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    own a piece of Houston history

    Historic Houston manor designed by local legend graces market at $12.2 million

    Holly Beretto
    Oct 19, 2020 | 9:30 am

    When it was first built in 1921, 2 Longfellow Ln. was home to David D. Peden, president of the Peden Iron and Steel Company. His company was the largest hardware and supply house in the Southwest at the time, and this manor house clearly reflected that prestige.

    Built by Harrie T. Lindeberg and John Staub, the home is listed on the National Registry of Historic Places. It's on the market for $12.2 million, represented by Douglas Elliman.

    Architecture aficionados know that Staub, who relocated to Houston from New York, is one of the most significant names in Bayou City architecture history. He is most known for Bayou Bend, former home of Ima Hogg, and now part of the Museum of Fine Arts Houston. Staub designed homes throughout the 1920s and '30s in Houston's Shadyside, River Oaks, West Eleventh Place, Waverly Court, and Shadowlawn neighborhoods. Lindeberg, meanwhile, created a name for himself by designing homes in the English manor style.

    Their collaboration endures at 2 Longfellow Ln., a five-bedroom, six-bathroom home that sprawls across more than 12,000 square feet. Located just off Main Street, directly across from Hermann Park and adjacent to Rice University, this estate is close to the heart of Houston, while still offering an oasis of privacy and elegant living that feels far from the city's clamor.

    Exquisite details abound throughout the home, which features Tudor ceilings in the library, leather walls and ceilings in the gun room, hand-carved paneling in the dining room, a wool-and-silk-blend carpet in the living room, and feather-trimmed draperies in the Gracie Room.

    Embedded among these historic and timeless details are thoughtful modern amenities such as a mosquito system throughout the property, slate roofs on the main house and its carriage house, steam system in the guest shower, and an invisible dog fence.

    The estate offers a stunning combination of Old World charm and modern grace. There are seven fireplaces, six of which are original to the home and hand-carved. The seventh, in the governess suite, is new. An eye-popping kitchen boasts gorgeous wood cabinets by Woodland Artisan Cabinetry, Swarovski crystals embedded in the custom Edgar Berebi hardware, a wine room door with semi-antique glass, a stainless-steel drawer for bread storage, two BOSCH Eco-Sense dishwashers with paneled fronts, a Subzero refrigerator and freezer, a Thermador Professional convection oven and microwave, and a 48-inch Wolf range. Centering the kitchen is a pewter-topped island, whose beauty has only deepened with age.

    The dining room easily holds a table to seat 12, perfect for entertaining. It also features lined and interlined stationary panels with hand-carved Pelmet headers and decorative hold backs. Striking hardwood floors echo the home's 1920s past. Many of 2 Longfellow Ln.'s furniture pieces are custom made in Italy by Artitalia, and there are several pieces by Ebanista and Chippendale.

    The grounds are exquisitely kept, from the manicured lawn sweeping across the backyard to the plant-covered walls throughout the estate. A backyard pool is a centerpiece for gatherings, as are the home's canopied patio and screened-in sunroom.

    Those with a love of history who crave creature comforts along with the grace of a bygone era will love 2 Longfellow Ln. This nearly century-old estate has been synonymous with elegant style for generations; as it enters its second century, it will continue to do so.

    The bright sun room.

    2 Longfellow Lane Houston 2020
    Photo by Nathan Schroder/Douglas Elliman
    The bright sun room.
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    Untitled Art Buying Guide

    What to see and where to shop at Houston's new contemporary art fair

    Emily Cotton
    Sep 19, 2025 | 10:36 am
    Untitled Art Fair Patel Brown
    Photo by Amanda Veselovsky.
    Text-based collaborative works offer whimsical delights at Patel Brown.

    The hotly-anticipated debut of the Miami-based Untitled Art fair is in full swing. The loss of Houston’s annual Texas Contemporary Arts Fair left artists, collectors, and dilettantes alike wondering whether a city well documented for its museums, galleries, and artistic installations could long be without an annual contemporary arts show — alas, we’ve been saved.

    Held at the George R. Brown Convention Center from Friday, September 19 through Sunday, September 21, the 150,000-square-foot show features 88 exhibitors from Texas and beyond displaying works for sale to experienced collectors and novices alike. Untitled Art stands out from other mammoth-sized, multi-day events of its caliber by its commitment to accessibility for young artists, galleries, nonprofits, and beginner collectors. The “Nest” program offers subsidized booth space and entry for those who would find participation in traditional art shows wildly cost-prohibitive. What does that mean for Houstonians who are deciding whether or not to attend the show? At Untitled Art, there are pieces that folks can actually afford.

