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    Houston's Artful Weekend

    Insider's Guide to Houston's Artful Weekend: Dueling art fairs offer browsing and buying fun

    Tarra Gaines
    Sep 28, 2016 | 2:00 pm

    Fall in Houston brings fair time — art fairs, that is — and for the first year ever the two big collecting extravaganzas, the Texas Contemporary Art Fair (TCAF) and the Houston Art Fair (HAF) are happening on the same four days, September 29-October 2. No, it’s not a scheduling snafu, at least not on HAF’s part. This "all-art all-the-time" weekend comes to bring maximum buying and browsing fun for local art-lovers while giving out-of-town gallery owners, collectors and art experts two big artfully fair reasons to to visit Houston.

    With so many exhibits, celebrations and events to enjoy in four days, we just might reach art overload. So to help you organize and navigate the weekend, here’s a quick guide on the different fairs, along with some don’t-miss events to watch for as Houston gets its art on.

    Which Fair is Which?
    The Texas Contemporary sets up its lovely wares at its usual spot, the George R. Brown Convention Center. Expect 65 local, national, and international galleries to present their artists’ works as well as large installations throughout the hall, lectures, parties and some live performances. For the second year in a row, TCAF points a spotlight on Mexico with The Other Mexico, a special Leslie Moody Castro curated section featuring five galleries from Monterrey, Oaxaca City, Guadalajara, Mexico City, and Mérida.

    The Houston Art Fair, meanwhile has undergone three big changes since last year, starting with its name. When the Atlanta-based Urban Expositions acquired Houston Fine Art Fair organizers and owners Hamptons Expo Group last year, they decided to drop the “Fine” from the name. When I recently talked to Donna Davies, vice president of art group at Urban Expositions, she explained they hope the name change gives HAF a “broader scope,” especially as they partner with galleries who exhibit works in different genres, and that the “fine” felt a bit “antiquated.”

    They also made the decision to sync up fair dates after talking with gallery owners, patrons and city officials. While it might cause Houston collectors and art lovers some driving between events, having both fairs on the same weekend allows out-of-town guest to consolidate their art-buying travels.

    The last big change is a move from NRG Center to Silver Street Event Space, which brings the HAF closer to downtown, and closer to George R. Brown, for that matter. Davis touts Silver Street as providing a more intimate experience with less of a “big box” feel that the large space of a big convention hall might bring.

    Pick Your Party
    It wouldn't be an art fair without an opening night VIP preview for a good art cause, but they’re both happening Thursday, September 29, so choose your celebration, venue, and decide just how very of a very important person you want to feel because both events have multiple levels. At Silver Street, HAF gives patrons a preview of the preview with First Look opportunity at 6 pm before the VIP opening night at 8 pm. These events benefit FotoFest International.

    Back at George R. Brown, TCAF offers a select patron pass and a patron pass to the opening night preview, also at 6 pm, which benefits the Contemporary Arts Museum Houston. Anyone purchasing a multi-day pass can enter the preview at 8 pm on Thursday.

    Check the calendar for both fairs because those VIP tickets also get patrons into exclusive tours, performances and lectures.

    Special Events
    Fairgoers will want to walk through all the galleries to admire and maybe even make an art-buying love connection, but both fairs have packed into four days an amount of programming that could keep us busy on site and around the city for weeks. Here are just a few of the events we don’t want to miss.

    • TCAF celebrates more than just the visual arts this year with some live performances, starting with a collaboration and “physical conversation” between the Houston Ballet's Oliver Halkowich and artist Chris Doyle. The Inprint Poetry Busters will also be on hand composing poetry on demand during the weekend. The Houston literary journal, Gulf Coast, presents a reading by local writers Julia Brown, BJ Love, Jonathan Moody, Aliah Lavonne Tigh, and Ching-In Chen on Saturday.
    • If you’ve ever driven down Kirby Drive and wondered about that giant green flower in front of West Ave, check out the film The Journey on Saturday at HAF. Journey tells the story of how the James Surl sculpture, Tree and Three Flowers first came to bloom in Houston.
    • Renowned Chicano art collector might not be the first way the movie-going public identifies actor, comedian and director Cheech Marin, but museum across the country have exhibited his private collection. He makes an appearance at Silver Street on Saturday for a signing of his book Papel Chicano Dos: Works on Paper from the Cheech Marin Collection. Come to hear his views on Chicano art, stay for the tastings of his new artisanal Tres Papalote Mezcal.

