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    Guide To Texas Contemporary

    Insider's Guide to Texas Contemporary: Parties, surprises and a focus on the Mexico art scene

    Tarra Gaines
    Sep 30, 2015 | 11:29 am

    It’s one of those pesky problems we Houstonian have to contend with — and no, it's not traffic or heat. Yet another big art or entertainment event comes to town for a weekend and there’s just too much to see.

    Case in point, this year’s Texas Contemporary, the second of the two big fall art fairs. With four days (October 1-4), 60 galleries — from Houston to New York to London — and a plethora of installations, talks, and performances, we’re going to have to strategize our time again.

    So playing everyone’s art scheduling assistant, I contacted Max Fishko, managing partner of Art Market Productions the Texas Contemporary organizers, to find out what’s the good contemporary art word for this year. And what are those art words? Mexico, parties, and surprises.

    The Other Mexico

    A big change this year for the Texas Contemporary is an across-the-border focus on Mexico City. Fishko admits that in the past years, the show “had not previously been tremendously international,” but this year they set out to change that.

    “I was brainstorming with my colleagues and with Bill Arning, Director of the CAM (Contemporary Arts Museum Houston), where many good ideas come from, and we were commenting on how much attention the Mexico City scene was getting,” explained Fishko. With the idea to give the 2015 Texas Contemporary a more international scope, they realized that Mexico would be the ideal start.

    “Won’t it be great because we’re geographically a sort of gateway for that part of the world, to be able to focus on one city at one time,” Fishko said when describing their thinking.

    After talks with the Department of Cultural Affairs at The Mexican Consulate in Houston and bringing in Leslie Moody Castro, an independent curator based in Mexico City who also works out of Austin, they began The Other Mexico project, with a title referencing the Octavio Paz text. This curated show within the show will feature seven galleries and project spaces from the dynamic and innovative art scene in Mexico City.

    “We wound up with a great little cross-section, just a taste, of some of the amazing things that are happening in that art scene and we’re giving them a platform to continue that dialogue here in Houston,” said Fishko.

    A Fair Featuring the Art of Houston

    While once again the George R. Brown Convention Center will be the center of art activity this weekend, the Texas Contemporary will be taking some of that show on the road, or at least into other venues, with performances, programs, parties and even a few exclusive peeks into the exquisite private art collections of some of Houston’s most well renowned collectors.

    “The idea was to bump up the program so that there’s a lot happening around town to get people excited, to make sure it’s a real arts weekend instead of one show in one place,” explained Fishko.

    A live performance by influential LA performance artist Jeffrey Vallance and Houston based Reverend Ethan Acres will be open to the public at the CAM on Saturday (October 3) at 2 pm, but for many of the other off-site programs, including a rare tour of the private collection of Fayez Sarofim, you’ll need a Patron VIP ticket and to RSVP.

    Don’t miss the Thursday night preview party official after party at Houston clubbing institution, Numbers, featuring a performance and world premier of artist Tameka Norris aka Meka Jean’s new EP Ivy League Ratchet.

    Installation Surprises

    Large and many times strange and wild installations are always some of the best parts of this contemporary fair, and this year is no exception. As an art and space (and art of space) fan, I’m especially looking forward to Monument to the First American In Space and Sputnik Returned by Brandon Vickerd. However, when I quizzed Fishko about what his pick will be for that don’t-miss installation, he suddenly got coy.

    The show will be upstairs at the Convention Center this year, instead of the ground floor, and Fishko is promising a surprising large scale installation from a mysterious Houston artist that will be “totally responsive” to the location and space. What will it be? Come on down to see.

    The Texas Contemporary runs from October 1-4 at the George R. Brown Convention Center.

    Holton Rower, 12ae4d, 2015. Acrylic on wood.

    Texas Contemporary 2015 Holton Rower, 12ae4d
    The Hole Courtesy Photo
    Holton Rower, 12ae4d, 2015. Acrylic on wood.
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    Thanks, Tommy

    Houston-born Broadway legend  donates 50,000 item personal collection to UH

    Holly Beretto
    Jan 9, 2026 | 1:45 pm
    Tommy Tune headshot
    Courtesy of University of Houston
    Tommy Tune has received 10 Tony Awards.

    Broadway legend Tommy Tune and his sister Gracey have made a major gift to the University of Houston, ensuring that the star's larger-than-life legacy will be available for scholars and students for generations to come. The Tony Award-winning actor, choreographer, and director has given a collection of costumes, scripts, design sketches, choreography notes, photos and personal letters to the university.

    More than 50,000 items in all, the collection captures the creative spirit of Broadway in the 1960s, ’70s and ’80s and provides a window into how iconic productions were conceived, staged, and experienced. Tune, a native Houstonian who earned his master's degree in directing from UH in 1964, has been one of Broadway's luminaries for decades, helming the original production of The Best Little Whorehouse in Texas, Nine, and more. He is the first person to win Tony Awards in four different categories, and the only person in Tony Awards history to win the same categories in consecutive years, taking home best choreography and best directing in 1990 and 1991. He is also the recipient of a Lifetime Achievement Tony Award.

    He starred opposite Barbra Streisand in the 1969 film Hello, Dolly!

    “The University of Houston felt like the natural home for it because it’s where my story truly began,” Tune said. “This collection represents my life in musical theater, and I want it to inspire the next generation of artists in the city that first inspired me.”

    The collection is housed in the UH Archives in the MD Anderson Library. Tune's sister Gracey noted that her brother's extraordinary career is part of theater history.

    “You don’t win nine Tony Awards in so many facets of the craft — and a 10th for Lifetime Achievement — without shaping the era itself,” she said. “This collection covers every corner of his Broadway life, and many of his creations still live on stages around the world.”

    The gift means that current and future generations of students and researchers will have access to remarkable items and letters.

    “This collection is a significant contribution to the study of theater history, particularly musical theater,” said University of Houston Archivist Mary Manning. “It will be invaluable to students, performers, filmmakers and researchers who want to explore Tune’s creative process, reconstruct productions or gain cultural context for the works he directed and performed in.”

    Tune's connections to Houston run deep. TUTS' annual Tommy Tune Awards are named for the star, and recognize excellence in high school musical theater.

    Tune expressed gratitude for the university and acknowledged that donating these pieces of his life and work represent a full-circle moment.

    “The University of Houston has an energy and creative spirit that matches everything this collection represents,” Tune said. “If my life’s journey can help even one young artist see a bigger future for themselves, it will be the perfect encore.”

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