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    Museum's Next Blockbuster

    New York is "boring" while Houston art scene thrives, architect tells crowd at MFAH groundbreaking

    Clifford Pugh
    Oct 15, 2015 | 5:38 pm

    Just as one Houston landmark — the international concourse at Hobby Airport — opened on Thursday, another grand project with blockbuster potential got underway with a groundbreaking for the new Glassell School of Art as part of a massive makeover of the 14-acre Museum of Fine Arts, Houston campus.

    And the nationally renown architect for the project — Steven Holl — found it all very exciting.

    "I got here at 4:45 (the day before) and they let me into the museum to see this fabulous Mark Rothko show, which I have to say is amazing and absolutely spiritually moving," Holl said. "It reminds me that Houston is so important in America because New York is a little boring."

    The Glassell School, slated to open in 2017, will feature an 80,000-square-foot L-shape building with a sloped walkway and amphitheater leading to the BBVA Roof Garden, providing an expansive view of the newly-named Fayez S. Sarofim Campus, with Hermann Park beyond.

    The new school will double the size of the old building, which was demolished to make way for the expansion, with fully digital studios and classrooms, exhibition space, an auditorium and street-level cafe.

    "The way this building is made, you have an incline plane and you have the theater that leads to the roof terrace, which really is about the whole campus," Holl said.

    Big gamble

    Holl and architect Chris McVoy took a gamble when bidding for the overall project that also includes a new museum building named for Nancy and Rich Kinder. It will begin construction in two years. The entire project, which includes three significant new buildings, extensive underground parking, public plazas, reflecting pools and landscaped gardens, is expected to be completed by late 2019.

    The museum asked for a garage to be included in the overall plan, but Holl presented a proposal to put parking underground to allow for space for the Glassell sculpture terrace and expansive views of the campus.

    "It was frightening for us to be disobedient and not do the parking garage, but Nancy (Kinder) got it right away. And I felt that somehow we would prevail and win the competition," Holl said.

    "So today, after four years, this is a very exciting moment for an architect. This is a project I think that is probably the most important one we will do, possibly because Mies van der Rohe is watching. He's right over there," Holl added, referring to the iconic MFAH building designed by Ludwig Mies van der Rohe in 1958, now called Cullinan Hall, across the way on Bissonnet.

    Big donors

    Sarofim gave $70 million to the overall museum project and the Kinders donated $50 million.

    Other donors singled out by MFAH chairman Rich Kinder at the groundbreaking for giving $10 million or more are Cornelia and Meredith Long, Clare Glassell, Ann and Charles Duncan, The Brown Foundation, the Sarah Campbell Blaffer Foundation, The Cullen Foundation, the Wortham Foundation, and Lynn and Oscar Wyatt.

    As the largest corporate donor, BBVA Compass gave $8 million to the project. "We recognize the life-changing power of art and strive to make it accessible to everyone in our community, from the young to the young at heart," said BBVA Compass chairman and CEO Manolo Sánchez, an MFAH trustee.

    "And we help to support the city as being a more attractive place to live, which we already know, but it's one of the best-kept secrets in other parts of the world and the nation. They don't realize the phenomenal cultural infrastructure we are building and we already have here in Houston.

    "The expansion of the campus is providing an opportunity for the Latin American collection to be exhibited. The museum has the strongest Latin American collection in the world. That's also a great opportunity to connect with Latinos and the Hispanic community in town, when they see their heritage being part of this serious art space."

    At the groundbreaking, MFAH director Gary Tinterow also announced that New York landscape architect Deborah Nevins has been retained to "create an urban pedestrian experience like no other in Houston" on the museum campus.

    Holl recalled he was recently asked by a reporter what his architecture will give to the Houston community. "I remembered a Winston Churchill sentence — 'first we shape our buildings and then they shape us.' I really believe that architecture changes the way we live. It is going to be a great project."

    Model of the new Museum of Fine Arts, Houston, Glassell School of Art.

    Model of the Museum of Fine Arts Glassell School of Art
    Courtesy of Steven Holl Architects
    Model of the new Museum of Fine Arts, Houston, Glassell School of Art.
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    Best November Theater

    Tony winners and holiday favorites lead Houston's 11 best shows this month

    Tarra Gaines
    Nov 3, 2025 | 12:15 pm
    A Beautiful Noise tour
    Photo by Jeremy Daniel
    Broadway at the Hobby Center presets A Beautiful Noise: The Neil Diamond Musical.

