was one for the wretched record books you weren’t alone, and several theatrical tales of the future perhaps reflected the pessimism some feel for the present. Among the bleakest yet most beautiful, was the Alley’s production of Jennifer Haley’s The Nether. Told like a noir detective story, The Nether depicted a dark, colorless future reality where people escape to a seductive virtual world that turns the search for love into horror. Let’s hope Nether is but a warning not a foretelling.

    Best Out of Town Guests
    Local theaters have had quite a few successes bringing in other companies to inhabit their stages for a time, and this year was no exception as 4th Wall hosted New York’s Bedlam Theatre in their production of Shaw’s Saint Joan. With only four actors playing all the roles and times in the play that required the audience to move into different rooms and different seats, this Saint Joan became theater raw and concentrated. Bedlam took Shaw’s play and illustrated how its questions of leadership, faith and fame are just as relevant today, all the while giving audiences a new perspective on their role as silent witnesses.

    Most Mysterious Backstage Drama
    Theatre Under the Stars certainly had some upheaval behind the curtain as its CEO John Breckenridge retired in the spring and soon after artistic director Bruce Lumpkin seemed to disappear from the TUTS team with no notice. Then, a special position of artistic advisor was created for Sheldon Epps who came on board and quickly changed half of the already announce 2016-2017 season. And while whatever was going on backstage might have enough fodder for a fine musical in a decade, so far the onstage changes have produced some mighty fine shows, including In the Heights and a gorgeous holiday rendering of Into the Woods. Now, if TUTS will only make some definite announcement about the series formally known as TUTS Underground.

    Best Musical You Should Absolutely Not Take Your Mom To See
    Standing Room Only production of Silence! The Musical, the musical version of The Silence of the Lambs with a singing lamb chorus and a showstopper from Hannibal about smelling Clarice’s (let’s say) flower, was the don’t-miss musical of the year that should not be mentioned in polite company, ever.

    Saddest Ending and One Happy Second Chance
    Unfortunately, we had to say goodbye in 2016 to Texas Repertory Theatre Company after 11 years of bringing quality shows to audiences not wanting to make the trip inside the Loop. On a happier note, after one last curtain call at the Kaleidoscope Theater in central downtown, several members of that creative team moved a bit east and just this month opened the EaDo Playhouse.

    Here’s hoping in 2017 we’ll be living in interesting theatrical times not as a curse but a blessing.

    Shawn Hamilton radiated as MLK to Brandon Potter's LBJ in the Alley Theatre's All the Way.

    Shawn Hamilton and Brandon Potter in All The Way
    Photo by Karen Almond
    Shawn Hamilton radiated as MLK to Brandon Potter's LBJ in the Alley Theatre's All the Way.
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    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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