Resilience Indeed

Setting a whole new stage: How HGO quickly turned a convention hall into a really grand theater

“They thought we were mad.” Houston Grand Opera managing director Perryn Leech says that was the reaction when he and HGO artistic director Patrick Summers met with the good people of Houston First to broach the idea of staging the HGO 2017-2018 season in the George R. Brown Convention Center.

Yet less than two months after Hurricane Harvey flooded HGO’s home at the Wortham Center, the crazy idea to temporarily house one of the world’s best opera companies in an vast exhibit hall in the Houston convention center will become a reality with the opening this weekend of Verdi’s La traviata (October 20–November 11) followed by Handel’s Julius Caesar (October 27– November 10).

The show will go on: The fat lady will sing and art will thrive in a very different venue than usual, but this is a city and artistic community that survives by getting creative about everything, including our use of space.

“We serve up to 60,000 Houstonians a year who seek in opera a refuge or some kind of artistic home. We never once considered not providing that simply because we were out of our home. An opera company is more than just a building,” Summers says about the decision by HGO to seek a new venue when it became apparent that the Wortham Center could not reopen until May, 2018 at the earliest.

While HGO looked at other venues — Leech concedes that if you had a performing space in Houston it was probably visited by HGO officials — George R. Brown ended up being the best pick in the chaotic circumstances that was post-Harvey Houston. Once they saw the viability of the idea, Houston First, the city corporation that manages the Wortham and George R. Brown, worked tirelessly to rehouse conventions scheduled for the space this fall.

Room to roam

To stage the grand operas on this HGO season roster, the artists and crew need lots of room to roam, and the Exhibit Hall, renamed and remade into Resilience Theater, can provide a 124,000 square feet area while also becoming an intimate space opera audiences have likely never experienced before, with only a 100 feet maximum distance from a theater seat to the performance area.

To turn the cavernous third floor exhibit hall into a grand, yet intimate, theater, they’ve used enormous swaths of fabric curtains and nearly one mile of truss for hanging lights and equipment to help create distinct areas and a proscenium arch stage on the floor of the hall.

A curved reflective plastic drop called a cyclorama lines the back of the stage area. While lights and projections can be used to turn the cyclorama into a part of the set, its most most important duty is to reflect sound back into the audience. The same type of plastic drop hangs behind the back of the seating area and to the sides of the theater. In essence, the cyclorama acts as the acoustics keeper, catching the music and holding it within the the makeshift theater.

“The acoustics have been fantastic so far, ” says Leech after experiencing the space during orchestra rehearsals.

A little normalcy

To help bring back a little normalcy to its audience, HGO will offer many of the amenities subscribers expect, including valet parking, a donor room, pre-performance lectures, and a concessions area to purchase refreshments and a light meal before the performance. Leech also hopes their new closeness to Discovery Green, the restaurants, bars and stadiums near to east downtown might coax a whole new audience into the Resilience Theater to get a taste of opera.

“We’re particularly moved that we were able to bring our opera house into the George R Brown, which was itself such a refuge for so many Houstonians after the storm. That’s such a meaningful connection for us,” says Summers. “We’re just so eager to show you what we’ve done.”

Check out this video of Resilience Theater from our news partners at ABC13:

An updated operatic version of Julius Caesar, set in art deco Hollywood, opens at Resilience Theater on October 27.

Houston Grand Opera presents Julius Caesar

Photo by Felix Sanchez

An updated operatic version of Julius Caesar, set in art deco Hollywood, opens at Resilience Theater on October 27.

hurricane opera

Best March Art

9 new art museum and gallery exhibits opening in Houston this month

Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund

As spring returns so does a flowering of biannual, annual, and biennial art festivals and events this month. Art blooms indoors in Houston's favorite museums but also on the city's streets, parks, and even waterways. Lots of immersive art invites viewers to journey into the picture.