    Both fairs are also offering off-site tours of some of the most intriguing private collections in town. Most of these works are rarely on view to the public, so if you’ve ever wanted to see what art lies behind closed doors, make sure to get a VIP pass and sign up for these tours early. Maybe you’ll find inspiration to begin your own collection.

    Actor, comedian, director and renowned Chicano art collector Cheech Marin makes an appearance at Silver Street on Saturday for a signing of his book Papel Chicano Dos: Works on Paper from the Cheech Marin Collection.

    Houston Fine Arts Fair, Cheech Marin, September 2012
    Photo by Gary Fountain
    Actor, comedian, director and renowned Chicano art collector Cheech Marin makes an appearance at Silver Street on Saturday for a signing of his book Papel Chicano Dos: Works on Paper from the Cheech Marin Collection.
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    Best January Art

    Blockbuster Frida Kahlo exhibit and 8 more new Houston art openings

    Tarra Gaines
    Jan 8, 2026 | 3:00 pm
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    The Museum of Fine Arts, Houston presents "Frida: The Making of an Icon

    The art world looks to the Museum of Fine Arts, Houston this month as it unveils a monumental Frida Kahlo exhibition, but there’s many other shows around Houston opening this month, especially of contemporary and new art. From possible AI photographic futures to photo art that weaves the past and present together, from ceramics turned inside out to magic mirrors, and the art of agriculture, Houston museums and galleries bring us a very artful New Year.

    “Anachronous” at Holocaust Museum Houston (now through March 8)
    In this new exhibition of work from Argentinian photographer Cynthia Isakson, the artist has selected old family photos taken and kept over decades through war, displacement, and travels across continents. She then takes those images and incorporates them into her contemporary photography. Melded together, these layered images become new stories and expansive portraits of a family over many years.

    The 18 digital photographs in the exhibition were printed on fabric and thematically draw ties between the past and present, illustrating the family threads woven through time. Generations and place also become linked, as viewers witness the connections between Warsaw, Buenos Aires, and Houston through five generations of one family.

    “norMAL and unreMARKable” at Throughline (January 10-February 7)
    Featuring works by Heather L. Johnson and Henry G. Sanchez, this show of recent pieces explore how we define the “unusual” and “exceptional” in both psychological and sociological terms. Johnson works with embroidery and drawing to explore physical manifestations of environmental toxicity brought on by society’s technological dependence. After being diagnosed with cancer, Sanchez broke with his past social art practice to experiment with multimedia installations. He uses this work as a way to consider how that diagnosis has changed his artistic and personal mission. Taken together, these “norMAL and unreMARKable” pieces examine the fragility of contemporary life.

    “The Uncanny In-Between” at Blaffer Art Museum (January 10-March 14)
    This exhibition of ceramic work will showcase five acclaimed artists of Korean heritage who work across the U.S., including Audrey An (Philadelphia), Wansoo Kim (Clarksville), Hoon Lee (Allendale), Texan Hayun Surl, and Hae Won Sohn (Alfred, New York). Organized by Sso-Rha Kang, curator at the Carnegie in Covington, Kentucky, these ceramic pieces have subversive forms that weave together personal mythologies, traditional techniques, and technological interventions.

    At once an exhibition and also an archival project, the ceramic pieces will be shown beside high-resolution 3D digital renderings of the interiors of each artwork. These renderings allow Blaffer visitors to glimpse the interior of some of the pieces, viewing the art beyond the surface into their hidden depths.

    “End Cash Bail” at Lawndale Art Center (January 14-17)
    This limited-time exhibition centered on Texas prison systems brings together the visual and literary arts with works of poetry, paintings, collages, cyanotypes, photography, and more. Curated by KB Brookins, the ACLU of Texas artist-in-residence, Lawndale states that the exhibition is intentionally wide-spanning in perspective and art mediums and genre to show the extensive impact and responses to the Texas jail crisis.

    “Magic Mirrors” at Art League Houston (January 16-April 19)
    While the term probably conjures up vain queens in need of a beauty pep talk , magic mirrors are real historic pieces of art first invented in ancient China. When light hits the front of the “mirror,” an engraving on the back is projected onto an opposite surface. Interdisciplinary artist Jamie Ho began with the concept of a “magic mirror” to create art that explores how Chinese American women and their bodies have been depicted historically and in popular culture.

