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    Live Music Now

    These are the 8 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    Oct 23, 2018 | 2:30 pm

    Taylor Swift for 2020?

    That idea would be utter nonsense until a former reality TV star and huckster of mail order steaks hadn't claimed the most powerful position in politics in 2016. While it probably won't come to fruition (but never say never), Tay-tay released a statement a few weeks in which she endorsed her Tennessean Democrat candidates in the mid-term elections via social media. Reports show that over 65,000 people registered in the day after her Instagram post, proving that music still has the power to influence the masses.

    Meanwhile, a strong slate of live shows in Houston should bring out the masses this week, regardless of political affiliation. Also, don't forget to vote.

    These are the biggest, best, and most notable shows in Houston this week:

    A night of vocals: Josh Groban and Idina Menzel
    It's a face-off of the most beloved performers among suburban moms who shop at Pottery Barn and Barnes and Nobles as vocal powerhouses Josh Groban and Idina Menzel are at Toyota Center. Groban, who also dabbles in acting (see The Good Cop on Netflix) has sold over 25 million albums based on the strength of his operatic vocals that gained him tremendous fame the early-to-mid aughts.

    Menzel is most notably famous for being the voice behind the song that will never die in "Let It Go," in the Disney film, Frozen, while being an acclaimed Broadway star. Say what you want about their cool factor, but it's hard to think of two more talented singers to put together on a bill. Groban is touring behind his new album, Bridges.

    Josh Groban headlines the Toyota Center, located at 1510 Polk St., on Tuesday, October 23. Idina Manzel opens. Tickets start at $35 plus service charges. Doors open at 7 pm.

    CultureMap Free Show of the Week: Hayes Carll at Party on the Plaza
    The last performance of the year for the fantastic Party on the Plaza concert series at Discovery Green features The Woodlands native and Grammy Award nominee Hayes Carll and his fine Americana songwriting. Carll made a name for himself by contributing several songs to the 2010 Gwyneth Paltrow film, Country Strong. Showing his versatility, Carll's albums placed on the country, folk, rock, and indie charts.

    He'll be joined by Dallas-based blues act Charley Crockett, a troubadour in every sense, having hitchhiked and train hopped across the country at a young age before releasing his first album, A Stolen Jewel, in 2015. Admission is free to this early set. Take advantage of this unique series before it goes away until 2019.

    Hayes Carll headlines Party on the Plaza, at Discovery Green, located at 1500 McKinney St., on Thursday, October 25. Charley Crockett opens. Admission is free. Bands start at 6:45 pm.

    The ecstatic folksy pop of KT Tunstall
    Indie-alt-folk-pop rocker and Scottish performer KT Tunstall might be much bigger back home, but she has established herself on these shores with a songbook that has been included in a variety of TV shows and movies that you probably liked. Her 2005 hit, "Suddenly I See," featured in the Meryl Streep vehicle, A Devil Wears Prada, Grey's Anatomy, Ugly Betty, and American Idol (for better or worse).

    Her albums have hit the top ten on the U.S. Billboard charts and she headlines major festivals in Europe, making this intimate show at the Heights Theater a treat for casual and die-hard fans alike. She's touring behind this months album, WAX.

    KT Tunstall performs at the Heights Theater, located at 339 W. 19th St., on Friday, October 26. Maddie Ross opens. Tickets are $24 plus a $6 service fee. Doors open at 7 pm.

    Cloud Nothings at White Oak
    Ohio-bred Cloud Nothings are widely considered one of the best indie rock bands right now. The band released the strong 2018 offering, Last Building Burning, the latest in the long line of critically acclaimed albums dating back to 2010. The crunchy guitars give way to moody soundscapes, but infectious melodies buoy the songs above any arty pretension. Taking a bit of the best musical touchstones of the last 30 years of alternative rock — they've recorded with Nirvana producer Steve Albini — doesn't hurt either.

    Cloud Nothings headline at White Oak Music Hall, located at 2915 N. Main St., on Friday, October 26. Moths open. Tickets are $15 plus a $6.49 service charge. Doors open at 8 pm.

    Buzzfest without a lot of buzz
    Buzzfest? More like buzzkill. It goes to show you how far alt-rock radio has fallen. Once the most exciting formats when it burst into the mainstream nationwide in the mid-'90s, it was the place to go for those who wanted to escape the waning hair metal years and same old classic rock hits (see: "Hotel California"). Now, alt-rock is the stale cheese, with little-to-nary originality to be heard from its early days.

    Case in point: the Buzzfest line-up that features A Perfect Circle, a band whose biggest hit was at the turn of the century; Scott Stapp, the lead singer of Creed that played a huge part in alt-rock's overly commercialized turn; and Puddle of Mudd, a band with one big dumb song in "She Hates Me," which somehow found an audience way back in 2001. But hey, music taste is subjective and there are likely lots of people who like these bands. We hope they have fun.

    Buzzfest goes down at Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Saturday, October 28. Tickets start at $42.50 plus service fees. Gates open at noon.

    CultureMap recommends: Jon Batiste
    There are a few artists that exude so much talent, they could bottle it and sell it for hundreds of dollars an ounce at a fancy boutique store. New Orleans native Jon Batiste is one of them. There's a reason why the guy was handpicked by Stephen Colbert to lead the new Late Show band. He's worked with the foremost musicians in the world, including Stevie Wonder, Lenny Kravitz, and Prince. What makes him unique is his original takes on standard American classics, songs being morphed towards an entirely different direction, as shown on his new album, Hollywood Africans. Batiste does it all.

    Jon Batiste performs at the Heights Theater, located at 339 W. 19th St., on Saturday, October 26. Maddie Ross opens. Tickets are $25 plus a $6 service fee. Doors open at 7 pm.

    CultureMap show of the week: Maxwell
    The New York R&B star Maxwell shot to the top of the charts in the late '90s, quickly selling boatloads of albums of his silky, smooth, yet progressive approach to the genre while becoming a sex symbol. His first album, Maxwell's Urban Hang Suite, is considered by many critics to be a masterpiece.

    But then a funny thing happened. He practically disappeared for long stretches of times over the last 15 years, only producing two albums since 2016. Now he's back, touring behind his 50 Intimate Nights North American tour. Word is he'll be performing new material, including new single, "The Glass House (We Never Saw it Coming)."

    Maxwell performs at the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Sunday, October 28. Tickets start at $50.50 plus service fees. Doors open at 8 pm.

    British (tabloid) star Jessie J
    British singer Jessie J is an inarguable pop star. Case in point: she shared a stage with Queen at the closing ceremony of the 2012 London Olympics. Her hits haven’t translated to a massive American audience, but her cult here is strong, including alleged new beau Channing Tatum (he definitely has a type).

    If you’re into sugary Top 40, Jessie J’s hits, including, “Bang Bang,” featuring Ariana Grande and Nicki Minaj, “Price Tag,” and “Flashlight” from the Pitch Perfect 2 soundtrack have massive hooks and featuring a talented woman with a huge set of pipes. She's in the midst of releasing her new album as a series of EPs and is touting new single "Love Will Save the World." Call this show a guilty pleasure.

    Jessie J brings her powerful vocals to Warehouse Live, located at 813 St Emanuel St., on Sunday, October 28. Tickets are $27 in advance plus service charges. Doors open at 7 pm.

    Josh Groban performs at the Toyota Center on Tuesday, October 23.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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