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    The Return of Live Music

    Buzzy Heights music venue rocks out big names for new socially distanced outdoor concert series

    Johnston Farrow
    Johnston Farrow
    Sep 30, 2020 | 11:50 am

    UPDATE: Due to popular demand, White Oak announced both Shakey Graves and Major Lazer will both play an additional show. Graves will play on Saturday, October 24, and Major Lazer will play an earlier show starting at 3 pm on Monday, October 26 — before the sold-out concert that evening.

    -----

    Large-scale concerts in Houston are back.

    White Oak Music Hall will host its first outdoor concerts in months, announcing two shows by popular international touring acts. Americana heartthrob, Shakey Graves, will take to the lawn stage on Friday, October 23, while Diplo-led dance act, Major Lazer, performs on Monday, October 26. Tickets go on sale on Friday, October 2 at 10 am on the White Oak website.

    The scourge of the pandemic means these shows will look a lot different than the ones you remember fondly from the pre-COVID-19 era. They are being billed as the socially distanced, outdoor "Grid Concert Series." The White Oak lawn will consist of grid-like sections in which up to six concert goers will have their own reserved area or spot on the grid that will be distanced from other spots.

    The idea for the shows is similar to concerts recently held in the United Kingdom and Europe. The same concept was utilized in recent Texas shows in Austin, Dallas, and Lubbock. While the White Oak shows won't be anywhere close to capacity, it will be a much welcomed return for live music and will likely sell out quick.

    The event adopted the City of Houston's new events recommendations for outdoor public gatherings. Precautions include grids being separated from each other by a minimum of 6-feet in all directions, a reduction of capacity to 25 percent, online and contactless food and beverage ordering delivered by waitstaff, staggered entry, mandatory face coverings and other safety and sanitation measures.

    “We are beyond excited to start hosting concerts again, especially with acclaimed artists like Major Lazer and Shakey Graves,” said White Oak Music Hall co-managing partner, Jagi Katial, said in a statement. “The grid experience will be smaller and more intimate in terms of attendance, but we will bring the same level of production fans have come to expect from us. We want to thank the Mayor’s Office of Special Events and the City of Houston Health Department for working with us to develop our safety plan, and for their continued support for the events industry."

    Grid spaces will be at least 7 feet by 7 feet and cost between $149 and $1500, depending on the performer. Exceptions are Tier 1 spots which are 50 percent larger. Up to six people can share a grid space and the area that will comprise the grid spaces will be 35,000 square feet.

    Concert-goers will be able to order drinks for delivery to their section via cards like those found at a sushi bar and restroom access will be limited to maintain social distancing guidelines.

    "We've been diligently working on a plan to responsibly host concerts for a long time now," White Oak Music Hall marketing director Mike Mauer tells CultureMap. "It's absolutely thrilling to see all the pieces align and be able to bring such a high caliber of artists to Houston."

    For more information regarding the grid concert series and safety protocols at the venue, visit www.whiteoakmusichall.com/grid.

    The socially distanced shows will include grid spaces for up to six ticket-holders.

    White Oak Music Hall Grid
    Courtesy White Oak Music Hall
    The socially distanced shows will include grid spaces for up to six ticket-holders.
    nightlifemusicconcerts
    news/entertainment

    Movie Review

    Rose Byrne and star-laden cast try to beat the system in new movie Tow

    Alex Bentley
    Mar 23, 2026 | 3:00 pm
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast — both Spencer and DeBose are Oscar winners — makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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    news/entertainment
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