The Museum of Fine Arts, Houston gets contemplative, and the Menil Collection displays some rare recent gifts. If that’s not enough art for one month, FotoFest celebrates a big anniversary, and the yearly “Night Light” art party heads downtown.

“Global Visions – FotoFest at 40” programming across Houston (March)
Marking four decades of photographic arts and education programming in Houston, this 2026 FotoFest looks back on key works and themes from the 20 previous biennials between 1986 and 2024. With participating art galleries and museums around the city offering special photography exhibitions over the next several month, FotoFest will feature more than 450 artists from the United States and 58 countries. Curated by FotoFest co-founder and former artistic director Wendy Watriss and FotoFest executive director Steven Evans, with co-curators Annick Dekiouk and Madi Murphy, “Global Visions” will explore some of the previous festival themes including geography, identity, war, ecology, and social change, while also celebrating FotoFest’s global reach and impact. Look for auctions, tours, conversations, art walks, and workshops as part of the programming.

“Buddha/Nature: Five Dialogues on a Shared World” at the Museum of Fine Arts, Houston (now through May 10)
Ancient and contemporary art converse in this extraordinary new exhibition at the MFAH that explores key teachings of Buddhism centered on how we engage with the natural world. The exhibition is organized crossed five thematically focused galleries, including Samsara, Impermanence, Karma, Compassion, and Awakening. Each gallery features one of five ancient Buddhist sculptures from the Xuzhou Collection, a private collection of Buddhist masterpieces, along with works by international and Texas contemporary artists.

“This exhibition brings ancient Buddhist sculptures into dynamic dialogue with contemporary art,” explains Hao Sheng, consulting curator to the MFAH and organizing curator of the exhibition. “These sacred objects take on new resonance when paired with modern works that explore fundamental questions about existence and harmony. As we witness shifts in our natural environment, we are invited to reflect on the impact of our collective choices in order to achieve a deeper understanding of our place within a changing world.”

“Blooming Wonders: A Celebration of Spring” at Artechouse (now through May 31)
The Houston venue that acts as a greenhouse for art, science, and technology to grow together, Artechouse, brings back this hit exhibition from last year.To explore themes of growth, renewal, and sustainability, “Bloom wonders” showcases several dynamic installations, including “PIXELBLOOM: Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. In another immersive space, “BloomFall: Through the Infinite” guests enter an mirrored infinity room full of shifting floral dimensions. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” invites visitors to sculpt new forms using clay and a little help from an AI program.

“Ernesto Neto: SunForceOceanLife” at the Museum of Fine Arts, Houston (now-September 7)
Immersive art gets elevated as the MFAH brings back this commissioned installation that had museum goers walking on air. Looking something like a giant starfish or spiral galaxy from underneath, Ernesto Neto’s singular work floats above almost the entirety of Cullinan Hall in the Caroline Wiess Law Building. One of the largest crochet works to date by Neto, the sculpture consists of yellow, orange, and green materials hand-woven into a myriad of patterns and sewn together in a spiral formation. Visitors can enter this rising labyrinth and wander through different sections filled with soft, plastic balls underfoot that move with each step. Once they reach the center of work, they might pause to view the piece from within the art and reflect on their own journey through “SunForceOceanLife.”

“Ernesto Neto created this site-specific piece as a tribute to the life-giving forces of the sun and the ocean. Inspired by crochet, which he learned from his grandmother, the piece transforms this traditional Brazilian craft into a massive, enveloping structure that engages the body and the mind,” remark Mari Carmen Ramírez, Wortham Curator of Latin American Art on the return of the monumental installation.

True North 2026 along Heights Boulevard (now through December)
Once again, art grows on the Height Boulevard esplanade with this annual outdoor sculpture exhibition sponsored and partnered by the nonprofit Houston Heights Association. The outdoor show features the latest work of some stellar Texas and Houston artists, including Hans Molzberger, Suzette Mouchaty, James D. Phillips, Roger Colombik, Mark Nelson, Robbie Barber, Jim Robertson, Keith Crane/Damon Thomas. Since the artists don’t always install their sculptures on the same days, True North is always an artful excuse to make time for a walk along the boulevard to see what new work has popped up. This beloved tradition is once again thanks to an all-volunteer team, along with the Houston Heights Association in cooperation with the City of Houston Parks and Recreation and Public Works Departments and the Houston Mayor’s Office of Cultural Affairs.