    Houston theater gets set to ring in the holidays with some traditional favorites and roaring new works. But for those holiday Scrooges in the house, performing arts companies also unwrap some intriguing and theatrical dance, new and intimate visions for classic drama, and one heavenly world premiere. Plus, Broadway at the Hobby Center makes some noise presenting two smash productions this month.

    A Beautiful Noise: The Neil Diamond Musical presented by Broadway at the Hobby Center (November 4-9)
    When Broadway at the Hobby Center first announced its 25-26 season, this production seemed poised to be the sleeper hit of the year. And a recently-added and rare Thursday matinee proves Houston theater lovers will “Come Running” for this look at the life and songs of Neil Diamond. In the tradition of jukebox musicals like Jersey Boys and Tina, this latest Broadway biography puts the Grammy winner and Rock and Roll Hall of Fame inductee at center stage.

    Created in collaboration with Diamond himself, the show chronicles his beginnings as a poor kid from Brooklyn to became a chart-busting, American showman with 120 million albums sold. Featuring some of the biggest songs of Diamond’s catalogue, including “Sweet Caroline,” “Love on the Rocks,” and “Kentucky Woman,” Beautiful Noise draws connections between the songs’ powerful lyrics and important moments in Diamond’s life.

    Dada Gert from Open Dance Project (November 7-22)
    Houston’s source for truly immersive dance continues to celebrate its 20th anniversary by bringing back some of its most innovative works. Debuting in Houston back in 2018, the multidisciplinary Dada Gert transported audiences back into Weimar-era Berlin and into to the life and dances of pioneering Jewish dancer/performance artist/film star, Valeska Gert. The original production wowed critics, contemporary dance lovers, and those simply immersive-curious.

    The show invites audiences to wander through cabaret and street scenes amid set pieces, video projections, and the dancers themselves who depict some of the Gert-created personas and characters. Resembling some of the big immersive performance art companies in New York or London, ODP encourages audiences to explore the story as closely as they want within a space that surrounds them with dramatic dance and stunning sets.

    Angels in America at Rec Room (November 8-December 20)
    One of the smallest theater spaces in town has always done things a little bit differently, like organizing its seasons by the calendar year. It wraps up its 2025 season with what might be the most ambitious production of this fall, Tony Kushner’s masterpiece of late 20th century American theater, Angels in America. Rec Room will produce both part one, Millennium Approaches, and two, Perestroika, on alternating evenings in repertory.

    Winning pretty much every award possible, including a Pulitzer and multiple Tonys, Angels depicts the AIDS crisis on both a personal and cosmic scale, while also holding up a celestial mirror to America at the end of the 20th century. Look for a few special dates that pack both shows into one day and include dinner.

    Take the Soul Train to Christmas at Ensemble Theatre (November 14-December 21)
    Ensemble always presents heartfelt holiday musicals. This one takes audiences on board a Soul Train for a joyous, family celebration. The show tells the story of three students assigned some winter break homework, a research paper chronicling how African Americans have celebrated Christmas throughout history. Luckily their granddad possesses time traveling powers and summons the magical Soul Train for a field trip into the past. The show features the sounds of African drumming, Harlem Renaissance jazz, the beats of the Civil Rights Movement, disco party jams, hip-hop, and traditional holiday tunes.

    Of the message of the musical, director and choreographer, Aisha Ussery, says, “Christmas is a time when we look for hope despite our circumstances. This piece is a whimsical and joyous journey through various eras wherein African Americans make magic from mud.”

    A Christmas Carol at Alley Theatre (November 16-December 28)
    The Alley premiered this charming production of the classic story, as adapted by Alley artistic director Rob Melrose, in 2022, and it’s already a Houston holiday theater tradition. Melrose went back to the original Charles Dickens novella for inspiration, making a Carol from the heart. David Rainey is back as Scrooge with the rest of the resident acting company and Alley regulars playing all the time-traveling ghosts and human characters.

    The Alley creative team weaves its own holiday magic alongside the actors in this production to create a music-filled Victorian wonderland with floating houses, intricate and sometimes spooky costumes, beautiful puppetry, and wondrous stage illusions. We might even forecast a bit of magical light theatrical snow for every performance.

