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    Movie Review

    George Clooney pours humor and heart into The Tender Bar

    Alex Bentley
    Dec 23, 2021 | 4:00 pm
    George Clooney pours humor and heart into The Tender Bar
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    In the history of movies, there's no shortage of stories with deadbeat or inattentive fathers. For whatever reasons – patriarchy, jobs taking them away from their families, alcoholism – the idea of bad fathers has had a much larger place in storytelling than good fathers. Fortunately, there are also films like The Tender Bar where a bad father can be counteracted by other people in a child’s life.

    Based on the memoir by J.R. Moehringer, the film follows J.R. as both a child (Daniel Ranieri) and a teenager (Tye Sheridan) as he grows up on Long Island. He and his mother (Lily Rabe) live with his grandparents (Christopher Lloyd and Sondra James), who head a large tight-knit family that includes J.R.’s Uncle Charlie (Ben Affleck).

    Because J.R.’s father – known only as “The Voice” because he’s on the radio – rarely comes around, Charlie takes J.R. under his wing. Charlie owns a neighborhood bar, and he lets J.R. visit whenever he wants, resulting in a variety of lessons you’d never learn in school. But J.R. also excels at school, giving his family hope that he’ll escape the cycle that keeps them stuck on Long Island.

    Directed by George Clooney and written by William Monahan, the film contains some keenly observed storytelling that lets multiple characters shine even when they’re not the focus of attention. The film jumps back and forth in time on multiple occasions, but the structure of the scenes, the funny and insightful dialogue, and the performances by the actors combine to provide much depth to the various relationships.

    Most of that stems from the bond between J.R. and Charlie. Although the language they use with each other would raise more than a few eyebrows among polite society, Charlie is fiercely protective of J.R., and his unorthodox behavior is still leaps and bounds better than his actual father's. Clooney and his team nail every moment between the two of them, creating an indelible pair in the process.

    Although Clooney the actor has had big success through the years, Clooney the director has been hit-and-miss. But he finds his sweet spot here, pacing the film well and knowing when to push the emotion and when to hold back. The only slight misstep was including voiceover by the adult J.R. (Ron Livingston), something that comes off as more schmaltzy than it needed to be.

    The acting in the film is fantastic across the board. Affleck’s movie star roles and off-screen relationships have overshadowed what a good actor he is, something he’s shown on multiple occasions in the past two years. Sheridan has never been better, perhaps because it’s fun to compare and contrast him with the newcomer Ranieri, who’s impossibly cute. All of the supporting characters do great work, even people playing barflies.

    The Tender Bar is funny and heartwarming, but it rises above your typical feel-good kind of film. Not everyone will have the kind of relationship that J.R. and Charlie have in this film, but it’s great that a movie like this exists so we can share space with them, if only for a little while.

    ---

    The Tender Bar is now playing in select theaters; it will debut on Amazon Prime Video on January 7.

    Ben Affleck and Tye Sheridan in The Tender Bar.

    Ben Affleck and Tye Sheridan in The Tender Bar
    Photo by Claire Folger
    Ben Affleck and Tye Sheridan in The Tender Bar.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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