"Rebel Girl" and “The Vanguard” at Houston Center for Photography (March 12-April 12)
Just a few days after International Women’s Day, HCP continues their historic commitment to championing women’s photographic careers as they present two exhibition exploring the complexities of female identity. “Rebel Girl” exhibits the work of Luisa Dörr, Selina Román, and Jo Ann Chaus, artists whose work challenges convention while questioning stereotypes and illuminating the evolving roles and perceptions of women today. For “The Vanguard,” HCP executive director, Anne Leighton Massoni, went through their archives and selected the work of 20 trailblazing women who exhibited at HCP within its first 20 years. Taken together their work illustrate the diversity of women’s artistic visions and creativity.

“The Gift of Drawing: Cy Twombly” at the Menil Collection (March 27-August 9)
Perhaps as a nod to the Menil Collection being the home of the only permanent retrospective exhibition of 20th century pioneering artist, Cy Twombly’s, work, last year the Cy Twombly Foundation made an extraordinary gift of 121 of Twombly’s drawings to the institute. Now art lovers around the world will get to see some of that landmark gift, as the Menil Drawing Institute presents this exhibition featuring 30 of those works. Covering three decades of the artist’s activity, from the 1950s to the 1980s, the show will feature work created by Twombly’s use of a broad range of materials, from graphite to oil paint; techniques such as drawing and collage; and themes that are fundamental to his entire practice, such as classical antiquity, eroticism, and nature. Some highlight of the exhibition will be a series of lush and unrestrained landscapes from 1986 that verge on pure abstraction; two untitled works from 1970 that are related to the artist’s “blackboard paintings” on view in Cy Twombly Gallery; and Narcissus, 1975, a collage of paper, with oil, charcoal, and wax crayon on paper. None of these works have been exhibited in the U.S. before.

“Night Light” at Allen’s Landing at Buffalo Bayou Park (March 28)
The annual free festival of video art along Buffalo Bayou moves west this year from its usual setting along the industrial and residential landscapes of the Buffalo Bayou East trails to Allen’s Landing in downtown Houston. The concrete bridges and underbellies of the major city freeways that emerge from watery bayou depths become the canvases for three site-specific installations from some of Houston most innovative video and multidisciplinary artists. Co-presented by the Aurora Picture Show and Buffalo Bayou Partnership “Night Light” puts the spotlight on new works from artist, designer, and engineer, Corey De’Juan Sherrard Jr.; video, installation, and performance artist and Rice professor, Kenneth Tam; and award winning collaborative duo Hillerbrand+Magsamen. And it wouldn’t be an outdoor Houston event of any kind without food, so expect a lively night artisan market hosted by East End District and BLCK Market at East River featuring local vendors and food trucks plus tunes from DJ Gracie Chavez.

Bayou City Art Festival Downtown at Sam Houston Park (March 28-29)
Downtown Houston continues to sprout art everywhere, as the last weekend in March also heralds the biannual Bayou City Art Fest in Sam Houston Park. Showcasing art from 250 creators from around the country, the festival always brings a wide selection of paintings, prints, jewelry, sculptures, and functional art at all price levels. Fest goers also have the opportunity to meet the art makers and hear the stories behind the art. This year’s featured artists is Lijah Hanley, a digital photographer from Vancouver, WA who first found his place behind a camera lens when he was 13. Along with a day of art, a ticket includes live music all day long on two stages, roaming performers, exciting kids areas with interactive crafts, and culinary arts demonstrations.

$Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and\nplastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the\nCaroline Wiess Law Accessions Endowment Fund$