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    Sundance Faves

    Sundance shines: Four fave flicks from America's top film festival that you can watch at home

    Jane Howze
    Dec 26, 2015 | 9:30 am

    Christmas night begins one of the highest-grossing weeks of the year for movie theaters, but you won’t find me at the cineplex. I spend the week between Christmas and New Year’s at home catching some of the hidden gems that premiered at the 2015 Sundance Film Festival last January and are just now making their way to video on demand.

    Although the festival didn’t produce any box office bonanzas like the 2014 Sundance hits Boyhood or Whiplash, here are two documentaries and two dramas that shouldn't be missed and will tide avid filmgoers over until my reports on the 2016 Sundance Film Festival next month.

    The Hunting Ground

    The Hunting Ground, one of the year’s most talked about documentaries, provides a shocking and brutal exposé of the epidemic of rapes at institutes of higher learning, which often discount, ignore, “blame-the victim,” or cover up the alleged crimes. The stories are interwoven with shocking statistics — one out of five women will be raped or sexually attacked during her college years.

    The Hunting Ground pulls no punches. Along with institutions such as Harvard, Notre Dame and the University of North Carolina, it takes on both the fraternity system and money-infested college sports programs, both of which the filmmakers believe foster a culture of rape.

    This powerful, sobering documentary received standing ovations and rave reviews from the Sundance crowd. It premiered on CNN last month to high ratings and criticism from universities and conservative groups. But it has illuminated a topic that is rarely talked about, and several colleges have now changed the way they deal with campus sexual assaults as a result.

    CNN will rebroadcast The Hunting Ground on Sunday December 27 at 10 pm. It has been named as one of 15 documentaries still in the running for the 2015 Academy Awards.

    Prophet’s Prey

    Going Clear: Scientology and the Prison of Belief was the topic of big buzz at Sundance, largely due to the titillation factor of church members Tom Cruise and John Travolta. But Prophet’s Prey was a much creepier and unsettling film in part because of its leader, Warren Jeffs, whose otherwordly hypnotic voice narrates part of the film. Jeffs, the polygamous leader of the Fundamentalist Church of Latter Day Saints (FLDS) sexually abused and married dozens of young girls (90 wives at last count), some of whom were mere preteens.

    Jeffs was on the run for three years before being apprehended in Texas and sentenced to life in prison. Part of his conviction was based on a taped recording of him raping a 12-year-old on their “wedding night,” which is included in the film. The film also features parents whose daughter was kidnapped within 24 hours after she returned to them. She has disappeared and the family believes they will probably never see her again.

    Prophet’s Prey is especially heartbreaking because there is no petition to sign or cause to contribute to remedy the situation. All the viewer can do is feel hopeless. At the press conference following the film’s premiere, author Jon Krakauer, who wrote the book upon which the documentary is based, noted that Jeffs still controls his 10,000 followers from prison, which is even more unsettling than the film itself.

    Available on Showtime on Demand

    Me and Earl and the Dying Girl

    Winner of the 2015 Sundance Grand Jury Prize and the Audience Award, Me and Earl and the Dying Girl is the story of a dorky high school senior (Thomas Mann), whose mom forces him to spend time with a classmate (Olivia Cooke) who was just diagnosed with leukemia. Sounds terrible and depressing? Not really. Sure, you will need a handkerchief, but the laughs and the sheer magic of the film will outnumber the tears.

    Despite positive reviews, Me and Earl and the Dying Girl did not have the audience appeal of the similarly themed The Fault of our Stars, but in my opinion it is the more creative and original film.

    Available on VOD

    I’ll See You in My Dreams

    I’ll See You In My Dreams is the story of Carol, a 70-year-old widow (played by the talented Blythe Danner), who must decide how to keep going once her beloved dog dies — the first of several events to disrupt her predictable routine. The film is a wonderfully funny, touching and sad testament about relationships, pushing boundaries, aging and the choices one makes as a result of loss.

    In January, I wrote “this is one of those films I just want to shout from the roof tops about how poignant and good it is. And I want Danner to get the recognition she so richly deserves — if she is just peaking at age 71, a lot of the social security set are going to be inspired.”

    While early Oscar talk for Danner has died down—no doubt due to so little publicity for the movie—it still gets my vote for my favorite Sundance film of 2015.

    Available on VOD

    Blythe Danner and Sam Elliott star in I'll See You In My Dreams.

    Blythe Danner and Sam Elliott in I'll See You In My Dreams at Sundance Film Festival
    Photo by Adam James
    Blythe Danner and Sam Elliott star in I'll See You In My Dreams.
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    Thanks, Tommy

    Houston-born Broadway legend  donates 50,000 item personal collection to UH

    Holly Beretto
    Jan 9, 2026 | 1:45 pm
    Tommy Tune headshot
    Courtesy of University of Houston
    Tommy Tune has received 10 Tony Awards.

    Broadway legend Tommy Tune and his sister Gracey have made a major gift to the University of Houston, ensuring that the star's larger-than-life legacy will be available for scholars and students for generations to come. The Tony Award-winning actor, choreographer, and director has given a collection of costumes, scripts, design sketches, choreography notes, photos and personal letters to the university.

    More than 50,000 items in all, the collection captures the creative spirit of Broadway in the 1960s, ’70s and ’80s and provides a window into how iconic productions were conceived, staged, and experienced. Tune, a native Houstonian who earned his master's degree in directing from UH in 1964, has been one of Broadway's luminaries for decades, helming the original production of The Best Little Whorehouse in Texas, Nine, and more. He is the first person to win Tony Awards in four different categories, and the only person in Tony Awards history to win the same categories in consecutive years, taking home best choreography and best directing in 1990 and 1991. He is also the recipient of a Lifetime Achievement Tony Award.

    He starred opposite Barbra Streisand in the 1969 film Hello, Dolly!

    “The University of Houston felt like the natural home for it because it’s where my story truly began,” Tune said. “This collection represents my life in musical theater, and I want it to inspire the next generation of artists in the city that first inspired me.”

    The collection is housed in the UH Archives in the MD Anderson Library. Tune's sister Gracey noted that her brother's extraordinary career is part of theater history.

    “You don’t win nine Tony Awards in so many facets of the craft — and a 10th for Lifetime Achievement — without shaping the era itself,” she said. “This collection covers every corner of his Broadway life, and many of his creations still live on stages around the world.”

    The gift means that current and future generations of students and researchers will have access to remarkable items and letters.

    “This collection is a significant contribution to the study of theater history, particularly musical theater,” said University of Houston Archivist Mary Manning. “It will be invaluable to students, performers, filmmakers and researchers who want to explore Tune’s creative process, reconstruct productions or gain cultural context for the works he directed and performed in.”

    Tune's connections to Houston run deep. TUTS' annual Tommy Tune Awards are named for the star, and recognize excellence in high school musical theater.

    Tune expressed gratitude for the university and acknowledged that donating these pieces of his life and work represent a full-circle moment.

    “The University of Houston has an energy and creative spirit that matches everything this collection represents,” Tune said. “If my life’s journey can help even one young artist see a bigger future for themselves, it will be the perfect encore.”

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