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Day For Night 2016

Day For Night shines national music spotlight on Houston: 10 don't-miss bands and performers

Johnston Farrow
Dec 15, 2016 | 12:00 pm

Houston stakes its claim as a destination city for music this weekend. Compared to the live music capital up Highway 290, Houston has been seen in some music circles as being as a major metro without a strong musical identity. In the last few years, a new found dedication to ambitious booking has made the city into a place to be for music fans. Thank this weekend’s Day For Night festival for making a sizable impact.

The festival line-up is an embarrassment of riches for the audio aficionados. Pulling from multiple genres and well known international and national acts, this might be the best lineup of cutting edge and influential acts featured anywhere on U.S. soil in 2016. And lucky for us, it’s right in our backyard, set to take place at the 1.5 million-square-foot former home of the Barbara Jordan Post Office at 401 Franklin Street, just north of downtown.

This year’s edition is bigger and bolder after a wildly successful inaugural year in 2015. The expanded location will feature dozens of performances over three days (Friday is VIP access only) and four stages. For $170 for a weekend pass, Day For Night is a steal.

Those set to gain from the strong line-up are Houston acts that wouldn’t normally have the opportunity to play alongside big names like Bjork, Aphex Twin and Run The Jewels, not to mention the exposure to bigger crowds.

“It’s really great for the city to have nationally known bands play here,” said Zahira Gutierrez of Houston-based Wild Moccasins, who promises some surprises for their festival closing slot Sunday night. “People not only come to see the music but they will get to see other things that makes Houston great, that we aren’t just Austin’s little brother. We have a lot of things going on here.”

The most unique aspect of Day For Night, one that sets it apart from the more established festivals, is its visual element, in which performers are selected based on more than just throwing a good show. They also are chosen due to an aesthetic that matches the overall theme of the festival.

“The music acts that come to the festival are typically very visual, and have their own visual designs,” said Alex Czetwertynski, curator for the art portion of Day For Night. “But we also have artists who are performing inside installations they designed, or musicians who are creating installations, like Björk. So it runs the gamut of that relationship.”

Here are some of the must-see bands and performers to see this weekend:

Saturday

Lower Dens, Green Stage, 5:10-5:50 p.m.
One of the best bands of the 2010s writes emotive, atmospheric indie rock in the vein of fellow Baltimore act Beach House. The last three albums, Twin-Hand Movement, Nootropics and Escape From Evil are must-listens.

The Jesus and Mary Chain, Green Stage, 6:20-7:10 p.m.
The influential godfathers of the British shoegaze movement play only their fourth show since announcing their reunion to the live stage and release of their first album in 18 years, Damage and Joy, out in March. The cocksure Reid brothers, William and Jim, are responsible for stone-cold alternative classics, such as "Psychocandy," "Darklands," and "Stoned and Dethroned." Be among the first to hear new tracks and can’t-miss old favorites.

Blood Orange, Green Stage, 7:40-8:40 p.m.
One of the breakout acts of 2016, Blood Orange aka Dev Hynes released one of this year’s best albums with Freetown Sound. Channeling 80s R&B and new wave, free jazz and a generous helping of Prince, the groove will be strong.

John Carpenter, Blue Stage, 9:45-10:45 p.m.
The horror film master is a respected composer in his own right, writing the soundtracks of his films, including the iconic Halloween and Escape From New York scores. His sound is now heavily appropriated by a new movement of synth-based acts: see Stranger Things soundtrack.

Aphex Twin, Red Stage, 10 p.m.-Midnight
A major coup for Houston, the mercurial Richard D. James makes his first U.S. appearance in eight years and plays his first Houston gig in over two decades. Arguably one of the most influential electronic artists ever, the “Come To Daddy” and “Windowlicker” auteur has been extremely particular about which festivals he plays over the last decade. Don’t miss it.

Other acts to watch
Thundercat, Red Stage, 4:40-5:25 p.m.
Onehitrix Point Never, Blue Stage, 6:35-7:35 p.m.
ODESZA, Red Stage, 8-9:35 p.m.
Daughters, Yellow Stage, 8:20-9 p.m.
DJ Windows 98, Green Stage, 9:10-9:40 p.m.

Sunday
S U R V I V E, Blue Stage, 4-4:40 p.m.
Has any act had a better 2016 than S U R V I V E? The release of Netflix’s Stranger Things blew up the relatively unknown Austin-based, landing it the pages of Rolling Stone. And deservedly so – the four-piece created the best TV show theme song in ages, along with a soundtrack that waxes nostalgic in the best of '80s horror and sci-fi many of us grew up watching.

BjörkDigital, Blue Stage, 8:20-9:50 p.m.

This slot has been somewhat shrouded in mystery. It’s billed as an art-installation/DJ set, but the Icelandic queen of avant-garde majesty could play a kazoo and it won’t soon be forgotten by those lucky enough to witness it. She’s that good.

Little Dragon, Red Stage, 9:20-10:20 p.m
A favorite on the international festival circuit, the Sweden-based Little Dragon is as guaranteed a highlight as anyone on the bill. The Grammy nominated four-piece’s catalogue is made for the Day For Night environment with smooth trip-hop beats, chill wave synths and a captivating front woman in Yukimi Nagano.

Travis Scott, Green Stage, 11 p.m.-Midnight
Owner of a 2016 No. 1 album with Birds In The Trap Sing McKnight, Travis Scott has been unescapable in the hip-hop world, working with the biggest luminaries in the genre. You won’t see a more popular artist at Day For Night; expect a big crowd.

Butthole Surfers, Green Stage, 9:40-10:40 p.m.
One never knows what to expect when the Austin psych-punk legends take the stage. Just know that it will be a strange, loud and frenzied trip.

Other acts to watch:
Matmos, Blue Stage, 5-5:40 p.m.
Blonde Redhead, Green Stage, 6:10-6:50 p.m.
Liars, Blue Stage, 7:05-7:55 p.m.
RZA feat. Stone Mecca, Green Stage, 7:10-7:50 p.m.
Squarepusher, Red Stage, 7:50-8:50 p.m.
KASKADE, Red Stage 10:50-11:50 p.m.
Wild Moccassins, Yellow Stage, 11-11:50 p.m.

For more information, schedules and tickets, visit https://www.dayfornight.io. Read this CultureMap article for more about the art installations at Day for Night.

The Butthole Surfers will take to the stage Sunday night at 9:40.

Butthole Surfers at Day for Night
Photo courtesy of Day for Night
The Butthole Surfers will take to the stage Sunday night at 9:40.
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Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Alex Bentley
Jan 2, 2026 | 2:30 pm
Everett Blunck in The Plague
Photo courtesy of IFC
Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

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The Plague is now playing in theaters.

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