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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Nov 13, 2018 | 2:26 pm

    The concert season is slowing down ahead of Thanksgiving next week and the cold weather, but that doesn't mean plans aren't being made for sunnier and warmer days.

    This week, British trio and arguably the biggest rock band in the world, Muse, announced they would kick off their Simulation Theory world tour in earnest right here in in Houston. The fact that they will place the more intimate confines of the Toyota Center, as opposed to a music festival or ampitheater, will make this one of the hottest tickets of the 2019. Tickets are on sale now and come with a copy of their latest album and tour namesake, Simulation Theory.

    Meanwhile, there are plenty of shows to warm up with this week in the Bayou City. Here are CultureMap's biggest, best, and most notable shows of the week:

    Ben Rector
    Want to know how fast Americana/pop-rock singer-songwriter Ben Rector's star is rising? His latest album, Magic, debuted at No. 1 on Billboard magazine's Americana/Folk album chart, dethroning Chris Stapleton's 111-week run in that position. That's impressive. The Nashville-based piano player is on his biggest tour yet, Rector's new album isn't really Americana. It's more in line with the more upbeat odes by Coldplay or OneRepublic, so it's no surprise he's catching on in a big way.

    Ben Rector performs at the Revention Music Center, located at 520 Texas Ave., on Wednesday, November 14. The Band Camino opens. Tickets start at $30 plus service fees. Doors open at 7 pm.

    CultureMap recommends: Cory Henry and the Funk Apostles
    Considered one of the the best Hammond organ players in the game right now, Cory Henry rolls into town with his band, the Funk Apostles, a collective of top-rate players. The two-time Grammy award winner is a master at mixing genres, including jazz, soul, R&B, and pop, meaning it'll be necessary to do some stretching before this show at the intimate Heights Theater as the grooves are set to commence. The group is touring behind their debut album, Love Will Find a Way.

    Cory Henry and the Funk Apostles hit the Heights Theater, located at 339 W. 19th St., on Friday, November 16. Tickets start at $22 plus a $6 service fee. Doors open at 7 pm.

    CultureMap show of the week: AstroWorld Festival
    The biggest question on everyone's lips in the local music scene is who is going to play the AstroWorld Festival this weekend at NRG Park? We all know Houston's own Travis Scott will headline, promoting the album of the same name, and his partner, Kylie Jenner will be selling make-up. But organizers thus far abstained from revealing any other performers.

    Inside sources told CultureMap that Post Malone, Lil' Wayne, and Rae Sremmurd will make appearances with a potential surprise guest, but take that with a grain of salt until the official word comes down. That hasn't stopped fans from snatching up all the tickets to this thing that no one really knows much about. Maybe the mystery is the point (insert chin-scratching emoji here)? Although we're not sure what point organizers were trying to make in keeping it a secret.

    AstroWorld Festival takes place at NRG Park, located at 1 NRG Pwky, on Saturday, November 17. Tickets start at $119 (but may have to be purchased on the re-sale market). Gates open at noon. An after-party will go down at Spire Nightclub, located at 1720 Main St. Tickets are $50 plus service fees. Doors open at 10 pm.

    Glo-stick nation: DJ Irene
    Raver kids, time to pull out those phat pants, pacifiers, and candy necklaces. Houston had a pretty thriving underground rave scene in the late-'90s/early-2000s and very few DJs were more popular than house master DJ Irene. The Los Angeles-based producer has been a mainstay on the dance music circuit for 20 years and widely beloved by fans for her hard and funky beats and melodic, progressive interludes. There's no doubt that EDM wouldn't have blown up in the U.S. without her influence. This set will be a real treat for those who love to put their dancing shoes to the test.

    DJ Irene comes to Gravity Nightclub, located at 2401 South Main St., on Saturday, November 17. Tickets start at $10 plus service fees. Doors open at 9 pm.

    Iceage and The Black Lips
    Danish post-punk band Iceage rolls into town for its second show of the year, this time at the bigger White Oak stage, largely based on the reception of one of the best albums of the year, Beyondless. Mixing the throwaway vocal stylings that recall The Strokes, fierce melodic punk of The Clash and The Ramones, with a dash of Joy Division, Iceage is one of the most exciting alt-rock acts going right now. They'll be joined by Atlanta garage-rock act, The Black Lips, meaning lots of bang for your buck when purchasing a ticket.

    Iceage and The Black Lips co-headline at White Oak Music Hall, located at 2915 N Main St., on Sunday, November 18. Surfbort opens. Tickets start at $20 plus a $8.53 service fee. Doors open at 7 pm.

    Bone Thugs-N-Harmony
    "Wake up, wake up, wake up — it's the first of the month..." With that opening refrain from "1st of tha Month," Bone Thugs-N-Harmony blasted on the the radar of hip-hop fans everywhere, combining mind-blowing lyrical prowess with impressivly layered, well, harmonies into a multi-platinum selling package that made the group one of the most popular acts of the '90s with huge hits such as "Tha Crossroads," "Thuggish Ruggish Bone," and "Young Thugs." This show in the tiny space that is Scout Bar should make a certain subset of '90s kids very happy.

    Bone Thugs-N-Harmony meet you at the crossroads that is Scout Bar, located at 18307 Egret Bay Blvd., on Monday, November 19. Tickets start at $35 plus fees. Doors open at 8 pm.

    Americana singer Ben Rector performs at Revention Music Center on Thursday, November 15.

    Ben Rector
      
    Cameron Powell
    Americana singer Ben Rector performs at Revention Music Center on Thursday, November 15.
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    Movie Review

    Live action Lilo & Stitch remake offers up frenzied fun and nostalgia

    Alex Bentley
    May 23, 2025 | 2:30 pm
    Lilo & Stitch
    Courtesy of Disney
    Lilo & Stitch returns to theaters this weekend.

    The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.

    Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.

    Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).

    Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.

    But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.

    The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.

    Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.

    The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.

    ---

    Lilo & Stitch is now playing in theaters.

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