    “From diverse styles to a wide range of prices, Untitled Art truly feels like a gift to Houston — an immersive experience that inspires from the moment you step in,” Untitled Art host committee member and BeDesign CEO Adrian Dueñas tells CultureMap. “With commissions available and pieces for all tastes, the fair proves that art is both subjective and approachable, a remarkable celebration where everyone can find their place.”

    The notion that an art show has the potential to be shopable for more than the 1-percent opens the door to Houstonians viewing works of art to potentially purchase for their actual homes, and boy, is that exciting. The sprawling nature of the show can be intimidating for some, especially if a particular style is preferable — where to start? Whether one subscribes to traditional genres, or is, perhaps, looking to dabble in the “wrong art theory,” here are suggestions for the artists to shop for specific genres for the home, as well as some insider information.

    How to view and shop the show

    Unlike the sterile, “ice cube tray” layout of traditional art shows, where artwork can only be viewed from a few feet away, Untitled Art enlisted architect Jay Colombo of Michael Hsu Office of Architecture to design an interior that allows artists the visual space to have pieces viewed from numerous angles and distances.

    Tuesday evening, Colombo participated in a panel discussion titled “The Intersection of Art & Architecture” at Summit, the 28th-floor event space in Skanska’s shiny, new, and eco-friendly Norton Rose Fulbright Tower. This Untitled Art satellite event allowed Colombo to share his vision for the overall design of the show, as well as what visitors can expect of their experience:

    At some point [in a traditionally designed show] you lose the sense of space, and you lose where you are — you lose a sense of place that establishes you. Let’s try something different. I liked the idea of a piazza. Instead of linear lines, it’s a series of piazzas. There is a center moment, and then there is a ring of galleries. So, you should be able to stand in a piazza and turn 360 degrees and take in a dozen different gallery spaces.

    It basically creates a moment and there is a sight line that guides you to the next piazza, and then the next piazza, and you keep moving through the space. But there is a gesture and motion that pulls you around from start to finish, and there should be a memory moment that locks you in and says: ‘Oh, yeah! This is the place! This is where I saw that artist and wanted to go back to it [the booth]!’

    Categories and price points

    Most Affordable

    The Nest program that enabled small businesses, galleries, and nonprofits to participate in the show is the driving force behind “Artist Market.” The brainchild of F Gallery owner Adam Marnie, “Artist Market” is where show goers can pick up affordable art, ceramics, books, stationary, and more while supporting local businesses.

    “I think of it as a craft or art book fair inside of this fair,” says Marnie. “The vendors are paying a lower price to participate, so it gives guests a lower price to be able to participate in purchasing things.”

    Local favorite Reeves Gallery has works from $295 to $3,000, with the bulk of their offerings in the $500 range—this is also the place to pick up framed vintage pieces as well. They’ve listed their entire Artist Market collection here. Montrose staple Basket Books & Art has a fine selection of books, plus works by local artists for $200, half of which goes to The Women’s Storybook Project of Texas. Other participants include Film Lab, Jardin, Rising Tide Project, Picnic Surfshapes, St. Agnes Academy’s New Media Arts Program, plus excellent free library Reading Room HTX.

    The following is a selection of exhibiting galleries from different genres and price points to be able get a glimpse of what to expect from the show. Pricing is as follows: “affordable” galleries ($1,200+) are marked “$,” “average” priced galleries ($5,000+) are marked “$$,” and “expensive” ($35,000+) galleries are marked “$$$.” Galleries offering works from Texas artists will be marked with an asterisk (*). Find a map showing all of the galleries here.

    Contemporary Abstract: Jessica Silverman Gallery ($$$), Mindy Solomon Gallery* ($$$), Sicardi | Ayers | Bacino ($$$), Arden + White Gallery ($$).

    Organic: Moody Gallery* ($$), Yossi Milo ($$$), The Mission Projects ($$), Carvalho ($$), SGR Galeria ($), La Loma ($$).

    Portraiture: Marc Bibiloni ($$$), Half Gallery* ($$), El Apartamento* ($$).

    Fun and Fantastical: YOD Gallery ($), Keijsers Koning* ($$), ABC - Arte ($$), Philip Martin Gallery* ($$$), Patel Brown ($$).

    Black Artists: PDNB Gallery* ($), Colector* ($$), Bond Contemporary ($$$).

    Author’s Favorites: Half Gallery ($$), YOD Gallery ($), The Mission Projects ($$), Arden + White Gallery ($$), Carvalho ($$), Patel Brown ($$), SGR Galeria ($).

    Untitled Art Fair Patel Brown

    Photo by Amanda Veselovsky.

    Text-based collaborative works offer whimsical delights at Patel Brown.

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