    The Outsiders presented by Broadway at the Hobby Center (November 18-23)
    Winner of the 2024 Tony Award for Best Musical, this show is based on the classic young adult novel by S. E. Hinton, as well as Francis Ford Coppola’s 1983 film adaptation. Set in 1960s Oklahoma, The Outsiders tells the story of orphan Ponyboy Curtis, his brothers, his best friend Johnny Cade, and their Greaser family of ‘outsiders.’ Always in battle with the upper-class Socs, the Greasers live in a world of violence where “nothing gold can stay” but they dream of a better life filled with love and acceptance. In the end, hope might live in the act of storytelling. People who saw the show in New York are still talking about the choreography and theatrical effects of the “rumble scene” — expect it to be just as extraordinary on the road as it was on Broadway.

    Narnia the Musical at A.D. Players (November 19-December 23)
    A.D. Players celebrates the holidays with this magical musical based on C.S. Lewis’s most cherished novel, The Lion, the Witch, and the Wardrobe. Narnia tells the story of the four siblings — Peter, Susan, Edmund, and Lucy — who stumble upon a mysterious wardrobe that leads them into the enchanted land of Narnia. But all is not well in this wintery world. The evil White Witch has cast a spell, trapping Narnia in eternal snow and ice. With the help of talking animals, brave warriors, and the mighty lion Aslan, the children must find the courage to fight for Narnia’s freedom. This one will definitely be a show for the whole family.

    Birdy presented by Performing Arts Houston (November 21-22)
    Taiwan’s Hung Dance has garnered international acclaim for its lyrical precision and spiritual intensity that melds the meditative flow of Tai Chi and the expressive force of contemporary dance. Currently on their first U.S. tour, choreographer and company founder Lai Hung-chung explores themes of wild creativity forged by constraints and a burning desire to fly free. PAH says that the dance is set to an evocative blend of electronic and Chinese classical music and becomes a dialogue between tradition and modernity, where stillness and motion, struggle and hope, move as one.

    Beautiful Princess Disorder from Catastrophic Theatre (November 21-December 13)
    While Catastrophic Theatre might be one of the more experimental theater companies in town, it does have some steadfast traditions beloved by Cat fans. Every November or December, Houstonians head on down to the MATCH for whatever weirdly wonderful or avant garde show the company will gift us as holiday counter-programming with not an elf, sugarplum, or cute Victorian street urchin in sight. This year, they're performing a world premiere work by emerging playwright Kathy Ng.

    The show follows Triangle Person, a being with a human body and triangle head, on TP’s many adventures living in Heaven’s parking lot hanging out with Mother Teresa. While that premise only adds more mystery to the premiere, the title’s acronym, BPD, might give some psychological hints. Ng has described the work as an invitation to a party in her mind, and this is one wild, non-holiday blowout we don’t want to miss.

    Our Town at 4th Wall Theatre (November 21-December 20)
    While not necessarily a holiday play, Thornton Wilder’s masterpiece makes for a contemplative drama about some of those ideas and ideals we hold so dearly this time of the year, like family, love, and memory. With minimal props and an all-knowing stage manager as narrator, this great American play tells the story of small town life in the early 20th century.

    The Stage Manager introduces us to Grover’s Corners and the Webb and Gibbs families. The audiences watches their children grow up, marry, and have children of their own. In Our Town, the seemly simplest of relationships and stories hold wonder of lives well-lived, whether long or cut short. 4th Wall’s intimate space will likely add even more universal connections between audiences and these players, especially with a strong cast of Houston favorites, including company co-founder Philip Lehl as the Stage Manager.

    Georgiana and Kitty: Christmas at Pemberley at Main Street Theater (November 22-December 21)
    After a break last year, MST journeys back in time to Regency England and the beloved world of Jane Austin’s Pride and Prejudice. Lauren Gunderson and Margot Melcon’s trio of Christmas sequels to the classic novel — told with a persuasive 21st century sense and sensibility — have become a new holiday tradition among regional theaters across the country.

    This time Mr. Darcy’s talented pianist sister, Georgiana, and her best friend, the younger, spunky, and usually forgotten Bennet sister, Kitty, have their chance in to become heroes of their own stories. When unexpected guests arrive for the annual Christmas celebration at the Pemberley estate, new love and new music might be in the air. While staying close to the themes of family, love, and sisterhood of the earlier plays in the trilogy, Georgiana and Kitty, expands the story beyond Pemberley, exploring what women can achieve with bravery and determination even admit societal restrictions and some well meaning brotherly disproval.

    A Beautiful Noise tour
    Photo by Jeremy Daniel

    Broadway at the Hobby Center presets A Beautiful Noise: The Neil Diamond Musical.

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