    Ho’s work uses GIFs, sculptures, new media, and installations to play with concepts of mirror images. As her sculptures reference historical and current Chinese diasporic objects, Ho also projects GIFs of her body onto the surfaces of some of her sculptures to create ghostly afterimages.

    “The River Entered My Home” at Art League Houston (January 16-April 19)
    Collaborating as Hammonds + West, Austin multimedia artist Hollis Hammonds and Austin poet and professor Sasha West interweave Morton’s drawings and West’s poetic text into multimedia installations and exhibits. The duo create work with an ecological and environmental focus on a personal and societal scale. Hammonds’ drawings depict the melancholy and darkness manifested in West’s poems, while West’s poems connect to Hammond’s visual landscapes which are often reflections on a fire that consumed her childhood home in Kentucky. As they collaborate across several different mediums, they blend sound with sculptural installation, video with drawings, and words with images.

    “Mud + Corn + Stone + Blue” at Blaffer Art Museum (January 17-March 14)
    Art, political history, and agriculture meet in this new exhibition organized by Blaffer chief curator Laura Augusta. Through the art works selected, the exhibition traces historical entanglements between the United States and Central America through the distinctive angle of U.S. agricultural policy.

    The show looks to be both expansive and personal as Augusta has drawn upon connections between her family’s history in the Great Plains and her relationships built through art in Guatemala. She notes the shared histories across the U.S. and Central America since the 1960s related to the corn industry. The artists showcased in “Mud + Corn + Stone + Blue” are from the U.S. Corn Belt, Guatemala, Nicaragua, El Salvador, and Honduras, with the exhibition drawing links between these places to illustrate their connections that cross borders and time.

    “Frida: The Making of an Icon” at Museum of Fine Arts, Houston (January 19-May 17)
    Fridamania will grip Houston this year, as the MFAH opens this brand new exhibition that they also organized. (Dance lovers should also look for the Houston Ballet to present Broken Wings, a ballet about the life of Kahlo in March.) What makes “Frida: The Making of an Icon” so different from most of the other surveys and retrospectives of Kahlo’s work around the world is this exhibition’s focus on how both her life and art inspired other artists over the many decades since her death.

    While the show will feature 35 masterpieces by Kahlo herself, it will also examine her great legacy and influence on other artists, including painters, sculptorsm and photographers, as well as activists and social communities. Organized thematically around some of those movements, like “Surrealism” and “Gendered Dialogues,” the show will also feature a special gallery of Frida related mass produced merchandise, as well as handcrafted tributes to her.

    “The exhibition reveals how the different facets of Kahlo’s complex persona(lity), which she so carefully crafted and projected, were adapted again and again over her decades-long transformation into an icon,” explains exhibition curator Mari Carmen Ramírez.

    “Imaging after Photography” at Rice’s Moody Center for the Arts (January 23-May 9)
    With the rise of AI as a tool to generate visual imaging, seeing may no longer be believing when it comes to the use of photography for documenting reality. As artists and photographers explore this new technology, they wrestle with how AI technology might reshape their art and how we see the world.

    Always on the vanguard of where art and science meet, the Moody Center presents this new exhibition of works by seven acclaimed national and international artists, including Nouf Aljowaysir, Refik Anadol, Grégory Chatonsky, Sofia Crespo, Joan Fontcuberta, Lisa Oppenheim, and Trevor Paglen. Though working in different photographic and video mediums, they all incorporate contemporary technologies into their practice in order to reflect on the history and future of photography. While their perspectives on a future where AI becomes a significant component of everyday life span a range from optimistic to pessimistic, these artists never shy from the complexity of those possibilities.

    “There are few topics as urgent as artificial intelligence and its impact on all facets of society,” describes Alison Weaver, Moody Center executive director and co-curator of the exhibition. “Through this presentation of works by some of today’s most thoughtful and visionary artists, we hope to inspire dialogue about the influence of new technologies on the images that populate our daily lives and shape our visual culture.”

    Nickolas Muray, Frida with her Pet Eagle, Coyoac\u00e1n, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.

    The Museum of Fine Arts, Houston presents "Frida: The Making of an Icon."

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